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Arnold Bennett

THESE TWAIN

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Title: These Twain Author: Arnold Bennett Release Date: August 11, 2012 [EBook #40483] Language: English Character set encoding: UTF-8

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Cover

THESE TWAIN

BY

ARNOLD BENNETT

AUTHOR OF "THE OLD WIVES' TALE," "THE OLD ADAM," "CLAYHANGER," "HILDA LESSWAYS," ETC.

NEW YORK GEORGE H. DORAN COMPANY

Copyright, 1915, BY ARNOLD BENNETT

CONTENTS

BOOK I

THE WOMAN IN THE HOUSE

CHAPTER

1. THE HOUSE

2. HILDA ON THE STAIRS

3. ATTACK AND REPULSE

4. THE WORD

5. TERTIUS INGPEN

6. HUSBAND AND WIFE

7. THE TRUCE

8. THE FAMILY AT HOME

9. THE WEEK-END

10. THE ORGREAVE CALAMITY

BOOK II

THE PAST

1. LITHOGRAPHY

2. DARTMOOR

3. THE DEPARTURE

4. TAVY MANSION

5. THE PRISON

6. THE GHOST

BOOK III

EQUILIBRIUM

1. GEORGE'S EYES

2. AUNTIE HAMPS SENTENCED

3. DEATH AND BURIAL

4. THE DISCOVERY

BOOK I

THE WOMAN IN THE HOUSE

THESE TWAIN

CHAPTER I

THE HOUSE

I

In the year 1892 Bleakridge, residential suburb of Bursley, was still most plainly divided into old and new,--that is to say, into the dull red or dull yellow with stone facings, and the bright red with terra cotta gimcrackery. Like incompatible liquids congealed in a pot, the two components had run into each other and mingled, but never mixed.

Paramount among the old was the house of the Member of Parliament, near the top of the important mound that separates Hanbridge from Bursley. The aged and widowed Member used the house little, but he kept it up, and sometimes came into it with an unexpectedness that extremely flattered the suburb. Thus you might be reading in the morning paper that the Member had given a lunch in London on the previous day to Cabinet Ministers and ladies as splendid as the Countess of Chell, and--glancing out of the window--you might see the Member himself walking down Trafalgar Road, sad, fragile, sedately alert, with his hands behind him, or waving a gracious hand to an acquaintance. Whereupon you would announce, not apathetically: "Member's gone down to MacIlvaine's!" ('MacIlvaine's being the works in which the Member had an interest) and there would perhaps be a rush to the window. Those were the last great days of Bleakridge.

After the Member's house ranked such historic residences as those of Osmond Orgreave, the architect, (which had the largest, greenest garden and the best smoke-defying trees in Bleakridge), and Fearns, the Hanbridge lawyer; together with Manor "Cottage" (so-called, though a spacious house), where lived the mechanical genius who had revolutionised the pottery industry and strangely enough made a fortune thereby, and the dark abode of the High Church parson.

Next in importance came the three terraces,--Manor Terrace, Abbey Terrace, and the Sneyd Terrace--each consisting of three or four houses, and all on the west side of Trafalgar Road, with long back-gardens and a distant prospect of Hillport therefrom over the Manor fields. The Terraces, considered as architecture, were unbeautiful, old-fashioned, inconvenient,--perhaps paltry, as may be judged from the fact that rents ran as low as £25 a year; but they had been wondrous in their day, the pride of builders and owners and the marvel of a barbaric populace. They too had histories, which many people knew. Age had softened them and sanctioned their dignity. A gate might creak, but the harsh curves of its ironwork had been mollified by time. Moreover the property was always maintained in excellent repair by its landlords, and residents cared passionately for the appearance of the windows and the front-steps. The plenary respectability of the residents could not be impugned. They were as good as the best. For address, they would not give the number of the house in Trafalgar Road, but the name of its Terrace. Just as much as the occupiers of detached houses, they had sorted themselves out from the horde. Conservative or Liberal, they were anti-democratic, ever murmuring to themselves as they descended the front-steps in the morning and mounted them in the evening: "Most folks are nobodies, but I am somebody." And this was true.

The still smaller old houses in between the Terraces, and even the old cottages in the side streets (which all ran to the east) had a similar distinction of caste, aloofness, and tradition. The least of them was scornful of the crowd, and deeply conscious of itself as a separate individuality. When the tenant-owner of a cottage in Manor Street added a bay-window to his front-room the event seemed enormous in Manor Street, and affected even Trafalgar Road, as a notorious clean-shaven figure in the streets may disconcert a whole quarter by growing a beard. The congeries of cottage yards between Manor Street and Higginbotham Street, as visible from certain high back-bedrooms in Trafalgar Road,--a crowded higgledy-piggledy of plum-coloured walls and chimneys, blue-brick pavements, and slate roofs--well illustrated the grand Victorian epoch of the Building Society, when eighteenpence was added weekly to eighteenpence, and land haggled over by the foot, and every brick counted, in the grim, long effort to break away from the mass.

The traditionalism of Bleakridge protected even Roman Catholicism in that district of Nonconformity, where there were at least three Methodist chapels to every church and where the adjective "popish" was commonly used in preference to "papal." The little "Catholic Chapel" and the priest's house with its cross-keys at the top of the mound were as respected as any other buildings, because Roman Catholicism had always been endemic there, since the age when the entire let belonged to Cistercian monks in white robes. A feebly endemic Catholicism and a complete exemption from tithes were all that remained of the Cistercian occupation. The exemption was highly esteemed by the possessing class.

Alderman Sutton, towards the end of the seventies, first pitted the new against the old in Bleakridge. The lifelong secretary of a first-class Building Society, he was responsible for a terrace of three commodious modern residences exactly opposite the house of the Member. The Member and Osmond Orgreave might modernise their antique houses as much as they liked,--they could never match the modernity of the Alderman's Terrace, to which, by the way, he declined to give a name. He was capable of covering his drawing-room walls with papers at three-and-six a roll, and yet he capriciously preferred numbers to a name! These houses cost twelve hundred pounds each (a lot of money in the happy far-off days when good bricks were only £1 a thousand, or a farthing apiece), and imposed themselves at once upon the respect and admiration of Bleakridge. A year or two later the Clayhanger house went up at the corner of Trafalgar Road and Hulton Street, and easily outvied the Sutton houses. Geographically at the centre of the residential suburb, it represented the new movement in Bleakridge at its apogee, and indeed was never beaten by later ambitious attempts.

Such fine erections, though nearly every detail of them challenged tradition, could not disturb Bleakridge's belief in the stability of society. But simultaneously whole streets of cheap small houses (in reality, pretentious cottages) rose round about. Hulton Street was all new and cheap. Oak Street offered a row of pink cottages to Osmond Orgreave's garden gates, and there were three other similar new streets between Oak Street and the Catholic Chapel. Jerry-building was practised in Trafalgar Road itself, on a large plot in full view of the Catholic Chapel, where a speculative builder, too hurried to use a measure, "stepped out" the foundations of fifteen cottages with his own bandy legs, and when the corner of a freshly-constructed cottage fell into the street remarked that accidents would happen and had the bricks replaced. But not every cottage was jerry-built. Many, perhaps most, were of fairly honest workmanship. All were modern, and relatively spacious, and much superior in plan to the old. All had bay-windows. And yet all their bay-windows together could not produce an effect equal to one bay-window in ancient Manor Street, because they had omitted to be individual. Not one showy dwelling was unlike another, nor desired to be unlike another.

The garish new streets were tenanted by magic. On Tuesday the paperhangers might be whistling in those drawing-rooms (called parlours in Manor Street),--on Wednesday bay-windows were curtained and chimneys smoking. And just as the cottages lacked individuality, so the tenants were nobodies. At any rate no traditional person in Bleakridge knew who they were, nor where they came from, except that they came mysteriously up out of the town. (Not that there had been any shocking increase in the birthrate down there!) And no traditional person seemed to care. The strange inroad and portent ought to have puzzled and possibly to have intimidated traditional Bleakridge: but it did not. Bleakridge merely observed that "a lot of building was going on," and left the phenomenon at that. At first it was interested and flattered; then somewhat resentful and regretful. And even Edwin Clayhanger, though he counted himself among the enlightened and the truly democratic, felt hurt when quite nice houses, copying some features of his own on a small scale, and let to such people as insurance agents, began to fill up the remaining empty spaces of Trafalgar Road. He could not help thinking that the prestige of Bleakridge was being impaired.

II

Edwin Clayhanger, though very young in marriage, considered that he was getting on in years as a householder. His age was thirty-six. He had been married only a few months, under peculiar circumstances which rendered him self-conscious, and on an evening of August 1892, as he stood in the hall of his house awaiting the commencement of a postponed and unusual At Home, he felt absurdly nervous. But the nervousness was not painful; because he himself could laugh at it. He might be timid, he might be a little gawky, he might often have the curious sensation of not being really adult but only a boy after all,--the great impressive facts would always emerge that he was the respected head of a well-known family, that he was successful, that he had both ideas and money, and that his position as one of the two chief master-printers of the district would not be challenged. He knew that he could afford to be nervous. And further, since he was house-proud, he had merely to glance round his house in order to be reassured and puffed up.

Loitering near the foot of the stairs, discreetly stylish in an almost new blue serge suit and a quite new black satin tie, with the light of the gas on one side of his face, and the twilight through the glazed front-door mitigating the shadow on the other, Edwin mused pleasingly upon the whole organism of his home. Externally, the woodwork and metalwork of the house had just been repainted, and the brickwork pointed. He took pleasure in the thought of the long even lines of fresh mortar, and of the new sage-tinted spoutings and pipings, every foot of which he knew by heart and where every tube began and where it ended and what its purpose was. The nice fitting of a perpendicular spout into a horizontal one, and the curve of the joint from the eave to the wall of the house, and the elaborate staples that firmly held the spout to the wall, and the final curve of the spout that brought its orifice accurately over a spotless grid in the ground,--the perfection of all these ridiculous details, each beneath the notice of a truly celestial mind, would put the householder Edwin into a sort of contemplative ecstasy. Perhaps he was comical. But such inner experiences were part of his great interest in life, part of his large general passion.

Within the hall he regarded with equal interest and pride the photogravure of Bellini's "Agony in the Garden," from the National Gallery, and the radiator which he had just had installed. The radiator was only a half-measure, but it was his precious toy, his pet lamb, his mistress; and the theory of it was that by warming the hall and the well of the staircase it softly influenced the whole house and abolished draughts. He had exaggerated the chilliness of the late August night so that he might put the radiator into action. About the small furnace in the cellar that heated it he was both crotchetty and extravagant. The costly efficiency of the radiator somewhat atoned in his mind for the imperfections of the hot water apparatus, depending on the kitchen boiler. Even in 1892 this middle-class pioneer and sensualist was dreaming of an ideal house in which inexhaustible water was always positively steaming, so that if a succession of persons should capriciously desire hot baths in the cold middle of the night, their collective fancy might be satisfied.

Bellini's picture was the symbol of an artistic revolution in Edwin. He had read somewhere that it was "perhaps the greatest picture in the world." A critic's exhortation to "observe the loving realistic passion shown in the foreshortening of the figure of the sleeping apostle" had remained in his mind; and, thrilled, he would point out this feature of the picture alike to the comprehending and the uncomprehending. The hanging-up of the Bellini, in its strange frame of stained unpolished oak, had been an epochal event, closing one era and inaugurating another. And yet, before the event, he had not even noticed the picture on a visit to the National Gallery! A hint, a phrase murmured in the right tone in a periodical, a glimpse of an illustration,--and the mighty magic seed was sown. In a few months all Victorian phenomena had been put upon their trial, and most of them condemned. And condemned without even the forms of justice! Half a word (in the right tone) might ruin any of them. Thus was Sir Frederick Leighton, P.R.A., himself overthrown. One day his "Bath of Psyche" reigned in Edwin's bedroom, and the next it had gone, and none knew why. But certain aged Victorians, such as Edwin's Auntie Hamps, took the disappearance of the licentious engraving as a sign that the beloved queer Edwin was at last coming to his senses--as, of course, they knew he ultimately would. He did not and could not explain. More and more he was growing to look upon his house as an island, cut off by a difference of manners from the varnished barbarism of multitudinous new cottages, and by an immensely more profound difference of thought from both the cottages and the larger houses. It seemed astounding to Edwin that modes of thought so violently separative as his and theirs could exist so close together and under such appearances of similarity. Not even all the younger members of the Orgreave family, who counted as his nearest friends, were esteemed by Edwin to be meet for his complete candour.

The unique island was scarcely a dozen years old, but historical occurrences had aged it for Edwin. He had opened the doors of all three reception-rooms, partly to extend the benign sway of the radiator, and partly so that he might judge the total effect of the illuminated chambers and improve that effect if possible. And each room bore the mysterious imprints of past emotion.

In the drawing-room, with its new orange-coloured gas-globes that gilded everything beneath them, Edwin's father used to sit on Sunday evenings, alone. And one Sunday evening, when Edwin, entering, had first mentioned to his father a woman's name, his father had most terribly humiliated him. But now it seemed as if some other youth, and not Edwin, had been humiliated, so completely was the wound healed.... And he could remember leaning in the doorway of the drawing-room one Sunday morning, and his sister Clara was seated at the piano, and his sister Maggie, nursing a baby of Clara's, by her side, and they were singing Balfe's duet "Excelsior," and his father stood behind them, crying, crying steadily, until at length the bitter old man lost control of himself and sobbed aloud under the emotional stress of the women's voices, and Clara cheerfully upbraided him for foolishness; and Edwin had walked suddenly away. This memory was somehow far more poignant than the memory of his humiliation.... And in the drawing-room too he had finally betrothed himself to Hilda. That by comparison was only yesterday; yet it was historical and distant. He was wearing his dressing-gown, being convalescent from influenza; he could distinctly recall the feel of his dressing-gown; and Hilda came in--over her face was a veil....

The dining-room, whose large glistening table was now covered with the most varied and modern "refreshments" for the At Home, had witnessed no event specially dramatic, but it had witnessed hundreds of monotonous tragic meals at which the progress of his father's mental malady and the approach of his death could be measured by the old man's increasing disability to distinguish between his knife and his fork; it had seen Darius Clayhanger fed like a baby. And it had never been the same dining-room since. Edwin might transform it, re-paper it, re-furnish it,--the mysterious imprint remained....

And then there was the little "breakfast-room," inserted into the plan of the house between the hall and the kitchen. Nothing had happened there, because the life of the household had never adjusted itself to the new, borrowed convention of the "breakfast-room." Nothing? But the most sensational thing had happened there! When with an exquisite passing timidity she took possession of Edwin's house as his wife, Hilda had had a sudden gust of audacity in the breakfast-room. A mature woman (with a boy aged ten to prove it), she had effervesced into the naïve gestures of a young girl who has inherited a boudoir. "This shall be my very own room, and I shall arrange it just how I like, without asking you about anything. And it will be my very own." She had not offered an idea; she had announced a decision. Edwin had had other notions for the room, but he perceived that he must bury them in eternal silence, and yield eagerly to this caprice. Thus to acquiesce had given him deep and strange joy. He was startled, perhaps, to discover that he had brought into his house--not a woman, but a tripartite creature--woman, child, and sibyl. Neither Maggie nor Clara, nor Janet Orgreave, nor even Hilda before she became his wife, had ever aroused in him the least suspicion that a woman might be a tripartite creature. He was married, certainly--nobody could be more legally and respectably married than was he--but the mere marriage seemed naught in comparison with the enormous fact that he had got this unexampled creature in his house and was living with her, she at his mercy, and he at hers. Enchanting escapade! Solemn doom! ... By the way, she had yet done nothing with the breakfast-room. Yes, she had stolen a "cabinet" gold frame from the shop, and put his photograph into it, and stuck his picture on the mantelpiece; but that was all. She would not permit him to worry her about her secret designs for the breakfast-room. The breakfast-room was her affair. Indeed the whole house was her affair. It was no longer his house, in which he could issue orders without considering another individuality--orders that would infallibly be executed, either cheerfully or glumly, by the plump spinster, Maggie. He had to mind his p's and q's; he had to be wary, everywhere. The creature did not simply live in the house; she pervaded it. As soon as he opened the front-door he felt her.

III

She was now upstairs in their joint bedroom, dressing for the At Home. All day he had feared she might be late, and as he looked at the hall-clock he saw that the risk was getting acute.

Before the domestic rearrangements preceding the marriage had been fully discussed, he had assumed, and Maggie and Clara had assumed, and Auntie Hamps had absolutely assumed, that the husband and wife would occupy the long empty bedroom of old Darius, because it was two-foot-six broader than Edwin's, and because it was the "principal" bedroom. But Hilda had said No to him privately. Whereupon, being himself almost morbidly unsentimental, he had judiciously hinted that to object to a room because an old man had died in it under distressing circumstances was to be morbidly sentimental and unworthy of her. Whereupon she had mysteriously smiled, and called him sweet bad names, and kissed him, and hung on his neck. She sentimental! Could not the great stupid see without being told that what influenced her was not an aversion for his father's bedroom, but a predilection for Edwin's. She desired that they should inhabit his room. She wanted to sleep in his room; and to wake up in it, and to feel that she was immersing herself in his past.... (Ah! The exciting flattery, like an aphrodisiac!) And she would not allow him to uproot the fixed bookcases on either side of the hearth. She said that for her they were part of the room itself. Useless to argue that they occupied space required for extra furniture! She would manage! She did manage. He found that the acme of convenience for a husband had not been achieved, but convenience was naught in the rapture of the escapade. He had "needed shaking up," as they say down there, and he was shaken up.

Nevertheless, though undoubtedly shaken up, he had the male wit to perceive that the bedroom episode had been a peculiar triumph for himself. Her attitude in it, imperious superficially, was in truth an impassioned and outright surrender to him. And further, she had at once become a frankly admiring partisan of his theory of bedrooms. The need for a comfortable solitude earlier in life had led Edwin to make his bedroom habitable by means of a gas-stove, an easy chair, and minor amenities. When teased by hardy compatriots about his sybaritism Edwin was apt sometimes to flush and be "nettled," and he would make offensive un-English comments upon the average bedroom of the average English household, which was so barbaric that during eight months of the year you could not maintain your temperature in it unless you were either in bed or running about the room, and that even in Summer you could not sit down therein at ease because there was nothing easy to sit on, nor a table to sit at nor even a book to read. He would caustically ask to be informed why the supposedly practical and comfort-loving English were content with an Alpine hut for a bedroom. And in this way he would go on. He was rather pleased with the phrase "Alpine hut." One day he had overheard Hilda replying to an acquaintance upstairs: "People may say what they like, but Edwin and I don't care to sleep in an Alpine hut." She had caught it! She was his disciple in that matter! And how she had appreciated his easy-chair! As for calm deliberation in dressing and undressing, she could astonishingly and even disconcertingly surpass him in the quality. But it is to be noted that she would not permit her son to have a gas-stove in his bedroom. Nor would she let him occupy the disdained principal bedroom, her argument being that that room was too large for a little boy. Maggie Clayhanger's old bedroom was given to George, and the principal bedroom remained empty.

CHAPTER II

HILDA ON THE STAIRS

I

Ada descended the stairs, young, slim, very neat. Ada was one of Hilda's two new servants. Before taking charge of the house Hilda had ordained the operation called "a clean sweep," and Edwin had approved. The elder of Maggie's two servants had been a good one, but Hilda had shown no interest in the catalogue of her excellences. She wanted fresh servants. Maggie, like Edwin, approved, but only as a general principle. In the particular case she had hinted that her prospective sister-in-law was perhaps unwise to let slip a tested servant. Hilda wanted not merely fresh servants, but young servants agreeable to behold. "I will not have a lot of middle-aged scowling women about my house," Hilda had said. Maggie was reserved, but her glance was meant to remind Hilda that in those end-of-the-century days mistresses had to be content with what they could get. Young and comely servants were all very well--if you could drop on them, but supposing you couldn't? The fact was that Maggie could not understand Hilda's insistence on youth and comeliness in a servant, and she foresaw trouble for Hilda. Hilda, however, obtained her desire. She was outspoken with her servants. If Edwin after his manner implied that she was dangerously ignoring the touchiness of the modern servant, she would say indifferently: "It's always open to them to go if they don't like it." They did not go. It is notorious that foolhardy mistresses are often very lucky.

As soon as Ada caught sight of her master in the hall she became self-conscious; all the joints of her body seemed to be hung on very resilient springs, and,--reddening slightly,--she lowered her gaze and looked at her tripping toes. Edwin seldom spoke to her more than once a day, and not always that. He had one day visited the large attic into which, with her colleague, she disappeared late at night and from which she emerged early in the morning, and he had seen two small tin trunks and some clothes behind the door, and an alarm-clock and a portrait of a fireman on the mantelpiece. (The fireman, he seemed to recollect, was her brother.) But she was a stranger in his house, and he had no sustained curiosity about her. The days were gone when he used to be the intimate of servants--of Mrs. Nixon, for example, sole prop of the Clayhanger family for many years, and an entirely human being to Edwin. Mrs. Nixon had never been either young, slim, or neat. She was dead. The last servant whom he could be said to have known was a pert niece of Mrs. Nixon's--now somebody's prolific wife and much changed. And he was now somebody's husband, and bearded, and perhaps occasionally pompous, and much changed in other ways. So that enigmatic Adas bridled at sight of him and became intensely aware of themselves. Still, this Ada in her smartness was a pretty sight for his eyes as like an aspen she trembled down the stairs, though the coarseness of her big red hands, and the vulgarity of her accent were a surprising contrast to her waist and her fine carriage.

He knew she had been hooking her mistress's dress, and that therefore the hooking must be finished. He liked to think of Hilda being attired thus in the bedroom by a natty deferential wench. The process gave to Hilda a luxurious, even an oriental quality, which charmed him. He liked the suddenly impressive tone in which the haughty Hilda would say to Ada, "Your master," as if mentioning a sultan. He was more and more anxious lest Hilda should be late, and he wanted to ask Ada: "Is Mrs. Clayhanger coming down?"

But he discreetly forbore. He might have run up to the bedroom and burst in on the toilette--Hilda would have welcomed him. But he preferred to remain with his anxiety where he was, and meditate upon Hilda bedecking herself up there in the bedroom--to please him; to please not the guests, but him.

Ada disappeared down the narrow passage leading to the kitchen, and a moment later he heard a crude giggle, almost a scream, and some echo of the rough tones in which the servants spoke to each other when they were alone in the kitchen. There were in fact two Adas; one was as timid as a fawn with a voice like a delicate invalid's; the other a loud-mouthed hoity-toity girl such as rushed out of potbanks in flannel apron at one o'clock. The Clayhanger servants were satisfactory, more than satisfactory, the subject of favourable comment for their neatness among the mistresses of other servants. He liked them to be about; their presence and their official demeanour flattered him; they perfected the complex superiority of his house,--that island. But when he overheard them alone together, or when he set himself to imagine what their soul's life was, he was more than ever amazed at the unnoticed profound differences between modes of thought that in apparently the most natural manner could exist so close together without producing a cataclysm. Auntie Hamps's theory was that they were all--he, she, the servants--equal in the sight of God!

II

Hilda's son, George Edwin, sidled surprisingly into the hall. He was wearing a sailor suit, very new, and he had probably been invisible somewhere against the blue curtains of the drawing-room window--an example of nature's protective mimicry. George was rather small for his ten years. Dark, like his mother, he had her eyes and her thick eyebrows that almost met in the middle, and her pale skin. As for his mind, he seemed to be sometimes alarmingly precocious and sometimes a case of arrested development. In this and many other respects he greatly resembled other boys. The son of a bigamist can have no name, unless it be his mother's maiden name, but George knew nothing of that. He had borne his father's name, and when at the exciting and puzzling period of his mother's marriage he had learnt that his surname would in future be Clayhanger he had a little resented the affront to his egoism. Edwin's explanation, however, that the change was for the convenience of people in general had caused him to shrug his shoulders in concession and to murmur casually: "Oh, well then--!" He seemed to be assenting with loftiness: "If it's any particular use to the whole world, I don't really mind."

"I say, uncle," he began.

Edwin had chosen this form of address. "Stepfather" was preposterous, and "father" somehow offended him; so he constituted himself an uncle.

"Hello, kid!" said he. "Can you find room to keep anything else in your pockets besides your hands?"

George snatched his hands out of his pockets. Then he smiled confidently up. These two were friends. Edwin was as proud as the boy of the friendship, and perhaps more flattered. At first he had not cared for George, being repelled by George's loud, positive tones, his brusque and often violent gestures, and his intense absorption in himself. But gradually he had been won by the boy's boyishness, his smile, his little, soft body, his unspoken invocations, his resentment of injustice (except when strict justice appeared to clash with his own interests), his absolute impotence against adult decrees, his touching fatalism, his recondite personal distinction that flashed and was gone, and his occasional cleverness and wit. He admitted that George charmed him. But he well knew that he also charmed George. He had a way of treating George as an equal that few children (save possibly Clara's) could have resisted. True, he would quiz the child, but he did not forbid the child to quiz. The mother was profoundly relieved and rejoiced by this friendship. She luxuriated in it. Edwin might well have been inimical to the child; he might through the child have shown a jealousy of the child's father. But, somewhat to the astonishment of even Edwin himself, he never saw the father in the child, nor thought of the father, nor resented the parenthood that was not his. For him the child was an individual. And in spite of his stern determination not to fall into the delusions of conceited parents, he could not help thinking that George was a remarkable child.

"Have you seen my horse?" asked George.

"Have I seen your horse? ... Oh! ... I've seen that you've left it lying about on the hall-table."

"I put it there so that you'd see it," George persuasively excused himself for the untidiness.

"Well, let's inspect it," Edwin forgave him, and picked up from the table a piece of cartridge-paper on which was a drawing of a great cart-horse with shaggy feet. It was a vivacious sketch.

"You're improving," said Edwin, judicially, but in fact much impressed. Surely few boys of ten could draw as well as that! The design was strangely more mature than certain quite infantile watercolours that Edwin had seen scarcely a year earlier.

"It's rather good, isn't it?" George suggested, lifting up his head so that he could just see over the edge of the paper which Edwin held at the level of his watch-chain.

"I've met worse. Where did you see this particular animal?"

"I saw him down near the Brewery this morning. But when I'm doing a horse, I see him on the paper before I begin to draw, and I just draw round him."

Edwin thought:

"This kid is no ordinary kid."

He said:

"Well, we'll pin it up here. We'll have a Royal Academy and hear what the public has to say." He took a pin from under his waistcoat.

"That's not level," said George.

And when Edwin had readjusted the pin, George persisted boldly:

"That's not level either."

"It's as level as it's going to be. I expect you've been drawing horses instead of practising your piano."

He looked down at the mysterious little boy, who lived always so much nearer to the earth's surface than himself.

George nodded simply, and then scratched his head.

"I suppose if I don't practise while I'm young I shall regret it in after life, shan't I?"

"Who told you that?"

"It's what Auntie Hamps said to me, I think... I say, uncle."

"What's up?"

"Is Mr. John coming to-night?"

"I suppose so. Why?"

"Oh, nothing.... I say, uncle."

"That's twice you've said it."

The boy smiled.

"You know that piece in the Bible about if two of you shall agree on earth--?"

"What of it?" Edwin asked rather curtly, anticipating difficulties.

"I don't think two boys would be enough, would they? Two grown-ups might. But I'm not so sure about two boys. You see in the very next verse it says two or three, gathered together."

"Three might be more effective. It's always as well to be on the safe side."

"Could you pray for anything? A penknife, for instance?"

"Why not?"

"But could you?" George was a little impatient.

"Better ask your mother," said Edwin, who was becoming self-conscious under the strain.

George exploded coarsely:

"Poh! It's no good asking mother."

Said Edwin:

"The great thing in these affairs is to know what you want, and to want it. Concentrate as hard as you can, a long time in advance. No use half wanting!"

"Well, there's one thing that's poz [positive]. I couldn't begin to concentrate to-night."

"Why not?"

"Who could?" George protested. "We're all so nervous to-night, aren't we, with this At Home business. And I know I never could concentrate in my best clothes."

For Edwin the boy with his shocking candour had suddenly precipitated out of the atmosphere, as it were, the collective nervousness of the household, made it into a phenomenon visible, tangible, oppressive. And the household was no longer a collection of units, but an entity. A bell rang faintly in the kitchen, and the sound abraded his nerves. The first guests were on the threshold, and Hilda was late. He looked at the clock. Yes, she was late. The hour named in the invitations was already past. All day he had feared lest she should be late, and she was late. He looked at the glass of the front-door; but night had come, and it was opaque. Ada tripped into view and ran upstairs.

"Don't you hear the front-door?" he stopped her flight.

"It was missis's bell, sir."

"Ah!" Respite!

Ada disappeared.

Then another ring! And no parlour-maid to answer the bell! Naturally! Naturally Hilda, forgetting something at the last moment, had taken the parlour-maid away precisely when the girl was needed! Oh! He had foreseen it! He could hear shuffling outside and could even distinguish forms through the glass--many forms. All the people converging from various streets upon the waiting nervousness of the household seemed to have arrived at once.

George moved impulsively towards the front-door.

"Where are you going?" Edwin asked roughly. "Come here. It's not your place to open the door. Come with me in the drawing-room."

It was no affair of Edwin's, thought Edwin crossly and uncompromisingly, if guests were kept waiting at the front-door. It was Hilda's affair; she was the mistress of the house, and the blame was hers.

At high speed Ada swept with streamers down the stairs, like a squirrel down the branch of a tree. And then came Hilda.

III

She stood at the turn of the stairs, waiting while the front-door was opened. He and George could see her over and through the banisters. And at sight of her triumphant and happy air, all Edwin's annoyance melted. He did not desire that it should melt, but it melted. She was late. He could not rely on her not to be late. In summoning the parlourmaid to her bedroom when the parlourmaid ought to have been on duty downstairs she had acted indefensibly and without thought. No harm, as it happened, was done. Sheer chance often thus saved her, but logically her double fault was not thereby mitigated. He felt that if he forgave her, if he dismissed the charge and wiped the slate, he was being false to the great male principles of logic and justice. The godlike judge in him resented the miscarriage of justice. Nevertheless justice miscarried. And the weak husband said like a woman: "What does it matter?" Such was her shameful power over him, of which the unscrupulous creature was quite aware.

As he looked at her he asked himself: "Is she magnificent? Or is she just ordinary and am I deluded? Does she seem her age? Is she a mature woman getting past the prime, or has she miraculously kept herself a young girl for me?"

In years she was thirty-five. She had large bones, and her robust body, neither plump nor slim, showed the firm, assured carriage of its age. It said: "I have stood before the world, and I cannot be intimidated." Still, marriage had rejuvenated her. She was marvellously young at times, and experience would drop from her and leave the girl that he had first known and kissed ten years earlier; but a less harsh, less uncompromising girl. At their first acquaintance she had repelled him with her truculent seriousness. Nowadays she would laugh for no apparent reason, and even pirouette. Her complexion was good; he could nearly persuade himself that that olive skin had not suffered in a decade of distress and disasters.

Previous to her marriage she had shown little interest in dress. But now she would spasmodically worry about her clothes, and she would make Edwin worry. He had to decide, though he had no qualifications as an arbiter. She would scowl at a dressmaker as if to say: "For God's sake do realise that upon you is laid the sacred responsibility of helping me to please my husband!" To-night she was wearing a striped blue dress, imperceptibly décolletée, with the leg-of-mutton sleeves of the period. The colours, two shades of blue, did not suit her. But she imagined that they suited her, and so did he; and the frock was elaborate, was the result of terrific labour and produced a rich effect, meet for a hostess of position.

The mere fact that this woman with no talent for coquetry should after years of narrow insufficiency scowl at dressmakers and pout at senseless refractory silks in the yearning for elegance was utterly delicious to Edwin. Her presence there on the landing of the stairs was in the nature of a miracle. He had wanted her, and he had got her. In the end he had got her, and nothing had been able to stop him--not even the obstacle of her tragic adventure with a rascal and a bigamist. The strong magic of his passion had forced destiny to render her up to him mysteriously intact, after all. The impossible had occurred, and society had accepted it, beaten. There she was, dramatically, with her thick eyebrows, and the fine wide nostrils and the delicate lobe of the ear, and that mouth that would startlingly fasten on him and kiss the life out of him.

"There is dear Hilda!" said someone at the door amid the arriving group.

None but Auntie Hamps would have said 'dear' Hilda. Maggie, Clara, and even Janet Orgreave never used sentimental adjectives on occasions of ceremony.

And in her clear, precise, dominating voice Hilda with gay ease greeted the company from above:

"Good evening, all!"

"What the deuce was I so upset about just now?" thought Edwin, in sudden, instinctive, exulting felicity: "Everything is absolutely all right."

CHAPTER III

ATTACK AND REPULSE

I

The entering guests were Edwin's younger sister Clara with her husband Albert Benbow, his elder sister Maggie, Auntie Hamps, and Mr. Peartree. They had arrived together, and rather unfashionably soon after the hour named in the invitation, because the Benbows had called at Auntie Hamps's on the way up, and the Benbows were always early, both in arriving and in departing, "on account of the children." They called themselves "early birds." Whenever they were out of the nest in the evening they called themselves early birds. They used the comparison hundreds, thousands, of times, and never tired of it; indeed each time they were convinced that they had invented it freshly for the occasion.

Said Auntie Hamps, magnificent in jetty black, handsome, and above all imposing:

"I knew you would be delighted to meet Mr. Peartree again, Edwin. He is staying the night at my house--I can be so much more hospitable now Maggie is with me--and I insisted he should come up with us. But it needed no insisting."

The old erect lady looked from Mr. Peartree with pride towards her nephew.

Mr. Peartree was a medium-sized man of fifty, with greying sandy hair. Twenty years before, he had been second minister in the Bursley Circuit of the Wesleyan Methodist Connexion. He was now Superintendent Minister in a Cheshire circuit. The unchangeable canons of Wesleyanism permit its ministers to marry, and celibacy is even discouraged, for the reason that wives and daughters are expected to toil in the cause, and their labour costs the circuit not a halfpenny. But the canons forbid ministers to take root and found a home. Eleven times in thirty years Mr. Peartree had been forced to migrate to a strange circuit and to adapt his much-travelled furniture and family to a house which he had not chosen, and which his wife generally did not like. During part of the period he had secretly resented the autocracy of Superintendent Ministers, and during the remainder he had learnt that Superintendent Ministers are not absolute autocrats.

He was neither overworked nor underpaid. He belonged to the small tradesman class, and, keeping a shop in St. Luke's Square, he might well have worked harder for less money than he now earned. His vocation, however, in addition to its desolating nomadic quality, had other grave drawbacks. It gave him contact with a vast number of human beings, but the abnormal proportion among them of visionaries, bigots, hypocrites, and petty office-seekers falsified his general estimate of humanity. Again, the canons rigorously forbade him to think freely for himself on the subjects which in theory most interested him; with the result that he had remained extremely ignorant through the very fear of knowledge, that he was a warm enemy of freedom, and that he habitually carried intellectual dishonesty to the verge of cynicism. Thirdly, he was obliged always to be diplomatic (except of course with his family), and nature had not meant him for the diplomatic career. He was so sick of being all things to all men that he even dreamed diplomatic dreams as a galley-slave will dream of the oar; and so little gifted for the rôle that he wore insignificant tight turned-down collars, never having perceived the immense moral advantage conferred on the diplomatist by a high, loose, wide-rolling collar. Also he was sick of captivity, and this in no wise lessened his objection to freedom. He had lost all youthful enthusiasm, and was in fact equally bored with earth and with heaven.

Nevertheless, he had authority and security. He was accustomed to the public gaze and to the forms of deference. He knew that he was as secure as a judge,--and far more secure than a cabinet-minister. Nothing but the inconceivable collapse of a powerful and wealthy sect could affect his position or his livelihood to the very end of life. Hence, beneath his weariness and his professional attitudinarianism there was a hint of the devil-may-care that had its piquancy. He could foresee with indifference even the distant but approaching day when he would have to rise in the pulpit and assert that the literal inspiration of the Scriptures was not and never had been an essential article of Wesleyan faith.

Edwin blenched at the apparition of Mr. Peartree. That even Auntie Hamps should dare uninvited to bring a Wesleyan Minister to the party was startling; but that the minister should be Mr. Peartree staggered him. For twenty years and more Edwin had secretly, and sometimes in public, borne a tremendous grudge against Mr. Peartree. He had execrated, anathematised, and utterly excommunicated Mr. Peartree, and had extended the fearful curse to his family, all his ancestors, and all his descendants. When Mr. Peartree was young and fervent in the service of heaven he had had the monstrous idea of instituting a Saturday Afternoon Bible Class for schoolboys. Abetted by parents weak-minded and cruel, he had caught and horribly tortured some score of miserable victims, of whom Edwin was one. The bitter memory of those weekly half-holidays thieved from him and made desolate by a sanctimonious crank had never softened, nor had Edwin ever forgiven Mr. Peartree.

It was at the sessions of the Bible Class that Edwin, while silently perfecting himself in the art of profanity and blasphemy, had in secret fury envenomed his instinctive mild objection to the dogma, the ritual, and the spirit of conventional Christianity, especially as exemplified in Wesleyan Methodism. He had left Mr. Peartree's Bible Class a convinced anti-religionist, a hater and despiser of all that the Wesleyan Chapel and Mr. Peartree stood for. He deliberately was not impartial, and he took a horrid pleasure in being unfair. He knew well that Methodism had produced many fine characters, and played a part in the moral development of the race; but he would not listen to his own knowledge. Nothing could extenuate, for him, the noxiousness of Methodism. On the other hand he was full of glee if he could add anything to the indictment against it and Christianity. Huxley's controversial victories over Gladstone were then occurring in the monthly press, and he acclaimed them with enormous gusto. When he first read that the Virgin Birth was a feature of sundry creeds more ancient than Christianity, his private satisfaction was intense and lasted acutely for days. When he heard that Methodism had difficulty in maintaining its supply of adequately equipped ministers, he rejoiced with virulence. His hostility was the more significant in that it was concealed--embedded like a foreign substance in the rather suave gentleness of his nature. At intervals--increasingly frequent, it is true--he would carry it into the chapel itself; for through mingled cowardice and sharp prudence, he had not formally left the Connexion. To compensate himself for such bowings-down he would now and then assert, judicially to a reliable male friend, or with ferocious contempt to a scandalised defenceless sister, that, despite all parsons, religion was not a necessity of the human soul, and that he personally had never felt the need of it and never would. In which assertion he was profoundly sincere.

And yet throughout he had always thought of himself as a rebel against authority; and--such is the mysterious intimidating prestige of the past--he was outwardly an apologetic rebel. Neither his intellectual pride nor his cold sustained resentment, nor his axiomatic conviction of the crude and total falseness of Christian theology, nor all three together, had ever sufficed to rid him of the self-excusing air. When Auntie Hamps spoke with careful reverence of "the Super" (short for "superintendent minister"), the word had never in thirty years quite failed to inspire in him some of the awe with which he had heard it as an infant. Just as a policeman was not an employee but a policeman, so a minister was not a person of the trading-class who happened to have been through a certain educational establishment, subscribed to certain beliefs, submitted to certain ceremonies and adopted a certain costume,--but a minister, a being inexplicably endowed with authority,--in fact a sort of arch-policeman. And thus, while detesting and despising him, Edwin had never thought of Abel Peartree as merely a man.

Now, in the gas-lit bustle of the hall, after an interval of about twenty years, he beheld again his enemy, his bugbear, his loathed oppressor, the living symbol of all that his soul condemned.

Said Mrs. Hamps:

"I reminded Mr. Peartree that you used to attend his Bible-class, Edwin. Do you remember? I hope you do."

"Oh, yes!" said Edwin, with a slight nervous laugh, blushing. His eye caught Clara's, but there was no sign whatever of the old malicious grin on her maternal face. Nor did Maggie's show a tremor. And, of course, the majestic duplicity of Auntie Hamps did not quiver under the strain. So that the Rev. Mr. Peartree, protesting honestly that he should have recognised his old pupil Mr. Clayhanger anywhere, never suspected the terrific drama of the moment.

And the next moment there was no drama.... Teacher and pupil shook hands. The recognition was mutual. To Edwin, Mr. Peartree, save for the greying of his hair, had not changed. His voice, his form, his gestures, were absolutely the same. Only, instead of being Mr. Peartree, he was a man like another man--a commonplace, hard-featured, weary man; a spare little man, with a greenish-black coat and bluish-white low collar; a perfunctory, listless man with an unpleasant voice; a man with the social code of the Benbows and Auntie Hamps; a man the lines of whose face disclosed a narrow and self-satisfied ignorance; a man whose destiny had forbidden him ever to be natural; the usual snobbish man, who had heard of the importance and the success and the wealth of Edwin Clayhanger and who kowtowed thereto and was naïvely impressed thereby, and proud that Edwin Clayhanger had once been his pupil; and withal an average decent fellow.

Edwin rather liked the casual look in Mr. Peartree's eyes that said: "My being here is part of my job. I'm indifferent. I do what I have to do, and I really don't care. I have paid tens of thousands of calls and I shall pay tens of thousands more. If I am bored I am paid to be bored, and I repeat I really don't care." This was the human side of Mr. Peartree showing itself. It endeared him to Edwin.

"Not a bad sort of cuss, after all!" thought Edwin.

All the carefully tended rage and animosity of twenty years evaporated out of his heart and was gone. He did not forgive Mr. Peartree, because there was no Mr. Peartree--there was only this man. And there was no Wesleyan chapel either, but only an ugly forlorn three-quarters-empty building at the top of Duck Bank. And Edwin was no longer an apologetic rebel, nor even any kind of a rebel. It occurred to nobody, not even to the mighty Edwin, that in those few seconds the history of dogmatic religion had passed definitely out of one stage into another.

Abel Peartree nonchalantly, and with a practised aplomb which was not disturbed even by the vision of George's heroic stallion, said the proper things to Edwin and Hilda; and it became known, somehow, that the parson was re-visiting Bursley in order to deliver his well-known lecture entitled "The Mantle and Mission of Elijah,"--the sole lecture of his repertoire, but it had served to raise him ever so slightly out of the ruck of 'Supers.' Hilda patronised him. Against the rich background of her home, she assumed the pose of the grand lady. Abel Peartree seemed to like the pose, and grew momentarily vivacious in knightly response. "And why not?" said Edwin to himself, justifying his wife after being a little critical of her curtness.

Then, when the conversation fell, Auntie Hamps discreetly suggested that she and the girls should "go upstairs." The negligent Hilda had inexcusably forgotten in her nervous excitement that on these occasions arriving ladies should be at once escorted to the specially-titivated best bedroom, there to lay their things on the best counterpane. She perhaps ought to have atoned for her negligence by herself leading Auntie Hamps to the bedroom. But instead she deputed Ada. "And why not?" said Edwin to himself again. As the ladies mounted Mr. Peartree laughed genuinely at one of Albert Benbow's characteristic pleasantries, which always engloomed Edwin. "Kindred spirits, those two!" thought the superior sardonic Edwin, and privately raised his eyebrows to his wife, who answered the signal.

II

Somewhat later, various other guests having come and distributed themselves over the reception-rooms, the chandeliers glinted down their rays upon light summer frocks and some jewellery and coats of black and dark grey and blue; and the best counterpanes in the best bedroom were completely hidden by mantles and cloaks, and the hatstand in the hall heavily clustered with hats and caps. The reception was in being, and the interior full of animation. Edwin, watchful and hospitably anxious, wandered out of the drawing-room into the hall. The door of the breakfast-room was ajar, and he could hear Clara's voice behind it. He knew that the Benbows and Maggie and Auntie Hamps were all in the breakfast-room, and he blamed chiefly Clara for this provincial clannishness, which was so characteristic of her. Surely Auntie Hamps at any rate ought to have realised that the duty of members of the family was to spread themselves among the other guests!

He listened.

"No," Clara was saying, "we don't know what's happened to him since he came out of prison. He got two years." She was speaking in what Edwin called her 'scandal' tones, low, clipped, intimate, eager, blissful.

And then Albert Benbow's voice:

"He's had the good sense not to bother us."

Edwin, while resenting the conversation, and the Benbows' use of "we" and "us" in a matter which did not concern them, was grimly comforted by the thought of their ignorance of a detail which would have interested them passionately. None but Hilda and himself knew that the bigamist was at that moment in prison again for another and a later offence. Everything had been told but that.

"Of course," said Clara, "they needn't have said anything about the bigamy at all, and nobody outside the family need have known that poor Hilda was not just an ordinary widow. But we all thought--"

"I don't know so much about that, Clary," Albert Benbow interrupted his wife; "you mustn't forget his real wife came to Turnhill to make enquiries. That started a hare."

"Well, you know what I mean," said Clara vaguely.

Mr. Peartree's voice came in:

"But surely the case was in the papers?"

"I expect it was in the Sussex papers," Albert replied. "You see, they went through the ceremony of marriage at Lewes. But it never got into the local rag, because he got married in his real name--Cannon wasn't his real name; and he'd no address in the Five Towns, then. He was just a boarding-house keeper at Brighton. It was a miracle it didn't get into the Signal, if you ask me; but it didn't. I happen to know"--his voice grew important--"that the Signal people have an arrangement with the Press Association for a full report of all matrimonial cases that 'ud be likely to interest the district. However, the Press Association weren't quite on the spot that time. And it's not surprising they weren't, either."

Clara resumed:

"No. It never came out. Still, as I say, we all thought it best not to conceal anything. Albert strongly advised Edwin not to attempt any such thing." ("What awful rot!" thought Edwin.) "So we just mentioned it quietly like to a few friends. After all, poor Hilda was perfectly innocent. Of course she felt her position keenly when she came to live here after the wedding." ("Did she indeed!" thought Edwin.) "Edwin would have the wedding in London. We did so feel for her." ("Did you indeed!" thought Edwin.) "She wouldn't have an At Home. I knew it was a mistake not to. We all knew. But no, she would not. Folks began to talk. They thought it strange she didn't have an At Home like other folks. Many young married women have two At Homes nowadays. So in the end she was persuaded. She fixed it for August because she thought so many people would be away at the seaside. But they aren't--at least not so many as you'd think. Albert says it's owing to the General Election upset. And she wouldn't have it in the afternoon like other folks. Mrs. Edwin isn't like other folks, and you can't alter her."

"What's the matter with the evening for an At Home, anyhow?" asked Benbow the breezy and consciously broad-minded.

"Oh, of course, I quite agree. I like it. But folks are so funny."

After a momentary pause, Mr. Peartree said uncertainly:

"And there's a little boy?"

Said Clara:

"Yes, the one you've seen."

Said Auntie Hamps:

"Poor little thing! I do feel so sorry for him--when he grows up--"

"You needn't, Auntie," said Maggie curtly, expressing her attitude to George in that mild curtness.

"Of course," said Clara quickly. "We never let it make any difference. In fact our Bert and he are rather friends, aren't they, Albert?"

At this moment George himself opened the door of the dining-room, letting out a faint buzz of talk and clink of vessels. His mouth was not empty.

Precipitately Edwin plunged into the breakfast-room.

"Hello! You people!" he murmured. "Well, Mr. Peartree."

There they were--all of them, including the parson--grouped together, lusciously bathing in the fluid of scandal.

Clara turned, and without the least constraint said sweetly:

"Oh, Edwin! There you are! I was just telling Mr. Peartree about you and Hilda, you know. We thought it would be better."

"You see," said Auntie Hamps impressively, "Mr. Peartree will be about the town to-morrow, and a word from him--"

Mr. Peartree tried unsuccessfully to look as if he was nobody in particular.

"That's all right," said Edwin. "Perhaps the door might as well be shut." He thought, as many a man has thought: "My relations take the cake!"

Clara occupied the only easy chair in the room. Mrs. Hamps and the parson were seated. Maggie stood. Albert Benbow, ever uxorious, was perched sideways on the arm of his wife's chair. Clara, centre of the conclave and of all conclaves in which she took part, was the mother of five children,--and nearing thirty-five years of age. Maternity had ruined her once slim figure, but neither she nor Albert seemed to mind that,--they seemed rather to be proud of her unshapeliness. Her face was unspoiled. She was pretty and had a marvellously fair complexion. In her face Edwin could still always plainly see the pert, charming, malicious girl of fourteen who loathed Auntie Hamps and was rude to her behind her back. But Clara and Auntie Hamps were fast friends nowadays. Clara's brood had united them. They thought alike on all topics. Clara had accepted Auntie Hamps's code practically entire; but on the other hand she had dominated Auntie Hamps. The respect which Auntie Hamps showed for Clara and for Edwin, and in a slightly less degree for Maggie, was a strange phenomenon in the old age of that grandiose and vivacious pillar of Wesleyanism and the conventions.

Edwin did not like Clara; he objected to her domesticity, her motherliness, her luxuriant fruitfulness, the intonations of her voice, her intense self-satisfaction and her remarkable duplicity; and perhaps more than anything to her smug provinciality. He did not positively dislike his brother-in-law, but he objected to him for his uxoriousness, his cheerful assurance of Clara's perfection, his contented and conceited ignorance of all intellectual matters, his incorrigible vulgarity of a small manufacturer who displays everywhere the stigmata of petty commerce, and his ingenuous love of office. As for Maggie, the plump spinster of forty, Edwin respected her when he thought of her, but reproached her for social gawkiness and taciturnity. As for Auntie Hamps, he could not respect, but he was forced to admire, her gorgeous and sustained hypocrisy, in which no flaw had ever been found, and which victimised even herself; he was always invigorated by her ageless energy and the sight of her handsome, erect, valiant figure.

Edwin's absence had stopped the natural free course of conversation. But there were at least three people in the room whom nothing could abash: Mrs. Hamps, Clara, and Mr. Peartree.

Mr. Peartree, sitting up with his hands on his baggy knees, said:

"Everything seems to have turned out very well in the end, Mr. Clayhanger--very well, indeed." His features showed less of the tedium of life.

"Eh, yes! Eh, yes!" breathed Auntie Hamps in ecstasy.

Edwin, diffident and ill-pleased, was about to suggest that the family might advantageously separate, when George came after him into the room.

"Oh!" cried George.

"Well, little jockey!" Clara began instantly to him with an exaggerated sweetness that Edwin thought must nauseate the child, "would you like Bert to come up and play with you one of these afternoons?"

George stared at her, and slowly flushed.

"Yes," said George. "Only--"

"Only what?"

"Supposing I was doing something else when he came?"

Without waiting for possible developments George turned to leave the room again.

"You're a caution, you are!" said Albert Benbow; and to the adults: "Hates to be disturbed, I suppose."

"That's it," said Edwin responsively, as brother-in-law to brother-in-law. But he felt that he, with a few months' experience of another's child, appreciated the exquisite strange sensibility of children infinitely better than Albert were he fifty times a father.

"What is a caution, Uncle Albert?" asked George, peeping back from the door.

Auntie Hamps good-humouredly warned the child of the danger of being impertinent to his elders:

"George! George!"

"A caution is a caution to snakes," said Albert. "Shoo!" Making a noise like a rocket, he feinted to pursue the boy with violence.

Mr. Peartree laughed rather loudly, and rather like a human being, at the word "snakes." Albert Benbow's flashes of humour, indeed, seemed to surprise him, if only for an instant, out of his attitudinarianism.

Clara smiled, flattered by the power of her husband to reveal the humanity of the parson.

"Albert's so good with children," she said. "He always knows exactly..." She stopped, leaving what he knew exactly to the listeners' imagination.

Uncle Albert and George could be heard scuffling in the hall.

Auntie Hamps rose with a gentle sigh, saying:

"I suppose we ought to join the others."

Her social sense, which was pretty well developed, had at last prevailed.

The sisters Maggie and Clara, one in light and the other in dark green, walked out of the room. Maggie's face had already stiffened into mute constraint, and Clara's into self-importance, at the prospect of meeting the general company.

III

Auntie Hamps held back, and Edwin at once perceived from the conspiratorial glance in her splendid eyes that in suggesting a move she had intended to deceive her fellow-conspirator in life, Clara. But Auntie Hamps could not live without chicane. And she was happiest when she had superimposed chicane upon chicane in complex folds.

She put a ringed hand softly but arrestingly upon Edwin's arm, and pushed the door to. Alone with her and the parson, Edwin felt himself to be at bay, and he drew back before an unknown menace.

"Edwin, dear," said she, "Mr. Peartree has something to suggest to you. I was going to say 'a favour to ask,' but I won't put it like that. I'm sure my nephew will look upon it as a privilege. You know how much Mr. Peartree has at heart the District Additional Chapels Fund--"

Edwin did not know how much; but he had heard of the Macclesfield District Additional Chapels Fund, Bursley being one of the circuits in the Macclesfield District. Wesleyanism finding itself confronted with lessening congregations and with a shortage of ministers, the Macclesfield District had determined to prove that Wesleyanism was nevertheless spiritually vigorous by the odd method of building more chapels. Mr. Peartree, inventor of Saturday afternoon Bible-Classes for schoolboys, was one of the originators of the bricky scheme, and in fact his lecture upon the "Mantle and Mission of Elijah" was to be in aid of it. The next instant Mr. Peartree had invited Edwin to act as District Treasurer of the Fund, the previous treasurer having died.

More chicane! The parson's visit, then, was not a mere friendly call, inspired by the moment. It was part of a scheme. It had been planned against him. Did they (he seemed to be asking himself) think him so ingenuous, so simple, as not to see through their dodge? If not, then why the preliminary pretences? He did not really ask himself these questions, for the reason that he knew the answers to them. When a piece of chicane had succeeded Auntie Hamps forgot it, and expected others to forget it,--or at any rate she dared, by her magnificent front, anybody on earth to remind her of it. She was quite indifferent whether Edwin saw through her dodge or not.

"You're so good at business," said she.

Ah! She would insist on the business side of the matter, affecting to ignore the immense moral significance which would be attached to Edwin's acceptance of the office! Were he to yield, the triumph for Methodism would ring through the town. He read all her thoughts. Nothing could break down her magnificent front. She had cornered him by a device; she had him at bay; and she counted on his weak good-nature, on his easy-going cowardice, for a victory.

Mr. Peartree talked. Mr. Peartree expressed his certitude that Edwin was "with them at heart," and his absolute reliance upon Edwin's sense of the responsibilities of a man in his, Edwin's, position. Auntie Hamps recalled with fervour Edwin's early activities in Methodism--the Young Men's Debating Society, for example, which met at six o'clock on frosty winter mornings for the proving of the faith by dialectics.

And Edwin faltered in his speech.

"You ought to get Albert," he feebly suggested.

"Oh, no!" said Auntie. "Albert is grand in his own line. But for this, we want a man like you."

It was a master-stroke. Edwin had the illusion of trembling, and yet he knew that he did not tremble, even inwardly. He seemed to see the forces of evolution and the forces of reaction ranged against each other in a supreme crisis. He seemed to see the alternative of two futures for himself--and in one he would be a humiliated and bored slave, and in the other a fine, reckless ensign of freedom. He seemed to be doubtful of his own courage. But at the bottom of his soul he was not doubtful. He remembered all the frightful and degrading ennui which when he was young he had suffered as a martyr to Wesleyanism and dogma, all the sinister deceptions which he had had to practise and which had been practised upon him. He remembered his almost life-long intense hatred of Mr. Peartree. And he might have clenched his hands bitterly and said with homicidal animosity: "Now I will pay you out! And I will tell you the truth! And I will wither you up and incinerate you, and be revenged for everything in one single sentence!" But he felt no bitterness, and his animosity was dead. At the bottom of his soul there was nothing but a bland indifference that did not even scorn.

"No," he said quietly. "I shan't be your treasurer. You must ask somebody else."

A vast satisfaction filled him. The refusal was so easy, the opposing forces so negligible.

Auntie Hamps and Mr. Peartree knew nothing of the peculiar phenomena induced in Edwin's mind by the first sight of the legendary Abel Peartree after twenty years. But Auntie Hamps, though puzzled for an explanation, comprehended that she was decisively beaten. The blow was hard. Nevertheless she did not wince. The superb pretence must be kept up, and she kept it up. She smiled and, tossing her curls, checked Edwin with cheerful, indomitable rapidity.

"Now, now! Don't decide at once. Think it over very carefully, and we shall ask you again. Mr. Peartree will write to you. I feel sure..."

Appearances were preserved.

The colloquy was interrupted by Hilda, who came in excited, gay, with sparkling eyes, humming an air. She had protested vehemently against an At Home. She had said again and again that the idea of an At Home was abhorrent to her, and that she hated all such wholesale formal hospitalities and could not bear "people." And yet now she was enchanted with her situation as hostess--delighted with herself and her rich dress, almost ecstatically aware of her own attractiveness and domination. The sight of her gave pleasure and communicated zest. Mature, she was yet only beginning life. And as she glanced with secret condescension at the listless Mr. Peartree she seemed to say: "What is all this talk of heaven and hell? I am in love with life and the senses, and everything is lawful to me, and I am above you." And even Auntie Hamps, though one of the most self-sufficient creatures that ever lived, envied in her glorious decay the young maturity of sensuous Hilda.

"Well," said Hilda. "What's going on here? They're all gone mad about missing words in the drawing-room."

She smiled splendidly at Edwin, whose pride in her thrilled him. Her superiority to other women was patent. She made other women seem negative. In fact, she was a tingling woman before she was anything else--that was it! He compared her with Clara, who was now nothing but a mother, and to Maggie, who had never been anything at all.

Mr. Peartree made the mistake of telling her the subject of the conversation. She did not wait to hear what Edwin's answer had been.

She said curtly, and with finality:

"Oh, no! I won't have it."

Edwin did not quite like this. The matter concerned him alone, and he was an absolutely free agent. She ought to have phrased her objection differently. For example, she might have said: "I hope he has refused."

Still, his annoyance was infinitesimal.

"The poor boy works quite hard enough as it is," she added, with delicious caressing intonation of the first words.

He liked that. But she was confusing the issue. She always would confuse the issue. It was not because the office would involve extra work for him that he had declined the invitation, as she well knew.

Of course Auntie Hamps said in a flash:

"If it means overwork for him I shouldn't dream--" She was putting the safety of appearances beyond doubt.

"By the way, Auntie," Hilda continued. "What's the trouble about the pew down at chapel? Both Clara and Maggie have mentioned it."

"Trouble, my dear?" exclaimed Auntie Hamps, justifiably shocked that Hilda should employ such a word in the presence of Mr. Peartree. But Hilda was apt to be headlong.

To the pew originally taken by Edwin's father, and since his death standing in Edwin's name, Clara had brought her husband; and although it was a long pew, the fruits of the marriage had gradually filled it, so that if Edwin chanced to go to chapel there was not too much room for him in the pew, which presented the appearance of a second-class railway carriage crowded with season-ticket holders. Albert Benbow had suggested that Edwin should yield up the pew to the Benbows, and take a smaller pew for himself and Hilda and George. But the women had expressed fear lest Edwin "might not like" this break in a historic tradition, and Albert Benbow had been forbidden to put forward the suggestion until the diplomatic sex had examined the ground.

"We shall be only too pleased for Albert to take over the pew," said Hilda.

"But have you chosen another pew?" Mrs. Hamps looked at Edwin.

"Oh, no!" said Hilda lightly.

"But--"

"Now, Auntie," the tingling woman warned Auntie Hamps as one powerful individuality may warn another, "don't worry about us. You know we're not great chapel-goers."

She spoke the astounding words gaily, but firmly. She could be firm, and even harsh, in her triumphant happiness. Edwin knew that she detested Auntie Hamps. Auntie Hamps no doubt also knew it. In their mutual smilings, so affable, so hearty, so appreciative, apparently so impulsive, the hostility between them gleamed mysteriously like lightning in sunlight.

"Mrs. Edwin's family were Church of England," said Auntie Hamps, in the direction of Mr. Peartree.

"Nor great church-goers, either," Hilda finished cheerfully.

No woman had ever made such outrageous remarks in the Five Towns before. A quarter of a century ago a man might have said as much, without suffering in esteem--might indeed have earned a certain intellectual prestige by the declaration; but it was otherwise with a woman. Both Mrs. Hamps and the minister thought that Hilda was not going the right way to live down her dubious past. Even Edwin in his pride was flurried. Great matters, however, had been accomplished. Not only had the attack of Auntie Hamps and Mr. Peartree been defeated, but the defence had become an onslaught. Not only was he not the treasurer of the District Additional Chapels Fund, but he had practically ceased to be a member of the congregation. He was free with a freedom which he had never had the audacity to hope for. It was incredible! Yet there it was! A word said, bravely, in a particular tone,--and a new epoch was begun. The pity was that he had not done it all himself. Hilda's courage had surpassed his own. Women were astounding. They were disconcerting too. His manly independence was ever so little wounded by Hilda's boldness in initiative on their joint behalf.

"Do come and take something, Auntie," said Hilda, with the most winning, the most loving inflection.

Auntie Hamps passed out.

Hilda turned back into the room: "Do go with Auntie, Mr. Peartree. I must just--" She affected to search for something on the mantelpiece.

Mr. Peartree passed out. He was unmoved. He did not care in his heart. And as Edwin caught his indifferent eye, with that "it's-all-one-to-me" glint in it, his soul warmed again slightly to Mr. Peartree. And further, Mr. Peartree's aloof unworldliness, his personal practical unconcern with money, feasting, ambition, and all the grosser forms of self-satisfaction, made Edwin feel somewhat a sensual average man and accordingly humiliated him.

As soon as, almost before, Mr. Peartree was beyond the door, Hilda leaped at Edwin, and kissed him violently. The door was not closed. He could hear the varied hum of the party.

"I had to kiss you while it's all going on," she whispered. Ardent vitality shimmered in her eyes.

CHAPTER IV

THE WORD

I

Ada was just crossing the hall to the drawing-room, a telegram on a salver in her red hand.

"Here you are, Ada," said Edwin, stopping her, with a gesture towards the telegram.

"It's for Mr. Tom Swetnam, sir."

Edwin and Hilda followed the starched and fussy girl into the drawing-room, in which were about a dozen people, including Fearns, the lawyer, and his wife, the recently married Stephen and Vera Cheswardine, several Swetnams, and Janet Orgreave, who sat at the closed piano, smiling vaguely.

Tom Swetnam, standing up, took the telegram.

"I never knew they delivered telegrams at this time o' night," said Fearns sharply, looking at his watch. He was wont to keep a careful eye on the organisation of railways, ships, posts, and other contrivances for the shifting of matter from one spot to another. An exacting critic of detail, he was proud of them in the mass, and called them civilisation.

"They don't," said Tom Swetnam naughtily, glad to plague a man older than himself, and the father of a family. Tom was a mere son, but he had travelled, and was, indeed, just returned from an excursion through Scandinavia. "Observe there's no deception. The envelope's been opened. Moreover, it's addressed to Ben Clewlow, not to me. Ben's sent it up. I asked him to. Now, we'll see."

Having displayed the envelope like a conjurer, he drew forth the telegram, and prepared to read it aloud. One half of the company was puzzled; the other half showed an instructed excitement. Tom read the message:

"'Twenty-seven pounds ten nine. Philosophers tell us that there is nothing new under the sun. Nevertheless it may well be doubted whether the discovery of gold at Barmouth, together with two earthquake shocks following each other in quick succession in the same district, does not constitute, in the history of the gallant little Principality, a double event of unique--'" He stopped.

Vera Cheswardine, pretty, fluffy, elegant, cried out with all the impulsiveness of her nature:

"Novelty!"

"Whatever is it all about?" mildly asked Mrs. Fearns, a quiet and dignified, youngish woman whom motherhood had made somewhat absent-minded when she was away from her children.

"Missing-word competition," Fearns explained to her with curt, genial superiority. He laughed outright. "You do go it, some of you chaps," he said. "Why, that telegram cost over a couple of bob, I bet!"

"Well, you see," said Tom Swetnam, "three of us share it. We get it thirty-six hours before the paper's out--fellow in London--and there's so much more time to read the dictionary. No use half doing a thing! Twenty-seven pounds odd! Not a bad share this week, eh?"

"Won anything?"

"Rather. We had the wire about the winning word this morning. We'd sent it in four times. That makes about £110, doesn't it? Between three of us. We sent in nearly two hundred postal orders. Which leaves £100 clear. Thirty-three quid apiece, net."

He tried to speak calmly and nonchalantly, but his excitement was extreme. The two younger Swetnams regarded him with awe. Everybody was deeply impressed by the prodigious figures, and in many hearts envy, covetousness, and the wild desire for a large, free life of luxury were aroused.

"Seems to me you've reduced this game to a science," said Edwin.

"Well, we have," Tom Swetnam admitted. "We send in every possible word."

"It's a mere thousand per cent profit per week," murmured Fearns. "At the rate of fifty thousand per cent per annum."

Albert Benbow, entering, caught the last phrase, which very properly whetted his curiosity as a man of business. Clara followed him closely. On nearly all ceremonial occasions these two had an instinctive need of each other's presence and support; and if Albert did not run after Clara, Clara ran after Albert.

II

Then came the proof of the genius, the cynicism and the insight of the leviathan newspaper-proprietor who had invented the dodge of inviting his readers to risk a shilling and also to buy a coupon for the privilege of supplying a missing word, upon the understanding that the shillings of those who supplied the wrong word should be taken for ever away from them and given to those who supplied the right word. The entire company in the Clayhanger drawing-room was absorbed in the tremendous missing-word topic, and listened to Swetnam as to a new prophet bearing the secret of eternal felicity. The rumour of Swetnam's triumph drew people out of the delectable dining-room to listen to his remarks; and among these was Auntie Hamps. So it was in a thousand, in ten thousand, in hundreds of thousands of homes of all kinds throughout the kingdom. The leviathan journalist's readers (though as a rule they read nothing in his paper save the truncated paragraph and the rules of the competition) had grown to be equivalent to the whole British public. And he not only held them but he had overshadowed all other interests in their minds. Upon honeymoons people thought of the missing-word amid caresses, and it is a fact that people had died with the missing word on their lips. Sane adults of both sexes read the dictionary through from end to end every week with an astounding conscientiousness. The leviathan newspaper-proprietor could not buy enough paper, nor hire sufficient presses, to meet the national demands. And no wonder, seeing that any small news-agent in a side street was liable at any moment to receive an order from an impassioned student of periodical literature for more copies of one issue of the journal than the whole town had been used to buy before the marvellous invention of the missing-word. The post office was incommoded; even the Postmaster General was incommoded, and only by heroical efforts and miraculous feats of resourcefulness did he save himself from the ignominy of running out of shilling postal orders. Post office girls sold shilling postal orders with a sarcastic smile, with acerbity, with reluctance,--it was naught to them that the revenue was benefited and the pressure on taxpayers eased. Employers throughout the islands suffered vast losses owing to the fact that for months their offices and factories were inhabited not by clerks and other employees, but by wage-paid monomaniacs who did naught but read dictionaries and cut out and fill up coupons. And over all the land there hung the dark incredible menace of an unjust prosecution under the Gambling Laws, urged by interfering busybodies who would not let a nation alone.

"And how much did you make last week, Mr. Swetnam?" judicially asked Albert Benbow, who was rather pleased and flattered, as an active Wesleyan, to rub shoulders with frank men of the world like Tom. As an active Wesleyan he had hitherto utterly refused to listen to the missing-word; but now it seemed to be acquiring respectability enough for his ears.

Swetnam replied with a casual air:

"We didn't make much last week. We won something, of course. We win every week; that's a mathematical certainty--but sometimes the expenses mount up a bit higher than the receipts. It depends on the word. If it's an ordinary word that everybody chooses, naturally the share is a small one because there are so many winners." He gave no more exact details.

Clara breathed a disillusioned "Oh!" implying that she had known there must be some flaw in the scheme--and her husband had at once put his finger on it.

But her husband, with incipient enthusiasm for the word, said: "Well, it stands to reason they must take one week with another, and average it out."

"Now, Albert! Now, Albert!" Edwin warned him. "No gambling."

Albert replied with some warmth: "I don't see that there's any gambling in it. Appears to me that it's chiefly skill and thoroughness that does the trick."

"Gambling!" murmured Tom Swetnam shortly. "Of course it's not gambling."

"No!"

"Well," said Vera Cheswardine, "I say 'novelty.' 'A double event of unique novelty.' That's it."

"I shouldn't go nap on 'novelty,' if I were you," said Tom Swetnam, the expert.

Tom read the thing again.

"Novelty," Vera repeated. "I know it's novelty. I'm always right, aren't I, Stephen?" She looked round. "Ask Stephen."

"You were right last week but one, my child," said Stephen.

"And did you make anything?" Clara demanded eagerly.

"Only fifteen shillings," said Vera discontentedly. "But if Stephen had listened to me we should have made lots."

Albert Benbow's interest in the word was strengthened.

Fearns, leaning carefully back in his chair, asked with fine indifference: "By the way, what is this week's word, Tom? I haven't your secret sources of information. I have to wait for the paper."

"'Unaccountably,'" said Tom. "Had you anything on it?"

"No," Fearns admitted. "I've caught a cold this week, it seems."

Albert Benbow stared at him. Here was another competitor--and as acute a man of business as you would find in the Five Towns!

"Me, too!" said Edwin, smiling like a culprit.

Hilda sprang up gleefully, and pointed at him a finger of delicious censure.

"Oh! You wicked sinner! You never told me you'd gone in! You deceitful old thing!"

"Well, it was a man at the shop who would have me try," Edwin boyishly excused himself.

III

Hilda's vivacity enchanted Edwin. The charm of her reproof was simply exquisite in its good-nature and in the elegance of its gesture. The lingering taste of the feverish kiss she had given him a few minutes earlier bemused him and he flushed. To conceal his inconvenient happiness in the thought of his wife he turned to open the new enlarged window that gave on the garden. (He had done away with the old garden-entrance of the house, and thrown the side corridor into the drawing-room.) Then he moved towards Janet Orgreave, who was still seated at the closed piano.

"Your father isn't coming, I suppose?" he asked her.

The angelic spinster, stylishly dressed in white, and wearing as usual her kind heart on her sleeve, smiled with soft benignity, and shook her head.

"He told me to tell you he was too old. He is, you know."

"And how's your mother?"

"Oh, pretty well, considering.... I really ought not to leave them."

"Oh, yes!" Edwin protested. The momentary vision of Mr. and Mrs. Orgreave in the large house close by, now practically deserted by all their children except Janet, saddened him.

Then a loud voice dominated the general conversation behind him:

"I say, this is a bit stiff. I did think I should be free of it here. But no! Same old missing-word everywhere! What is it this week, Swetnam?"

It was Johnnie Orgreave, appreciably younger than his sister, but a full-grown man of the world, and somewhat dandiacal. After shaking hands with Hilda he came straight to Edwin.

"Awfully sorry I'm so late, old chap. How do, Jan?"

"Of course you are," Edwin quizzed him like an uncle.

"Where's Ingpen?"

"Not come."

"Not come! He said he should be here at eight. Just like him!" said Johnnie. "I expect he's had a puncture."

"I've been looking out for him every minute," Edwin muttered.

In the middle of the room Albert Benbow, stocky and vulgar, but feeling himself more and more a man of the world among men and women of the world, was proclaiming, not without excitement:

"Well, I agree with Mrs. Cheswardine. 'Novelty' 's much more likely than 'interest.' 'Interest' 's the wrong kind of word altogether. It doesn't agree with the beginning of the paragraph."

"That's right, Mr. Benbow," Vera encouraged him with flirtatious dimples. "You put your money on me, even if my own husband won't." Albert as a dowdy dissenter was quite out of her expensive sphere, but to Vera any man was a man.

"Now, Albert," Clara warned him, "if you win anything, you must give it to me for the new perambulator."

("Dash that girl's infernal domesticity!" thought Edwin savagely.)

"Who says I'm going in for it, missis?" Albert challenged.

"I only say if you do, dear," Clara said smoothly.

"Then I will!" Albert announced the great decision. "Just for the fun of the thing, I will. Thank ye, Mrs. Cheswardine."

He glanced at Mrs. Cheswardine as a knight at his unattainable mistress. Indeed the decision had in it something of the chivalrous; the attention of slim provocative Vera, costliest and most fashionably dressed woman in Bursley, had stirred his fancy to wander far beyond its usual limits.

"Albert! Well, I never!" exclaimed Mrs. Hamps.

"You don't mind, do you Auntie?" said Albert jovially, standing over her.

"Not if it's not gambling," said Mrs. Hamps stoutly. "And I hope it isn't. And it would be very nice for Clara, I'm sure, if you won."

"Hurrah for Mrs. Hamps!" Johnnie Orgreave almost yelled.

At the same moment, Janet Orgreave, swinging round on the music-stool, lifted the lid of the piano, and, still with her soft, angelic smile, played loudly and dashingly the barbaric, Bacchic, orgiastic melody which had just recently inflamed England, Scotland, Ireland, Wales, and the Five Towns--the air which was unlike anything ever heard before by British ears, and which meant nothing whatever that could be avowed, the air which heralded social revolutions and inaugurated a new epoch. And as the ringed fingers of the quiet, fading spinster struck out the shocking melody, Vera Cheswardine and one or two others who had been to London and there seen the great legendary figure, Lottie Collins, hummed more or less brazenly the syllables heavy with mysterious significance:

"Tarara-boom-deay!

Tarara-boom-deay!

Tarara-boom-deay!

Tarara-boom-deay!"

 

Upon this entered Mr. Peartree, like a figure of retribution, and silence fell.

"I'm afraid..." he began. "Mr. Benbow."

They spoke together.

A scared servant-girl had come up from the Benbow home with the affrighting news that Bert Benbow, who had gone to bed with the other children as usual, was not in his bed and could not be discovered in the house. Mr. Peartree, being in the hall, had chosen himself to bear the grievous tidings to the drawing-room. In an instant Albert and Clara were parents again. Both had an idea that the unprecedented, incomprehensible calamity was a heavenly dispensation to punish them for having trifled with the missing-word. Their sudden seriousness was terrific. They departed immediately, without ceremony of any sort. Mrs. Hamps said that she really ought to go too, and Maggie said that as Auntie Hamps was going she also would go. The parson said that he had already stayed longer than he ought, in view of another engagement, and he followed. Edwin and Hilda dutifully saw them off and were as serious as the circumstances demanded. But those who remained in the drawing-room sniggered, and when Hilda rejoined them she laughed. The house felt lighter. Edwin, remaining longest at the door, saw a bicyclist on one of the still quaint pneumatic-tyred "safety" bicycles, coming along behind a "King of the Road" lamp. The rider dismounted at the corner.

"That you, Mr. Ingpen?"

Said a blithe voice:

"How d'ye do, host? When you've known me a bit longer you'll learn that I always manage to arrive just when other people are leaving."

CHAPTER V

TERTIUS INGPEN

I

Tertius Ingpen was the new District Factory Inspector, a man of about thirty-five, neither fair nor dark, neither tall nor short. He was a native of the district, having been born somewhere in the aristocratic regions between Knype and the lordly village of Sneyd, but what first struck the local observer in him was that his speech had none of the local accent. In the pursuit of his vocation he had lived in other places than the Five Towns. For example, in London, where he had become acquainted with Edwin's friend, Charlie Orgreave, the doctor. When Ingpen received a goodish appointment amid the industrial horrors of his birth, Charlie Orgreave recommended him to Edwin, and Edwin and Ingpen had met once, under arrangement made by Johnnie Orgreave. It was Johnnie who had impulsively suggested in Ingpen's presence that Ingpen should be invited to the At Home. Edwin, rather intimidated by Ingpen's other-worldliness, had said: "You'll run up against a mixed lot." But Ingpen, though sternly critical of local phenomena, seemed to be ready to meet social adventures in a broad and even eager spirit of curiosity concerning mankind. He was not uncomely, and he possessed a short silky beard of which secretly he was not less proud than of his striking name. He wore a neat blue suit, with the trousers fastened tightly round the ankles for bicycle-riding, and thick kid gloves. He took off one glove to shake hands, and then, having leisurely removed the other, and talking all the time, he bent down with care and loosed his trousers and shook them into shape.

"Now what about this jigger?" he asked, while still bending. "I don't care to leave it anywhere. It's a good jigger."

As it leaned on one pedal against the kerb of Hulton Street, the strange-looking jigger appeared to be at any rate a very dirty jigger. Fastened under the saddle were a roll of paper and a mackintosh.

"There are one or two ordinaries knocking about the place," said Edwin, "but we haven't got a proper bicycle-house. I'll find a place for it somewhere in the garden." He lifted the front wheel.

"Don't trouble, please. I'll take it," said Ingpen, and before picking up the machine blew out the lamp, whose extinction left a great darkness down the slope of Hulton Street.

"You've got a very nice place here. Too central for me, of course!" Ingpen began, after they had insinuated the bicycle through narrow paths to the back of the house.

Edwin was leading him along the side of the lawn furthest away from Trafalgar Road. Certainly the property had the air of being a very nice place. The garden with its screen of high rustling trees seemed spacious and mysterious in the gloom, and the lighted windows of the house produced an effect of much richness--especially the half-open window of the drawing-room. Fearns and Cheswardine were standing in front of it chatting (doubtless of affairs) with that important adult air which Edwin himself could never successfully imitate. Behind them were bright women, and the brilliant chandelier. The piano faintly sounded. Edwin was proud of his very nice place. "How strange!" he thought. "This is all mine! These are my guests! And my wife is mine!"

"Well, you see," he answered Ingpen's criticism with false humility. "I've no choice. I've got to be central."

Ingpen answered pleasantly.

"I take your word for it; but I don't see."

The bicycle was carefully bestowed by its groping owner in a small rustic arbour which, situated almost under the wall that divided the Clayhanger property from the first cottage in Hulton Street, was hidden from the house by a clump of bushes.

In the dark privacy of this shelter Tertius Ingpen said in a reflective tone:

"I understand that you haven't been married long, and that this is a sort of function to inform the world officially that you're no longer what you were?"

"It's something like that?" Edwin admitted with a laugh.

He liked the quiet intimacy of Ingpen's voice, whose delicate inflections indicated highly cultivated sensibilities. And he thought: "I believe I shall be friends with this chap." And was glad, and faith in Ingpen was planted in his heart.

"Well," Ingpen continued, "I wish you happiness. It may seem a strange thing to say to a man in your position, but my opinion is that the proper place for women is--behind the veil. Only my personal opinion, of course! But I'm entitled to hold it, and therefore to express it." Whatever his matter, his manner was faultless.

"Yes?" Edwin murmured awkwardly. What on earth did Ingpen expect by way of reply to such a proposition? Surely Ingpen should have known that he was putting his host in a disagreeable difficulty. His new-born faith in Ingpen felt the harsh wind of experience and shivered. Nevertheless, there was a part of Edwin that responded to Ingpen's attitude. "Behind the veil." Yes, something could be said for the proposition.

They left the arbour in silence. They had not gone more than a few steps when a boy's shrill voice made itself heard over the wall of the cottage yard.

"Oh Lord, thou 'ast said 'If two on ye sh'll agray on earth as touching onything that they sh'll ask it sh'll be done for them of my Father which is in 'eaven. For where two or three are gathered together i' my name theer am I in th' midst of 'em. Oh Lord, George Edwin Clay'anger wants a two-bladed penknife. We all three on us want ye to send George Edwin Clay'anger a two-bladed penknife."

The words fell with impressive effect on the men in the garden.

"What the--" Edwin exclaimed.

"Hsh!" Ingpen stopped him in an excited whisper. "Don't disturb them for anything in the world!"

Silence followed.

Edwin crept away like a scout towards a swing which he had arranged for his friend George before he became the husband of George's mother. He climbed into it and over the wall could just see three boys' heads in the yard illuminated by a lamp in the back-window of the cottage. Tertius Ingpen joined him, but immediately climbed higher on to the horizontal beam of the swing.

"Who are they?" Ingpen asked, restraining his joy in the adventure.

"The one on the right's my stepson. The other big one is my sister Clara's child, Bert. I expect the little one's old Clowes', the gravedigger's kid. They say he's a regular little parson--probably to make up for his parents. I expect they're out somewhere having a jollification."

"Well," Ingpen breathed. "I wouldn't have missed this for a good deal." He gave a deep, almost soundless giggle.

Edwin was startled--as much as anything by the extraordinary deceitfulness of George. Who could possibly have guessed from the boy's demeanour when his Aunt Clara mentioned Bert to him, that he had made an outrageous rendezvous with Bert that very night? Certainly he had blushed, but then he often blushed. Of course, the Benbows would assert that George had seduced the guileless Bert. Fancy them hunting the town for Bert at that instant! As regards Peter Clowes, George, though not positively forbidden to do so, had been warned against associating with him--chiefly because of the bad influence which Peter's accent would have on George's accent. His mother had said that she could not understand how George could wish to be friendly with a rough little boy like Peter. Edwin, however, inexperienced as he was, had already comprehended that children, like Eastern women, have no natural class bias; and he could not persuade himself to be the first to inculcate into George ideas which could only be called snobbish. He was a democrat. Nevertheless he did not like George to play with Peter Clowes.

The small Peter, with uplifted face and clasped hands, repeated urgently, passionately:

"O God! We all three on us want ye to send George Edwin Clay'anger a two-bladed penknife. Now lads, kneel, and all three on us together!"

He stood between the taller and better-dressed boys unashamed, fervent, a born religionist. He was not even praying for himself. He was praying out of his profound impersonal interest in the efficacy of prayer.

The three boys, kneeling, and so disappearing from sight behind the wall, repeated together:

"O God! Please send George Edwin Clayhanger a two-bladed penknife."

Then George and Bert stood up again, shuffling about. Peter Clowes did not reappear.

"I can't help it," whispered Ingpen in a strange, moved voice, "I've got to be God. Here goes! And it's practically new, too!"

Edwin in the darkness could see him feeling in his waistcoat pocket, and then raise his arm, and, taking careful aim, throw in the direction of the dimly lighted yard.

"Oh!" came the cry of George, in sudden pain.

The descending penknife had hit him in the face.

There was a scramble on the pavement of the yard, and some muttered talk. The group went to the back window where the lamp was and examined the heavenly penknife. They were more frightened than delighted by the miracle. The unseen watchers in the swing were also rather frightened, as though they had interfered irremediably in a solemn and delicate crisis beyond their competence. In a curious way they were ashamed.

"Yes, and what about me?" said the voice of fat Bert Benbow, sulkily. "This is all very well. But what about me? Ye tried without me and ye couldn't do anything. Now I've come and ye've done it. What am I going to get? Ye've got to give me something instead of a half-share in that penknife, George."

George said:

"Let's pray for something for you now. What d'you want?"

"I want a bicycle. Ye know what I want."

"Oh, no, you don't, Bert Benbow!" said George. "You've got to want something safer than a bike. Suppose it comes tumbling down like the penknife did! We shall be dam well killed."

Tertius Ingpen could not suppress a snorting giggle.

"I want a bike," Bert insisted. "And I don't want nothin' else."

The two bigger boys moved vaguely away from the window, and the little religionist followed them in silence, ready to supplicate for whatever they should decide.

"All right," George agreed. "We'll pray for a bicycle. But we'd better all stand as close as we can to the wall, under the spouting, in case."

The ceremonial was recommenced.

"No," Ingpen murmured. "I'm not being God this time. It won't run to it."

Footsteps were heard on the lawn behind the swing. Ingpen slid down and Edwin jumped down. Johnnie Orgreave was approaching.

"Hsh!" Ingpen warned him.

"What are you chaps--"

"Hsh!" Ingpen was more imperative.

All three men walked away out of earshot of the yard, towards the window of the drawing-room--Johnnie Orgreave mystified, the other two smiling but with spirits disturbed. Johnnie heard the story in brief; it was told to him in confidence, as Tertius Ingpen held firmly that eavesdroppers, if they had any honour left, should at least hold their tongues.

II

When Tertius Ingpen was introduced to Hilda in the drawing-room, the three men having entered by the French window, Edwin was startled and relieved by the deportment of the orientalist who thought that the proper place for women was behind the veil. In his simplicity he had assumed that the orientalist would indicate his attitude by a dignified reserve. Not at all! As soon as Ingpen reached Hilda's hospitable gaze his whole bearing altered. He bowed, with a deferential bending that to an untravelled native must have seemed exaggerated; his face was transformed by a sweet smile; his voice became the voice of a courtier; he shook hands with chivalrous solicitude for the fragile hand shaken. Hilda was pleased by him, perceiving that this man was more experienced in the world than any of the other worldly guests. She liked that. Ingpen's new symptoms were modified after a few moments, but when he was presented to Mrs. Fearns he reproduced them in their original intensity, and again when he was introduced to Vera Cheswardine.

"Been out without your cap?" Hilda questioned Edwin, lifting her eyebrows. She said it in order to say something, for the entry of this ceremonious personage, who held all the advantages of the native and of the stranger, had a little overpowered the company.

"Only just to see after Mr. Ingpen's machine. Give me your cap, Mr. Ingpen. I'll hang it up."

When he returned to the drawing-room from the hatstand Ingpen was talking with Janet Orgreave, whom he already knew.

"Have you seen George, Edwin?" Hilda called across the drawing-room.

"Hasn't he gone to bed?"

"That's what I want to know. I haven't seen him lately."

Everyone, except Johnnie Orgreave and a Swetnam or so, was preoccupied by the thought of children, by the thought of this incalculable and disturbing race that with different standards and ideals lived so mysteriously in and among their adult selves. Nothing was said about the strange disappearance of Bert Benbow, but each woman had it in mind, and coupled it with Hilda's sudden apprehension concerning George, and imagined weird connections between the one and the other, and felt forebodings about children nearer to her own heart. Children dominated the assemblage and, made restless, the assemblage collectively felt that the moment for separation approached. The At Home was practically over.

Hilda rang the bell, and as she did so Johnnie Orgreave winked dangerously at Edwin, who with sternness responded. He wondered why he should thus deceive his wife, with whom he was so deliciously intimate. He thought also that women were capricious in their anxieties, and yet now and then their moods--once more by the favour of hazard--displayed a marvellous appositeness. Hilda had no reason whatever for worrying more about George on this night than on any other night. Nevertheless this night happened to be the night on which anxiety would be justified.

"Ada," said Hilda to the entering servant. "Have you seen Master George?"

"No'm," Ada replied, almost defiantly.

"When did you see him last?"

"I don't remember, m'm."

"Is he in bed?"

"I don't know, m'm."

"Just go and see, will you?"

"Yes'm."

The company waited with gentle, concealed excitement for the returning Ada, who announced:

"His bedroom door's locked, m'm."

"He will lock it sometimes, although I've positively forbidden him to. But what are you to do?" said Hilda, smilingly to the other mothers.

"Take the key away, obviously," Tertius Ingpen answered the question, turning quickly and interrupting his chat with Janet Orgreave.

"That ought not to be necessary," said Fearns, as an expert father.

Ada departed, thankful to be finished with the ordeal of cross-examination in a full drawing-room.

"Don't you know anything about him?" Hilda addressed Johnnie Orgreave suddenly.

"Me? About your precious? No. Why should I know?"

"Because you're getting such friends, you two."

"Oh! Are we?" Johnnie said carelessly. Nevertheless he was flattered by a certain nascent admiration on the part of George, which was then beginning to be noticeable.

A quarter of an hour later, when several guests had gone, Hilda murmured to Edwin:

"I'm not easy about that boy. I'll just run upstairs."

"I shouldn't," said Edwin.

But she did. And the distant sound of knocking, and "George, George," could be heard even down in the hall.

"I can't wake him," said Hilda, back in the drawing-room.

"What do you want to wake him for, foolish girl?" Edwin demanded.

She enjoyed being called "foolish girl," but she was not to be tranquillised.

"Do you think he is in bed?" she questioned, before the whole remaining company, and the dread suspicion was out!

After more journeys upstairs, and more bangings, and essays with keys, and even attempts at lock-picking, Hilda announced that George's room must be besieged from its window. A ladder was found, and interested visitors went into the back-entry, by the kitchen, to see it reared and hear the result. Edwin thought that the cook in the kitchen looked as guilty as he himself felt, though she more than once asseverated her belief that Master George was safely in bed. The ladder was too short. Edwin mounted it, and tried to prise himself on to the window-sill, but could not.

"Here, let me try!" said Ingpen, joyous.

Ingpen easily succeeded. He glanced through the open window into George's bedroom, and then looked down at the upturned faces, and Ada's apron, whitely visible in the gloom.

"He's here all right."

"Oh, good!" said Hilda. "Is he asleep?"

"Yes."

"He deserves to be wakened," she laughed.

"You see what a foolish girl you've been," said Edwin affectionately.

"Never mind!" she retorted. "You couldn't get on the window. And you were just as upset as anybody. Do you think I don't know? Thank you, Mr. Ingpen."

"Is he really there?" Edwin whispered to Ingpen as soon as he could.

"Yes. And asleep, too!"

"I wonder how the deuce he slipped in. I'll bet anything those servants have been telling a lot of lies for him. He pulls their hair down and simply does what he likes with them."

Edwin was now greatly reassured, but he could not quite recover from the glimpse he had had of George's capacity for leading a double life. Sardonically he speculated whether the heavenly penknife would be brought to his notice by its owner, and if so by what ingenious method.

III

The final sensation was caused by the arrival, in a nearly empty drawing-room, of plump Maggie, nervous, constrained, and somewhat breathless.

"Bert has turned up," she said. "Clara thought I'd better come along and tell you. She felt sure you'd like to know."

"Well, that's all right then," Hilda replied perfunctorily, indicating that Clara's conceited assumption of a universal interest in her dull children was ridiculous.

Edwin asked:

"Did the kid say where he'd been?"

"Been running about the streets. They don't know what's come over him--because, you see, he'd actually gone to bed once. Albert is quite puzzled; but he says he'll have it out of him before he's done."

"When he does get it out of him," thought Edwin again, "there will be a family row and George will be indicted as the corrupter of innocence."

Maggie would not stay a single moment. Hilda attentively accompanied her to the hall. The former and the present mistress of the house kissed with the conventional signs of affection. But the fact that one had succeeded the other seemed to divide them. Hilda was always lying in wait for criticism from Maggie, ready to resent it; Maggie divined this and said never a word. The silence piqued Hilda as much as outspoken criticism would have annoyed her. She could not bear it.

"How do you like my new stair-carpet?" she demanded defiantly.

"Very nice! Very nice, I'm sure!" Maggie replied without conviction. And added, just as she stepped outside the front-door, "You've made a lot of changes." This was the mild, good-natured girl's sole thrust, and it was as effective as she could have wished.

Everybody had gone except the two Orgreaves and Tertius Ingpen.

"I don't know about you, Johnnie, but I must go," said Janet Orgreave when Hilda came back.

"Hold on, Jan!" Johnnie protested. "You're forgetting those duets you are to try with Ingpen."

"Really?"

"Duets!" cried Hilda, instantly uplifted and enthusiastic. "Oh, do let's have some music!"

Ingpen by arrangement with the Orgreaves had brought some pianoforte duets. They were tied to his bicycle. He was known as an amateur of music. Edwin, bidding Ingpen not to move, ran out into the garden to get the music from the bicycle. Johnnie ran after him through the French window.

"I say!" Johnnie called in a low voice.

"What's up?" Edwin stopped for him.

"I've a piece of news for you. About that land you've set your heart on, down at Shawport! ... It can be bought cheap--at least the old man says it's cheap--whatever his opinion may be worth. I was telling him about your scheme for having a new printing works altogether. Astonishing how keen he is! If I'd had a plan of the land, I believe he'd have sat down and made sketches at once."

Johnnie (with his brother Jimmie) was in partnership with old Orgreave as an architect.

"'Set my heart on?'" Edwin mumbled, intimidated as usual by a nearer view of an enterprise which he had himself conceived and which had enchanted him from afar. "'Set my heart on?'"

"Well, had you, or hadn't you?"

"I suppose I had," Edwin admitted. "Look here, I'll drop in and see you to-morrow morning."

"Right!"

Together they detached the music from the bicycle, and, as Edwin unrolled it and rolled it the other side out to flatten it, they returned silently through the dark wind-stirred garden into the drawing-room.

There were now the two Orgreaves, Tertius Ingpen, and Hilda and Edwin in the drawing-room.

"We will now begin the evening," said Ingpen, as he glanced at the music.

All five were conscious of the pleasant feeling of freedom, intimacy, and mutual comprehension which animates a small company that by self-selection has survived out of a larger one. The lateness of the hour aided their zest. Even the more staid among them perceived as by a revelation that it did not in fact matter, once in a way, if they were tired and inefficient on the morrow, and that too much regularity of habit was bad for the soul. Edwin had brought in a tray from the dining-room, and rearranged the chairs according to Hilda's caprice, and was providing cushions to raise the bodies of the duet-players to the proper height. Janet began to excuse herself, asserting that if there was one member of her family who could not play duets, she was that member, that she had never seen this Dvorak music before, and that if they had got her brother Tom, or her elder sister Marion, or even Alicia,--etc., etc.

"We are quite accustomed to these formal preliminaries from duet-players, Miss Orgreave," said Ingpen. "I never do them myself,--not because I can play well, but because I am hardened. Now shall we start? Will you take the treble or the bass?"

Janet answered with eager modesty that she would take the bass.

"It's all one to me," said Ingpen, putting on spectacles; "I play either equally badly. You'll soon regret leaving the most important part to me. However...! Clayhanger, will you turn over?"

"Er--yes," said Edwin boldly. "But you'd better give me the tip."

He knew a little about printed music, from his experiences as a boy when his sisters used to sing two-part songs. That is to say, he had a vague idea "where a player was" on a page. But the enterprise of turning over Dvorak's "Legends" seemed to him critically adventurous. Dvorak was nothing but a name to him; beyond the correct English method of pronouncing that name, he had no knowledge whatever of the subject in hand.

Then the performance of the "Legends" began. Despite halts, hesitations, occasional loud insistent chanting of the time, explanations between the players, many wrong notes by Ingpen, and a few wrong notes by Janet, and one or two enormous misapprehensions by Edwin, the performance was a success, in that it put a spell on its public, and permitted the loose and tender genius of Dvorak to dominate the room.

"Play that again, will you?" said Hilda, in a low dramatic voice, at the third "Legend."

"We will," Ingpen answered. "And we'll play it better."

Edwin had the exquisite sensation of partially comprehending music whose total beauty was beyond the limitations of his power to enjoy--power, nevertheless, which seemed to grow each moment. Passages entirely intelligible and lovely would break at intervals through the veils of general sound and ravish him. All his attention was intensely concentrated on the page. He could hear Ingpen breathing hard. Out of the corner of his eye he was aware of Johnnie Orgreave on the sofa making signs to Hilda about drinks, and pouring out something for her, and something for himself, without the faintest noise. And he was aware of Ada coming to the open door and being waved away to bed by her mistress.

"Well," he said, when the last "Legend" was played. "That's a bit of the right sort--no mistake." He was obliged to be banal and colloquial.

Hilda said nothing at all. Johnnie, who had waited for the end in order to strike a match, showed by two words that he was an expert listener to duets. Tertius Ingpen was very excited and pleased. "More tricky than difficult, isn't it--to read?" he said privately to his fellow-performer, who concurred. Janet also was excited in her fashion. But even amid the general excitement Ingpen had to be judicious.

"Delightful stuff, of course," he said, pulling his beard. "But he's not a great composer you know, all the same."

"He'll do to be going on with," Johnnie murmured.

"Oh, yes! Delightful! Delightful!" Ingpen repeated warmly, removing his spectacles. "What a pity we can't have musical evenings regularly!"

"But we can!" said Hilda positively. "Let's have them here. Every week!"

"A great scheme!" Edwin agreed with enthusiasm, admiring his wife's initiative. He had been a little afraid that the episode of George had upset her for the night, but he now saw that she had perfectly recovered from it.

"Oh!" Ingpen paused. "I doubt if I could come every week. I could come once a fortnight."

"Well, once a fortnight then!" said Hilda.

"I suppose Sunday wouldn't suit you?"

Edwin challenged him almost fiercely:

"Why won't it suit us? It will suit us first-class."

Ingpen merely said, with quiet delicacy:

"So much the better.... We might go all through the Mozart fiddle sonatas."

"And who's your violinist?" asked Johnnie.

"I am, if you don't mind." Ingpen smiled. "If your sister will take the piano part."

Hilda exclaimed admiringly:

"Do you play the violin, too, Mr. Ingpen?"

"I scrape it. Also the tenor. But my real instrument is the clarinet." He laughed. "It seems odd," he went on with genuine scientific unegotistic interest in himself. "But d'you know I thoroughly enjoy playing the clarinet in a bad orchestra whenever I get the chance. When I happen to have a free evening I often wish I could drop in at a theatre and play rotten music in the band. It's better than nothing. Some of us are born mad."

"But Mr. Ingpen," said Janet Orgreave anxiously, after this speech had been appreciated. "I have never played those Mozart sonatas."

"I am glad to hear it," he replied with admirable tranquillity. "Neither have I. I've often meant to. It'll be quite a sporting event. But of course we can have a rehearsal if you like."

The project of the musical evenings was discussed and discussed until Janet, having vanished silently upstairs, reappeared with her hat and cloak on.

"I can go alone if you aren't ready, Johnnie," said she.

Johnnie yawned.

"No. I'm coming."

"I also must go--I suppose," said Ingpen.

They all went into the hall. Through the open door of the dining-room, where one gas-jet burned, could be seen the rich remains of what had been "light refreshments" in the most generous interpretation of the term.

Ingpen stopped to regard the spectacle, fingering his beard.

"I was just wondering," he remarked, with that strange eternal curiosity about himself, "whether I'd had enough to eat. I've got to ride home."

"Well, what have you had?" Johnnie quizzed him.

"I haven't had anything," said Ingpen, "except drink."

Hilda cried.

"Oh! You poor sufferer! I am ashamed!" And led him familiarly to the table.

IV

Edwin was kept at the front-door some time by Johnnie Orgreave, who resumed as he was departing the subject of the proposed new works, and maintained it at such length that Janet, tired of waiting on the pavement, said that she would walk on. When he returned to the dining-room, Ingpen and Hilda were sitting side by side at the littered table, and the first words that Edwin heard were from Ingpen:

"It cost me a penknife. But it was dirt cheap at the price. You can't expect to be the Almighty for much less than a penknife." Seeing Edwin, he added with a nonchalant smile: "I've told Mrs. Clayhanger all about the answer to prayer. I thought she ought to know."

Edwin laughed awkwardly, saying to himself:

"Ingpen, my boy, you ought to have thought of my position first. You've been putting your finger into a rather delicate piece of mechanism. Supposing she cuts up rough with me afterwards for hiding it from her all this time! ... I'm living with her. You aren't."

"Of course," Ingpen added. "I've sworn the lady to secrecy."

Hilda said:

"I knew all the time there was something wrong."

And Edwin thought:

"No, you didn't. And if he hadn't happened to tell you about the thing, you'd have been convinced that you'd been alarming yourself for nothing."

But he only said, not certain of Hilda's humour, and anxious to placate her:

"There's no doubt George ought to be punished."

"Nothing of the kind! Nothing of the kind!" Ingpen vivaciously protested. "Why, bless my soul! The kids were engaged in a religious work. They were busy with someone far more important than any parents." And after a pause, reflectively: "Curious thing, the mentality of a child! I doubt if we understand anything about it."

Hilda smiled, but said naught.

"May I enquire what there is in that bottle?" Ingpen asked.

"Benedictine."

"Have some, Mr. Ingpen."

"I will if you will, Mrs. Clayhanger."

Edwin raised his eyebrows at his wife.

"You needn't look at me!" said Hilda. "I'm going to have some."

Ingpen smacked his lips over the liqueur.

"It's a very bad thing late at night, of course. But I believe in giving your stomach something to think about. I never allow my digestive apparatus to boss me."

"Quite right, Mr. Ingpen."

They touched glasses, without a word, almost instinctively.

"Well," thought Edwin, "for a chap who thinks women ought to be behind the veil...!"

"Be a man, Clayhanger, and have some."

Edwin shook his head.

With a scarcely perceptible movement of her glass, Hilda greeted her husband, peeping out at him as it were for a fraction of a second in a glint of affection. He was quite happy. They were all seated close together, Edwin opposite the other two at the large table. The single gas-jet, by the very inadequacy with which it lighted the scene of disorder, produced an effect of informal homeliness and fellowship that warmed the heart. Each of the three realised with pleasure that a new and promising friendship was in the making. They talked at length about the Musical Evenings, and Edwin said that he should buy some music, and Hilda asked him to obtain a history of music that Ingpen described with some enthusiasm, and the date of the first evening was settled,--Sunday week. And after uncounted minutes Ingpen remarked that he presumed he had better go.

"I have to cycle home," he announced once more.

"To-night?" Hilda exclaimed.

"No. This morning."

"All the way to Axe?"

"Oh, no! I'm three miles this side of Axe. It's only six and a half miles."

"But all those hills!"

"Pooh! Excellent for the muscles of the calf."

"Do you live alone, Mr. Ingpen?"

"I have a sort of housekeeper."

"In a cottage?"

"In a cottage."

"But what do you do--all alone?"

"I cultivate myself."

And Hilda, in a changed tone, said:

"How wise you are!"

"Rather inconvenient, being out there, isn't it?" Edwin suggested.

"It may be inconvenient sometimes for my job. But I can't help that. I give the State what I consider fair value for the money it pays me, and not a grain more. I've got myself to think about. There are some things I won't do, and one of them is to live all the time in a vile hole like the Five Towns. I won't do it. I'd sooner be a blooming peasant on the land."

As he was a native he had the right to criticise the district without protest from other natives.

"You're quite right as to the vile hole," said Hilda with conviction.

"I don't know----" Edwin muttered. "I think old Bosley isn't so bad."

"Yes. But you're an old stick-in-the-mud, dearest," said Hilda. "Mr. Ingpen has lived away from the district, and so have I. You haven't. You're no judge. We know, don't we, Mr. Ingpen?"

When, Ingpen having at last accumulated sufficient resolution to move and get his cap, they went through the drawing-room to the garden, they found that rain was falling.

"Never mind!" said Ingpen, lifting his head sardonically in a mute indictment of the heavens. "I have my mack."

Edwin searched out the bicycle and brought it to the window, and Hilda stuck a hat on his head. Leisurely Ingpen clipped his trousers at the ankle, and unstrapped a mackintosh cape from the machine, and folded the strap. Leisurely he put on the cape, and gazed at the impenetrable heavens again.

"I can make you up a bed, Mr. Ingpen."

"No, thanks. Oh, no, thanks! The fact is, I rather like rain."

Leisurely he took a box of fusees from his pocket, and lighted his lamp, examining it as though it contained some hidden and perilous defect. Then he pressed the tyres.

"The back tyre'll do with a little more air," he said thoughtfully. "I don't know if my pump will work."

It did work, but slowly. After which, gloves had to be assumed.

"I suppose I can get out this way. Oh! My music! Never mind, I'll leave it."

Then with a sudden access of ceremoniousness he bade adieu to Hilda; no detail of punctilio was omitted from the formality.

"Good-bye. Many thanks."

"Good-bye. Thank you!"

Edwin preceded the bicyclist and the bicycle round the side of the house to the front-gate at the corner of Hulton Street and Trafalgar Road.

In the solemn and chill nocturnal solitude of rain-swept Hulton Street, Ingpen straddled the bicycle, with his left foot on one raised pedal and the other on the pavement; and then held out a gloved hand to Edwin.

"Good-bye, old chap. See you soon."

Much good-will and appreciation and hope was implicit in that rather casual handshake.

He sheered off strongly down the dark slope of Hulton Street in the rain, using his ankles with skill in the pedal-stroke. The man's calves seemed to be enormously developed. The cape ballooned out behind his swiftness, and in a moment he had swerved round the flickering mournful gas-lamp at the bottom of the mean new street and was gone.

CHAPTER VI

HUSBAND AND WIFE

I

"I'm upstairs," Hilda called in a powerful whisper from the head of the stairs as soon as Edwin had closed and bolted the front-door.

He responded humorously. He felt very happy, lusty, and wideawake. The evening had had its contretemps, its varying curve of success, but as a whole it was a triumph. And, above all, it was over,--a thing that had had to be accomplished and that had been accomplished, with dignity and effectiveness. He walked in ease from room to lighted empty room, and the splendid waste of gas pleased him, arousing something royal that is at the bottom of generous natures. In the breakfast-room especially the gas had been flaring to no purpose for hours. "Her room, her very own room!" He wondered indulgently when, if ever, she would really make it her own room by impressing her individuality upon it. He knew she was always meaning to do something drastic to the room, but so far she had got no further than his portrait. Child! Infant! Wayward girl! ... Still the fact of the portrait on the mantelpiece touched him.

He dwelt tenderly on the invisible image of the woman upstairs. It was marvellous how she was not the Hilda he had married. The new Hilda had so overlaid and hidden the old, that he had positively to make an effort to recall what the old one was, with her sternness and her anxious air of responsibility. But at the same time she was the old Hilda too. He desired to be splendidly generous, to environ her with all luxuries, to lift her clear above other women; he desired the means to be senselessly extravagant for her. To clasp on her arm a bracelet whose cost would keep a workingman's family for three years would have delighted him. And though he was interested in social schemes, and had a social conscience, he would sooner have bought that bracelet, and so purchased the momentary thrill of putting it on her capricious arm, than have helped to ameliorate the lot of thousands of victimised human beings. He had Hilda in his bones and he knew it, and he knew that it was a grand and a painful thing.

Nevertheless he was not without a considerable self-satisfaction, for he had done very well by Hilda. He had found her at the mercy of the world, and now she was safe and sheltered and beloved, and made mistress of a house and home that would stand comparison with most houses and homes. He was proud of his house; he always watched over it; he was always improving it; and he would improve it more and more; and it should never be quite finished.

The disorder in it, now, irked him. He walked to and fro, and restored every piece of furniture to its proper place, heaped the contents of the ash-trays into one large ash-tray, covered some of the food, and locked up the alcohol. He did this leisurely, while thinking of the woman upstairs, and while eating two chocolates,--not more, because he had notions about his stomach. Then he shut and bolted the drawing-room window, and opened the door leading to the cellar steps and sniffed, so as to be quite certain that the radiator furnace was not setting the house on fire. And then he extinguished the lights, and the hall-light last of all, and his sole illumination was the gas on the first-floor landing inviting him upstairs.

Standing on the dark stairs, on his way to bed, eager and yet reluctant to mount, he realised the entity of the house. He thought of the astounding and mysterious George, and of those uncomprehended beings, Ada and the cook in their attic, sleeping by the side of the portrait of a fireman in uniform. He felt sure that one or both of them had been privy to George's unlawful adventures, and he heartily liked them for shielding the boy. And he thought of his wife, moving about in the bedroom upon which she had impressed her individuality. He went upstairs.... Yes, he should proceed with the enterprise of the new works. He had the courage for it now. He was rich, according to Bursley ideas,--he would be far richer.... He gave a faint laugh at the memory of George's objection to Bert's choice of a bicycle as a gift from heaven.

II

Hilda was brushing her hair. The bedroom seemed to be full of her and the disorder of her multitudinous things. Whenever he asked why a particular item of her goods was in a particular spot--the spot appearing to him to have been bizarrely chosen--she always proved to her own satisfaction, by a quite improvised argument, that that particular spot was the sole possible spot for that particular item. The bedroom was no longer theirs--it was hers. He picnicked in it. He didn't mind. In fact he rather liked the picnic. It pleased him to exercise his talent for order and organisation, so as to maintain his own comfort in the small spaces which she left to him. To-night the room was in a divine confusion. He accepted it with pleasure. The beds had not been turned down, because it was improper to turn them down when they were to be used for the deposit of strangers' finery. On Edwin's bed now lay the dress which Hilda had taken off. It was a most agreeable object on the bed, and seemed even richer and more complex there than on Hilda. He removed it carefully to a chair. An antique diaphanous shawl remained, which was unfamiliar to him.

"What's this shawl?" he asked. "I've never seen this shawl before. What is it?"

Hilda was busy, her bent head buried in hair.

"Oh, Edwin, what an old fusser you are!" she mumbled. "What shawl?"

He held it up.

"Someone must have left it."

He proceeded with the turning down of his bed. Then he sat on a chair to regard Hilda.

When she had done her hair she padded across the room and examined the shawl.

"What a precious thing!" she exclaimed. "It's Mrs. Fearns's. She must have taken it off to put her jacket on, and then forgotten it. But I'd no idea how good it was. It's genuine old. I wonder how it would suit me?"

She put it round her shoulders, and then stood smiling, posing, bold, provocative, for his verdict. The whiteness of her deshabille showed through the delicate pattern and tints of the shawl, with a strange effect. For him she was more than a woman; she was the incarnation of a sex. It was marvellous how all she did, all her ideas and her gestures, were so intensely feminine, so sure to perturb or enchant him. Nervously he began to wind his watch. He wanted to spring up and kiss her because she was herself. But he could not. So he said:

"Come here, chit. Let me look at that shawl."

She obeyed. She knelt acquiescent. He put his watch back into his pocket, and fingered the shawl.

Then she said:

"I suppose one'll be allowed to grumble at Georgie for locking his bedroom door." And she said it with a touch of mockery in her clear, precise voice, as though twitting him, and Ingpen too, about their absurd theoretical sense of honour towards children. And there was a touch of fine bitterness in her voice also,--a reminiscence of the old Hilda. Incalculable creature! Who could have guessed that she would make such a remark at such a moment? In his mind he dashed George to pieces. But as a wise male he ignored all her implications and answered casually, mildly, with an affirmative.

She went on:

"What were you talking such a long time to Johnnie Orgreave about?"

"Talking a long time to Johnnie Orgreave? Oh! D'you mean at the front-door? Why, it wasn't half a minute! He happened to mention a piece of land down at Shawport that I had a sort of a notion of buying."

"Buying? What for?" Her tone hardened.

"Well, supposing I had to build a new works?"

"You never told me anything about it."

"I've only just begun to think of it myself. You see, if I'm to go in for lithography as it ought to be gone in for, I can't possibly stay at the shop. I must have more room, and a lot more. And it would be cheaper to build than to rent."

She stood up.

"Why go in more for lithography?"

"You can't stand still in business. Must either go forward or go back."

"It seems to me it's very risky. I wondered what you were hiding from me."

"My dear girl, I was not hiding anything from you," he protested.

"Whose land is it?"

"It belongs to Tobias Hall's estate."

"Yes, and I've no doubt the Halls would be very glad to get rid of it. Who told you about it?"

"Johnnie."

"Of course it would be a fine thing for him too."

"But I'd asked him if he knew of any land going cheap."

She shrugged her shoulders, and shrugged away the disinterestedness of all Orgreaves.

"Anyone could get the better of you," she said.

He resented this estimate of himself as a good-natured simpleton. He assuredly did not want to quarrel, but he was obliged to say:

"Oh! Could they?"

An acerbity scarcely intentional somehow entered into his tone. As soon as he heard it he recognised the tone as the forerunner of altercations.

"Of course!" she insisted, superiorly, and then went on: "We're all right as we are. We spend too much money, but I daresay we're all right. If you go in for a lot of new things you may lose all we've got, and then where shall we be?"

In his heart he said to her:

"What's it got to do with you? You manage your home, and I'll manage my business! You know nothing at all about business. You're the very antithesis of business. Whatever business you've ever had to do with you've ruined. You've no right to judge and no grounds for judgment. It's odious of you to asperse any of the Orgreaves. They were always your best friends. I should never have met you if it hadn't been for them. And where would you be now without me? Trying to run some wretched boarding-house and probably starving. Why do you assume that I'm a d----d fool? You always do. Let me tell you that I'm one of the most common-sense men in this town, and everybody knows it except you. Anyhow I was clever enough to get you out of a mess.... You knew I was hiding something from you, did you? I wish you wouldn't talk such infernal rot. And moreover I won't have you interfering in my business. Other wives don't, and you shan't. So let that be clearly understood." In his heart he was very ill-used and very savage.

But he only said:

"Well, we shall see."

She retorted:

"Naturally if you've made up your mind, there's no more to be said."

He broke out viciously:

"I've not made up my mind. Don't I tell you I've only just begun to think about it?"

He was angry. And now that he actually was angry, he took an almost sensual pleasure in being angry. He had been angry before, though on a smaller scale, with less provocation, and he had sworn that he would never be angry again. But now that he was angry again, he gloomily and fiercely revelled in it.

Hilda silently folded up the shawl, and, putting it into a drawer of the wardrobe, shut the drawer with an irritatingly gentle click.... Click! He could have killed her for that click.... She seized a dressing-gown.

"I must just go and look at George," she murmured, with cool, clear calmness,--the virtuous, anxious mother; not a trace of coquetry anywhere in her.

"What bosh!" he thought. "She knows perfectly well George's door is bolted."

Marriage was a startling affair. Who could have foretold this finish to the evening? Nothing had occurred ... nothing ... and yet everything. His plans were all awry. He could see naught but trouble.

She was away some time. When she returned, he was in bed, with his face averted. He heard her moving about.

"Will she, or won't she, come and kiss me?" he thought.

She came and kissed him, but it was a meaningless kiss.

"Good-night," she said, aloofly.

"'Night."

She slept. But he could not sleep. He kept thinking the same thought: "She's no right whatever.... I must say I never bargained for this...." etc.

CHAPTER VII

THE TRUCE

I

Nearly a week passed. Hilda, in the leisure of a woman of fashion after dinner, was at the piano in the drawing-room. She had not urgent stockings to mend, nor jam to make, nor careless wenches to overlook, nor food to buy, nor accounts to keep, nor a new dress to scheme out of an old one, nor to perform her duty to her neighbour. She had nothing to do. Like Edwin, she could not play the piano, but she had picked up a note here and a note there in the course of her life, and with much labour and many slow hesitations she could puzzle out a chord or a melody from the printed page. She was now exasperatingly spelling with her finger a fragment of melody from one of Dvorak's "Legends,"--a fragment that had inhabited her mind since she first heard it, and that seemed to gather up and state all the sweet heart-breaking intolerable melancholy implicit in the romantic existence of that city on the map, Prague. On the previous day she had been a quarter of an hour identifying the unforgetable, indismissible fragment amid the multitude of notes. Now she had recognisably pieced its phrases together, and as her stiff finger stumbled through it, her ears heard it, once more; and she could not repeat it often enough. What she heard was not what she was playing but something finer,--her souvenir of what Tertius Ingpen had played; and something finer than that, something finer than the greatest artist could possibly play--magic!

It was in the nature of a miracle to her that she had been able to reproduce the souvenir in physical sound. She was proud of herself as a miracle-worker, and somewhat surprised. And at the same time she was abject because she "could not play the piano." She thought that she would be ready to sacrifice many happinesses in order to be able to play as well as even George played, that she would exchange all her own gifts multiplied by a hundred in order to be able to play as Janet Orgreave played, and that to be a world-renowned pianist dominating immense audiences in European capitals must mean the summit of rapture and glory. (She had never listened to a world-renowned pianist.) Meanwhile, without the ennui and slavery of practice, she was enchanting herself; and she savoured her idleness, and thought of her young pretty servants at work, and her boy loose and at large, and her husband keeping her, and of the intensity of beautiful sorrow palpitating behind the mediæval façades of Prague. Had Ingpen overheard her, he might have demanded: "Who is making that infernal noise on the piano?"

Edwin came into the room, holding a thick green book. He ought long ago to have been back at the works (or "shop," as it was still called, because it had once been principally a shop), keeping her.

"Hello!" she murmured, without glancing away from the piano. "I thought you were gone."

They had not quarrelled; but they had not made peace; and the open question of lithography and the new works still separated them. Sometimes they had approached each other, pretending amiably or even affectionately that there was no open question. But the reality of the question could not be destroyed by any pretence of ignoring it.

While gazing at the piano, Hilda could also see Edwin. She thought she knew him, but she was always making discoveries in this branch of knowledge. Now and then she was so bewildered by discoveries that she came to wonder why she had married him, and why people do marry--really! The fact was that she had married him for the look in his eyes. It was a sad look, and beyond that it could not be described. Also, a little, she had married him for his bright untidy hair, and for that short oblique shake of the head which with him meant a greeting or an affirmative. She had not married him for his sentiments nor for his goodness of heart. Some points in him she did not like. He had a tendency to colds, and she hated him whenever he had a cold. She often detested his terrible tidiness, though it was a convenient failing. More and more she herself wilfully enjoyed being untidy, as her mother had been untidy.... And to think that her mother's untidiness used to annoy her! On the other hand she found pleasure in humouring Edwin's crotchettiness in regard to the details of a meal. She did not like his way of walking, which was ungainly, nor his way of standing, which was infirm. She preferred him to be seated. She could not but regret his irresolution, and his love of ease. However, the look in his eyes was paramount, because she was in love with him. She knew that he was more deeply and helplessly in love with her than she with him, but even she was perhaps tightlier bound than in her pride she thought.

Her love had the maladies of a woman's love when it is great; these may possibly be also the maladies of a man's love. It could be bitter. Certainly it could never rest from criticism, spoken or unspoken. In the presence of others she would criticise him to herself, if not aloud, nearly all the time; the ordeal was continuous. When she got him alone she would often endow him at a stroke with perfection, and her tenderness would pour over him. She trusted him profoundly; and yet she had constant misgivings, which weakened or temporarily destroyed her confidence. She would treat a statement from him with almost hostile caution, and accept blindly the very same statement from a stranger! Her habit was to assume that in any encounter between him and a stranger he would be worsted. She was afraid for him. She felt that she could protect him better than he could protect himself,--against any danger whatever. This instinct to protect him was also the instinct of self-protection; for peril to him meant peril to her. And she had had enough of peril. After years of disastrous peril she was safe and George was safe. And if she was passionately in love with Edwin, she was also passionately in love with safety. She had breathed a long sigh of relief, and from a desperate self-defender had become a woman. She lay back, as it were, luxuriously on a lounge, after exhausting and horrible exertions; she had scarcely ceased to pant. At the least sign of recurring danger all her nerves were on the qui vive. Hence her inimical attitude towards the project of the new works and the extension of lithography in Bursley. The simpleton (a moment earlier the perfect man) might ruin himself--and her! In her view he was the last person to undertake such an enterprise.

Since her marriage, Clara, Maggie, and Auntie Hamps had been engaged in the pleasant endless task of telling her all about everything that related to the family, and she had been permitted to understand that Edwin, though utterly admirable, was not of a creative disposition, and that he had done nothing but conserve what his father had left. Without his father Edwin "would have been in a very different position." She believed this. Every day, indeed, Edwin, by the texture of his hourly life, proved the truth of it.... All the persons standing to make a profit out of the new project would get the better of his fine ingenuous temperament--naturally! She knew the world. Did Edwin suppose that she did not know what the world was? ... And then the interminable worry of the new enterprise--misgivings, uncertainties, extra work, secret preoccupations! What room for love, what hope of tranquillity in all that? He might argue---- But she did not want to argue; she would not argue. She was dead against the entire project. He had not said to her that it was no affair of hers, but she knew that such was his thought, and she resented the attitude. No affair of hers? When it threatened her felicity? No! She would not have it. She was happy and secure. And while lying luxuriously back in her lounge she would maintain all the defences of her happiness and her security.

II

Holding the green book in front of her, Edwin said quietly:

"Read this!"

"Which?"

He pointed with his finger.

She read:

"I think I could turn and live with animals, they are so placid and self-contained.

I stand and look at them long and long.

They do not sweat and whine about their condition.

They do not lie awake in the dark and weep for their sins.

They do not make me sick discussing their duty to God.

Not one is dissatisfied, not one is demented with the mania of owning things.

Not one kneels to another, nor to his kind that lived thousands of years ago.

Not one is respectable or unhappy over the whole earth."

Edwin had lately been exciting himself, not for the first time, over Walt Whitman.

"Fine, isn't it?" he said, sure that she would share his thrill.

"Magnificent!" she agreed with quiet enthusiasm. "I must read more of that." She gazed over the top of the book through the open blue-curtained window into the garden.

He withdrew the book and closed it.

"You haven't got that tune exactly right, you know," he said, jerking his head in the direction of the music.

"Oh!" She was startled. What did he know about it? He could not play the piano.

"Where are you?" he asked. "Show me. Where's the confounded place on the piano? Well! At the end you play it like this." He imitated her. "Whereas it ought to be like this." He played the last four notes differently.

"So it ought!" She murmured with submission, after having frowned.

"That bit of a tune's been running in my head, too," he said.

The strange beauty of Whitman and the strange beauty of Dvorak seemed to unite, and both Edwin and Hilda were uplifted, not merely by these mingled beauties, but by their realisation of the wondrous fact that they both took intense pleasure in the same varied forms of beauty. Happiness rose about them like a sweet smell in the spaces of the comfortable impeccable drawing-room. And for a moment they leaned towards each other in bliss--across the open question.... Was it still open? ... Ah! Edwin might be ingenuous, a simpleton, but Hilda admitted the astounding, mystifying adroitness of his demeanour. Had he abandoned the lithographic project, or was he privately nursing it? In his friendliness towards herself was there a reserve, or was there not? She knew ... she did not know ... she knew.... Yes, there was a reserve, but it was so infinitesimal that she could not define it,--could not decide whether it was due to obstinacy of purpose, or merely to a sense of injury, whether it was resentful or condescending. Exciting times! And she perceived that her new life was gradually getting fuller of such excitements.

"Well," said he. "It's nearly three. Quarter-day's coming along. I'd better be off down and earn a bit towards Maggie's rent."

Before the June quarter-day, he had been jocular in the same way about Maggie's rent. In the division of old Darius Clayhanger's estate Maggie had taken over the Clayhanger house, and Edwin paid rent to her therefor.

"I wish you wouldn't talk like that," said Hilda, pouting amiably.

"Why not?"

"Well, I wish you wouldn't."

"Anyhow, the rent has to be paid, I suppose."

"And I wish it hadn't. I wish we didn't live in Maggie's house."

"Why?"

"I don't like the idea of it."

"You're sentimental."

"You can call it what you like. I don't like the idea of us living in Maggie's house. I never feel as if I was at home. No, I don't feel as if I was at home."

"What a kid you are!"

"You won't change me," she persisted stoutly.

He knew that she was not sympathetic towards the good Maggie. And he knew the reasons for her attitude, though they had never been mentioned. One was mere vague jealousy of Maggie as her predecessor in the house. The other was that Maggie was always very tepid towards George. George had annoyed her on his visits previous to his mother's marriage, and moreover Maggie had dimly resented Edwin's interest in the son of a mysterious woman. If she had encountered George after the proclamation of Edwin's engagement she would have accepted the child with her customary cheerful blandness. But she had encountered him too soon, and her puzzled gaze had said to George: "Why is my brother so taken up with you? There must be an explanation, and your strange mother is the explanation." Edwin did not deny Maggie's attitude to George, but he defended Maggie as a human being. Though dull, "she was absolutely the right sort," and the very slave of duty and loyalty. He would have liked to make Hilda see all Maggie's excellences.

"Do you know what I've been thinking?" Hilda went on. "Suppose you were to buy the house from Maggie? Then it would be ours."

He answered with a smile:

"What price 'the mania for owning things'? ... Would you like me to?" There was promise in his roguish voice.

"Oh! I should. I've often thought of it," she said eagerly. And at the same time all her gestures and glances seemed to be saying: "Humour me! I appeal to you as a girl pouting and capricious. But humour me. You know it gives you pleasure to humour me. You know you like me not to be too reasonable. We both know it. I want you to do this."

It was not the fact that she had often thought of the plan. But in her eagerness she imagined it to be the fact. She had never seriously thought of the plan until that moment, and it appeared doubly favourable to her now, because the execution of it, by absorbing capital, ought to divert Edwin from his lithographic project, and perhaps render the lithographic project impossible for years.

She added, aloud:

"Then you wouldn't have any rent to pay."

"How true!" said Edwin, rallying her. "But it would stand me in a loss, because I should have to pay too much for the place."

"Why?" she cried, in arms. "Why should Maggie ask too much just because you want it? And think of all the money you've spent on it!"

"The money spent on it only increases its value to Maggie. You don't seem to understand landlordism, my child. But that's not the point at all. Maggie won't ask any price. Only I couldn't decently pay her less than the value she took the house over at when we divided up. To wit, £1,800. It ain't worth that. I only pay £60 rent."

"If she took it over at too high a value that's her look-out," said the harsh and unjust Hilda.

"Not at all. She was a fool. Albert and Clara persuaded her. It was a jolly good thing for them. I couldn't very well interfere."

"It seems a great shame you should have to pay for what Albert and Clara did."

"I needn't unless I want to. Only, if I buy the house, £1,800 will have to be the price."

"Well," said Hilda. "I wish you'd buy it."

"Would she feel more at home if he did?" he seductively chaffed her.

"Yes, she would." Hilda straightened her shoulders, and smiled with bravado.

"And suppose Mag won't sell?"

"Will you allow me to mention it to her?" Hilda's submissive tone implied that Edwin was a tyrant who ruled with a nod.

"I don't mind," he said negligently.

"Well, one of these days I just will."

Edwin departed, leaving the book behind. Hilda was flushed. She thought: "It is marvellous. I can do what I like with him. When I use a particular tone, and look at him in a particular way, I can do what I like with him."

She was ecstatically conscious of an incomprehensible power. What a rôle, that of the capricious, pouting queen, reclining luxuriously on her lounge, and subduing a tyrant to a slave! It surpassed that of the world-renowned pianist!...

III

But soon she became more serious. She had a delicious glow of seriousness. She overflowed with gratitude to Edwin. His good-nature was exquisite. He was not perfect. She could see all his faults just as plainly as when she was angry with him. But he was perfect in lovableness. She adored every aspect of him, every manifestation of his character. She felt her responsibility to him and to George. It was hers to bring grace into their lives. Without her, how miserable, how uncared for, those two would be! They would be like lost children. Nobody could do for them what she did. Money could not buy what she gave naturally, and mere invention could not devise it. She looked up to Edwin, but at the same time she was mysteriously above both him and George. She had a strange soft wisdom for them. It was agreeable, and it was proper, and it was even prudent, to be capricious on occasion and to win by pouting and wiles and seductions; but beneath all that lay the tremendous sternness of the wife's duty, everlasting and intricate, a heavy obligation that demanded all her noblest powers for its fulfilment. She rose heroically to the thought of duty, conceiving it as she had never conceived it before. She desired intensely to be the most wonderful wife in the whole history of marriage. And she believed strongly in her capabilities.

She went upstairs to put on another and a finer dress; for since the disastrous sequel to the At Home she had somewhat wearied in the pursuit of elegance. She had thought: "What is the use of me putting myself to such a lot of trouble for a husband who is insensible enough to risk my welfare unnecessarily?" She was now ashamed of this backsliding. Ada was in the bedroom finicking with something on the dressing-table. Ada sprang to help as soon as she knew that her mistress had to go out. And she openly admired the new afternoon dress and seemed as pleased as though she was to wear it herself. And Ada buttoned her boots and found her gloves and her parasol, and remembered her purse and her bag and her handkerchief.

"I don't quite know what time I shall be back, Ada."

"No'm," said Ada eagerly, as though saying: "Of course you don't, m'm. You have many engagements. But no matter when you come back we shall be delighted to see you because the house is nothing without you."

"Of course I shall be back for tea."

"Oh, yes'm!" Ada agreed, as though saying: "Need you tell me that, m'm? I know you would never leave the master to have his tea alone."

Hilda walked regally down the stairs and glanced round about her at the house, which belonged to Maggie and which Edwin had practically promised to buy. Yes, it was a fine house, a truly splendid abode. And it seemed all the finer because it was Maggie's. Hilda had this regrettable human trait of overvaluing what was not hers and depreciating what was. It accounted in part, possibly, for her often very critical attitude towards Edwin. She passed out of the front-door in triumph, her head full of wise schemes and plots. But even then she was not sure whether she had destroyed--or could ever destroy, by no matter what arts!--the huge dangerous lithographic project.

As soon as she was gone, Ada ran yelling to the kitchen:

"Hooray! She's safe."

And both servants burst like infants into the garden, to disport themselves upon the swing.

CHAPTER VIII

THE FAMILY AT HOME

I

When Hilda knocked at the door of Auntie Hamps's house, in King Street, a marvellously dirty and untidy servant answered the summons, and a smell of greengage jam in the making surged out through the doorway into the street. The servant wore an apron of rough sacking.

"Is Miss Clayhanger in?" coldly asked Hilda, offended by the sight and the smell.

The servant looked suspicious and mysterious.

"No, mum. Her's gone out."

"Mrs. Hamps, then?"

"Missis is up yon," said the servant, jerking her tousled head back towards the stairs.

"Will you tell her I'm here?"

The servant left the visitor on the doorstep, and with an elephantine movement of the knees ran upstairs.

Hilda walked into the passage towards the kitchen. On the kitchen fire was the brilliant copper pan sacred to "preserving." Rows of earthenware and glass jars stood irregularly on the table.

"Her'll be down," said the brusque servant, returning, and glared open-mouthed.

"Shall I wait in the sitting-room?"

The house, about seventy years old, was respectably situated in the better part of King Street, at the bottom of the slope near St. Luke's Church. It had once been occupied by a dentist of a certain grandeur, and possessed a garden, of which, however, Auntie Hamps had made a wilderness. The old lady was magnificent, but her magnificence was limited to herself. She could be sublimely generous, gorgeously hospitable, but only upon special occasions. Her teas, at which a fresh and costly pineapple and wonderful confectionery and pickled salmon and silver plate never lacked, were renowned, but the general level of her existence was very mean. Her servants, of whom she had many, though never more than one at a time, were not only obliged to be Wesleyan Methodists and to attend the Sunday night service, and in the week to go to class-meeting for the purpose of confessing sins and proving the power of Christ,--they were obliged also to eat dripping instead of butter. The mistress sometimes ate dripping, if butter ran short or went up in price. She considered herself a tremendous housewife. She was a martyr to her housewifely ideals. Her private career was chiefly an endless struggle to keep the house clean--to get forward with the work. The house was always going to be clean and never was, despite eternal soap, furniture-polish, scrubbing, rubbing. Auntie Hamps never changed her frowsy house-dress for rich visiting attire without the sad thought that she was "leaving something undone." The servant never went to bed without hearing the discontented phrase: "Well, we must do it to-morrow." Spring-cleaning in that house lasted for six weeks. On days of hospitality the effort to get the servant "dressed" for tea-time was simply desperate, and not always successful.

Auntie Hamps had no sense of comfort and no sense of beauty. She was incapable of leaning back in a chair, and she regarded linoleum as one of the most satisfactory inventions of the modern age. She "saved" her carpets by means of patches of linoleum, often stringy at the edges, and in some rooms there was more linoleum than anything else. In the way of renewals she bought nothing but linoleum,--unless some chapel bazaar forced her to purchase a satin cushion or a hand-painted grate-screen. All her furniture was old, decrepit and ugly; it belonged to the worst Victorian period, when every trace of the eighteenth century had disappeared. The abode was always oppressive. It was oppressive even amid hospitality, for then the mere profusion on the tables accused the rest of the interior, creating a feeling of discomfort; and moreover Mrs. Hamps could not be hospitable naturally. She could be nothing and do nothing naturally. She could no more take off her hypocrisy than she could take off her skin. Her hospitality was altogether too ruthless. And to satisfy that ruthlessness, the guests had always to eat too much. She was so determined to demonstrate her hospitality to herself, that she would never leave a guest alone until he had reached the bursting point.

Hilda sat grimly in the threadbare sitting-room amid morocco-bound photograph albums, oleographs, and beady knickknacks, and sniffed the strong odour of jam; and in the violence of her revolt against that wide-spread messy idolatrous eternal domesticity of which Auntie Hamps was a classic example, she protested that she would sooner buy the worst jam than make the best, and that she would never look under a table for dust, and that naught should induce her to do any housework after midday, and that she would abolish spring-cleaning utterly.

The vast mediocre respectability of the district weighed on her heart. She had been a mistress-drudge in Brighton during a long portion of her adult life; she knew the very depths of domesticity; but at Brighton the eye could find large, rich, luxurious, and sometimes beautiful things for its distraction; and there was the sea. In the Five Towns there was nothing. You might walk from one end of the Five Towns to the other, and not see one object that gave a thrill--unless it was a pair of lovers. And when you went inside the houses you were no better off,--you were even worse off, because you came at once into contact with an ignoble race of slatternly imprisoned serfs driven by narrow-minded women who themselves were serfs with the mentality of serfs and the prodigious conceit of virtue.... Talk to Auntie Hamps at home of lawn-tennis or a musical evening, and she would set you down as flighty, and shift the conversation on to soaps or chapels. And there were hundreds of houses in the Five Towns into which no ideas save the ideas of Auntie Hamps had ever penetrated, and tens and hundreds of thousands of such houses all over the industrial districts of Staffordshire, Cheshire, Lancashire, and Yorkshire,--houses where to keep bits of wood clean and to fulfil the ceremonies of pietism, and to help the poor to help themselves, was the highest good, the sole good. Hilda in her mind saw every house, and shuddered. She turned for relief to the thought of her own house, and in a constructive spirit of rebellion she shaped instantaneously a conscious policy for it.... Yes, she took oath that her house should at any rate be intelligent and agreeable before it was clean. She pictured Auntie Hamps gazing at a layer of dust in the Clayhanger hall, and heard herself saying: "Oh, yes, Auntie, it's dust right enough. I keep it there on purpose, to remind me of something I want to remember." She looked round Auntie Hamps's sitting-room and revelled grimly in the monstrous catalogue of its mean ugliness.

And then Auntie Hamps came in, splendidly and yet soberly attired in black to face the world, with her upright, vigorous figure, her sparkling eye, and her admirable complexion; self-content, smiling hospitably; quite unconscious that she was dead, and that her era was dead, and that Hilda was not guiltless of the murder.

"This is nice of you, Hilda. It's quite an honour." And then, archly: "I'm making jam."

"So I see," said Hilda, meaning that so she smelt. "I just looked in on the chance of seeing Maggie."

"Maggie went out about half-an-hour ago."

Auntie Hamps's expression had grown mysterious. Hilda thought: "What's she hiding from me?"

"Oh, well, it doesn't matter," said she. "You're going out too, Auntie."

"I do wish I'd known you were coming, dear. Will you stay and have a cup of tea?"

"No, no! I won't keep you."

"But it will be a pleasure, dear," Auntie Hamps protested warmly.

"No, no! Thanks! I'll just walk along with you a little of the way. Which direction are you going?"

Auntie Hamps hesitated, she was in a dilemma.

"What is she hiding from me?" thought Hilda.

"The truth is," said Auntie Hamps, "I'm just popping over to Clara's."

"Well, I'll go with you, Auntie."

"Oh, do!" exclaimed Mrs. Hamps almost passionately. "Do! I'm sure Clara will be delighted!" She added in a casual tone: "Maggie's there."

Thought Hilda:

"She evidently doesn't want me to go."

After Mrs. Hamps had peered into the grand copper pan and most particularly instructed the servant, they set off.

"I shan't be easy in my mind until I get back," said Auntie Hamps. "Unless you look after them all the time they always forget to stir it."

II

When they turned in at the gate of the Benbows' house the front-door was already open, and Clara, holding Rupert--her youngest--by the hand, stood smiling to receive them. Obviously they had been descried up the street from one of the bow-windows. This small fact, strengthening in Hilda's mind the gradually-formed notion that the Benbows were always lying in wait and that their existence was a vast machination for getting the better of other people, enlivened her prejudice against her sister-in-law. Moreover Clara was in one of her best dresses, and her glance had a peculiar self-conscious expression, partly guilty and partly cunning. Nevertheless, the fair fragility of Clara's face, with its wonderful skin, and her manner, at once girlish and maternal, of holding fast the child's hand, reacted considerably against Hilda's prejudice.

Rupert was freshly all in white, stitched and embroidered with millions of plain and fancy stitches; he had had time neither to tear nor to stain; only on his bib there was a spot of jam. His obese right arm was stretched straight upwards to attain the immense height of the hand of the protective giantess his mother, and this reaching threw the whole balance of his little body over towards the left, and gave him a comical and wistful appearance. He was a pretty and yet sturdy child, with a look indicating a nice disposition, and he had recently been acquiring the marvellous gift of speech.... Astounding how the infantile brain added word to word and phrase to phrase, and (as though there were not enough) actually invented delicious words and graphic droll phrases! Nobody could be surprised that he became at once the centre of greetings. His grand-aunt snatched him up, and without the slightest repugnance he allowed the ancient woman to bury her nose in his face and neck.

And then Hilda embraced him with not less pleasure, for the contact of his delicate flesh, and his flushed timid smile, were exquisite. She wished for a moment that George was only two and a half again, and that she could bathe him, and wipe him, and nurse him close. Clara's pride, though the visitors almost forgot to shake hands with her, was ecstatic. At length Rupert was safely on the step once more. He had made no remark whatever. Shyness prevented him from showing off his new marvellous gift, but his mother, gazing at him, said that in ordinary life he never stopped chattering.

"Come this way, will you?" said Clara effusively, and yet conspiratorially, pointing to the drawing-room, which was to the left of the front-door. From the dining-room, which was to the right of the front-door, issued confused sounds. "Albert's here. I'm so glad you've come," she added to Hilda.

Auntie Hamps murmured warningly into Hilda's ear:

"It's Bert's birthday party."

A fortnight earlier Hilda had heard rumours of Bert's approaching birthday--his twelfth, and therefore a high solemnity--but she had very wrongly forgotten about it. "I'm so glad you've come," Clara repeated in the drawing-room. "I was afraid you might be hurt. I thought I'd just bring you in here first and explain it all to you."

"Oh! Bless me!" exclaimed Auntie Hamps,--interrupting, as she glanced round the drawing-room. "We are grand! Well I never! We are grand!"

"Do you like it?" said Clara, blushing.

Auntie Hamps in reply told one of the major lies of her career. She said with rapture that she did like the new drawing-room suite. This suite was a proof, disagreeable to Auntie Hamps, that the world would never stand still. It quite ignored all the old Victorian ideals of furniture; and in ignoring the past, it also ignored the future. Victorian furniture had always sought after immortality; in Bursley there were thousands of Victorian chairs and tables that defied time and that nothing but an axe or a conflagration could destroy. But this new suite thought not of the morrow; it did not even pretend to think of the morrow. Nobody believed that it would last, and the owners of it simply forbore to reflect upon what it would be after a few years of family use. They contemplated with joy its first state of dainty freshness, and were content therein. Whereas the old Victorians lived in the future (in so far as they truly lived at all), the neo-Victorians lived careless in the present.

The suite was of apparent rosewood, with salmon-tinted upholstery ending in pleats and bows. But white also entered considerably into the scheme, for enamel paint had just reached Bursley and was destined to become the rage. Among the items of the suite was a three-legged milking-stool in deal covered with white enamel paint heightened by salmon-tinted bows of imitation silk. Society had recently been thunderstruck by the originality of putting a milking-stool in a drawing-room; its quaintness appealed with tremendous force to nearly all hearts; nearly every house-mistress on seeing a milking-stool in a friend's drawing-room, decided that she must have a milking-stool in her drawing-room, and took measures to get one. Clara was among the earlier possessors, the pioneers. Ten years--five years--before, Clara had appropriated the word "æsthetic" as a term of sneering abuse, with but a vague idea of its meaning; and now--such is the miraculous effect of time--she was caught up in the movement as it had ultimately spread to the Five Towns, a willing convert and captive, and nothing could exceed her scorn for that which once she had admired to the exclusion of all else. Into that mid-Victorian respectable house, situate in a rather old-fashioned street leading from Shawport Lane to the Canal, and whose boast (even when inhabited by non-conformists) was that it overlooked the Rectory garden, the new ideals of brightness, freshness, eccentricity, brittleness and impermanency had entered, and Auntie Hamps herself was intimidated by them.

Hilda gave polite but perfunctory praise. Left alone, she might not have been averse from the new ideals in their more expensive forms, but the influence of Edwin had taught her to despise them. Edwin's tastes in furniture, imbibed from the Orgreaves, neglected the modern, and went even further back than earliest Victorian. Much of the ugliness bought by his father remained in the Clayhanger house, but all Edwin's own purchases were either antique, or, if new, careful imitations of the pre-Victorian. Had England been peopled by Edwins, all original artists in furniture might have died of hunger. Yet he encouraged original literature. What, however, put Hilda against Clara's drawing-room suite, was not its style, nor its enamel, nor its frills, nor the obviously inferior quality of its varnish, but the mere fact that it had been exposed for sale in Nixon's shop-window in Duck Bank, with the price marked. Hilda did not like this. Now Edwin might see an old weather-glass in some frowsy second-hand shop at Hanbridge or Turnhill, and from indecision might leave it in the second-hand shop for months, and then buy it and hang it up at home,--and instantly it was somehow transformed into another weather-glass, a superior and personal weather-glass. But Clara's suite was not--for Hilda--thus transformed. Indeed, as she sat there in Clara's drawing-room, she had the illusion of sitting in Nixon's shop.

Further, Nixon had now got in his window another suite precisely like Clara's. It was astonishing to Hilda that Clara was not ashamed of the publicity and the wholesale reproduction of her suite. But she was not. On the contrary she seemed to draw a mysterious satisfaction from the very fact that suites precisely similar to hers were to be found or would soon be found in unnumbered other drawing-rooms. Nor did she mind that the price was notorious. And in the matter of the price the phrase "hire-purchase" flitted about in Hilda's brain. She felt sure that Albert Benbow had not paid cash to Nixon. She regarded the hire-purchase system as unrespectable, if not immoral, and this opinion was one of the very few she shared with Auntie Hamps. Both ladies in their hearts, and in the security of their financial positions, blamed the Benbows for imprudence. Nobody, not even his wife, knew just how Albert "stood," but many took leave to guess--and guessed unfavourably.

"Do sit down," said Clara, too urgently. She was so preoccupied that Hilda's indifference to her new furniture did not affect her.

They all sat down, primly, in the pretty primness of the drawing-room, and Rupert leaned as if tired against his mother's fine skirt.

Hilda, expectant, glanced vaguely about her. Auntie Hamps did the same. On the central table lay a dictionary of the English language, open and leaves downwards; and near it a piece of paper containing a long list of missing words in pencil. Auntie Hamps, as soon as her gaze fell on these objects, looked quickly away, as though she had by accident met the obscene. Clara caught the movement, flushed somewhat, and recovered herself.

"I'm so glad you've come," she repeated yet again to Hilda, with a sickly-sweet smile. "I did so want to explain to you how it was we didn't ask George--I was afraid you might be vexed."

"What an idea!" Hilda murmured as naturally as she could, her nostrils twitching uneasily in the atmosphere of small feuds and misunderstandings which Clara breathed with such pleasure. She laughed, to reassure Clara, and also in enjoyment of the thought that for days Clara had pictured her as wondering sensitively why no invitation to the party had come for George, while in fact the party had never crossed her mind. She regretted that she had no gift for Bert, but decided to give him half-a-crown for his savings-bank account, of which she had heard a lot.

"To tell ye the truth," said Clara, launching herself, "we've had a lot of trouble with Bert. Albert's been quite put about. It was only the day before yesterday Albert got out of him the truth about the night of your At Home, Hilda, when he ran away after he'd gone to bed. Albert said to him: 'I shan't whip you, and I shan't put you on bread and water. Only if you don't tell me what you were doing that night there'll be no birthday and no birthday party--that's all.' So at last Bert gave in. And d'you know what he was doing? Holding a prayer-meeting with your George and that boy of Clowes's next door to your house down Hulton Street. Did you know?"

Hilda shook her head bravely. Officially she did not know.

"Did you ever hear of such a thing?" exclaimed Auntie Hamps.

"Yes," proceeded Clara, taking breath for a new start. "And Bert's story is that they prayed for a penknife for your George, and it came. And then they prayed for a bicycle for our Bert, but the bicycle didn't come, and then Bert and George had a fearful quarrel, and George gave him the penknife--made him have it--and then said he'd never speak to him any more as long as he lived. At first Albert was inclined to thrash Bert for telling lies and being irreverent, but in the end he came to the conclusion that at any rate Bert was telling what he thought to be the truth.... And that Clowes boy is so little! ... Bert wanted his birthday party of course, but he begged and prayed us not to ask George. So in the end we decided we'd better not, and we let him have his own way. That's all there is to it.... So George has said nothing?"

"Not a word," replied Hilda.

"And the Clowes boy is so little!" said Clara again. She went suddenly to the mantelpiece and picked up a penknife and offered it to Hilda.

"Here's the penknife. Of course Albert took it off him."

"Why?" said Hilda ingenuously.

But Clara detected satire and repelled it with a glance.

"It's not Edwin's penknife, I suppose?" she queried, in a severe tone.

"No, it isn't. I've never seen it before. Why?"

"We were only thinking Edwin might have overheard the boys and thrown a knife over the wall. It would be just like Edwin, that would."

"Oh, no!" The deceitful Hilda blew away such a possibility.

"I'm quite sure he didn't," said she, and added mischievously as she held out the penknife: "I thought all you folks believed in the efficacy of prayer."

These simple words were never forgiven by Clara.

The next moment, having restored the magic penknife to the mantelpiece, and gathered up her infant, she was leading the way to the dining-room.

"Come along, Rupy, my darling," said she.

"'Rupy!'" Hilda privately imitated her, deriding the absurdity of the diminutive.

"If you ask me," said Auntie Hamps, determined to save the honour of the family, "it's that little Clowes monkey that is responsible. I've been thinking it over since you told me about it last night, Clara, and I feel almost sure it must have been that little Clowes monkey."

She was magnificent. She was no longer a house-keeper worried about the processes of jam-making, but a grandiose figure out in the world, a figure symbolic, upon whom had devolved the duty of keeping up appearances on behalf of all mankind.

III

The dining-room had not yet begun to move with the times. It was rather a shabby apartment, accustomed to daily ill-treatment, and its contents dated from different periods, the most ancient object of all stretching backwards in family history to the epoch of Albert's great-grandfather. This was an oak arm-chair, occupied usually by Albert, but on the present occasion by his son and heir, Bert. Bert, spectacled, was at the head of the table; and at the foot was his auntie Maggie in front of a tea-tray. Down the sides of the table were his sisters, thin Clara, fat Amy, and little Lucy--the first nearly as old as Bert--and his father; two crumb-strewn plates showed that the mother and Rupert had left the meal to greet the visitors. And there were two other empty places. In a tiny vase in front of Amy was a solitary flower. The room was nearly full; it had an odour of cake, tea, and children.

"Well, here we are," said Clara, entering with the guests and Rupert, very cheerfully. "Getting on all right?" (She gave Albert a glance which said: "I have explained everything, but Hilda is a very peculiar creature.")

"A1," Albert answered. "Hello, all you aunties!"

"Albert left the works early on purpose," Clara explained her husband's presence.

He was a happy man. In early adolescence he had taken to Sunday Schools as some youths take to vice. He loved to exert authority over children, and experience had taught him all the principal dodges. Under the forms of benevolent autocracy, he could exercise a ruthless discipline upon youngsters. He was not at all ashamed at being left in charge of a tableful of children while his wife went forth to conduct diplomatic interviews. At the same time he had his pride. Thus he would express no surprise, nor even pleasure, at the presence of Hilda, his theory being that it ought to be taken as a matter of course. Indeed he was preoccupied by the management of the meal, and he did not conceal the fact. He shook hands with the ladies in a perfunctory style, which seemed to say: "Now the supreme matter is this birthday repast. I am running it, and I am running it very well. Slip inobtrusively into your places in the machine, and let me continue my work of direction."

Nevertheless, he saw to it that all the children rose politely and saluted according to approved precedents. His eye was upon them. He attached importance to every little act in any series of little acts. If he cut the cake, he had the air of announcing to the world: "This is a beautiful cake. I have carefully estimated the merits of this cake, and mother has carefully estimated them; we have in fact all come to a definite and favourable conclusion about this cake,--namely that it is a beautiful cake. I will now cut it. The operation of cutting it is a major operation. Watch me cut it, and then watch me distribute it. Wisdom and justice shall preside over the distribution." Even if he only passed the salt, he passed it as though he were passing extreme unction.

Auntie Hamps with apparent delight adapted herself to his humour. She said she would "squeeze in" anywhere, and was soon engaged in finding perfection in everything that appertained to the Benbow family. Hilda, not being quite so intimate with the household, was installed with more ceremony. She could not keep out of her eye the idea that it was droll to see a stoutish, somewhat clay-dusted man neglecting his business in order to take charge of a birthday-party of small children; and Albert, observing this, could not keep out of his eye the rebutting assertion that it was not in the least droll, but entirely proper and laudable.

The first mention of birthday presents came from Auntie Hamps, who remarked with enthusiasm that Bert looked a regular little man in his beautiful new spectacles. Bert, glowering, gloomy and yet proud, and above all self-conscious, grew even more self-conscious at this statement. Spectacles had been ordained for him by the oculist, and his parents had had the hardihood to offer him his first pair for a birthday present. They had so insisted on the beauty and originality of the scheme that Bert himself had almost come to believe that to get a pair of spectacles for a birthday present was a great thing in a boy's life. He was now wearing the spectacles for the first time. On the whole, gloom outbalanced pride in his demeanour, and Bert's mysterious soul, which had flabbergasted his father for about a week, peeped out sidelong occasionally through those spectacles in bitter criticism of the institution of parents. He ate industriously. Soon Auntie Hamps, leaning over, rapped half-a-sovereign down on his sticky plate. Everybody pretended to be overwhelmed, though nobody entitled to prophesy had expected less. Almost simultaneously with the ring of the gold on the plate, Clara said:

"Now what do you say?"

But Albert was judiciously benevolent:

"Leave him alone, mother--he'll say it all right."

"I'm sure he will," his mother agreed.

And Bert said it, blushing, and fingering the coin nervously. And Auntie Hamps sat like an antique goddess, bland, superb, morally immense. And even her dirty and broken finger-nails detracted naught from her grandiosity. She might feed servants on dripping, but when the proper moment came she could fling half-sovereigns about with anybody.

And then, opening her purse, Hilda added five shillings to the half-sovereign, amid admiring exclamations sincere and insincere. Beside Auntie Hamps's gold the two half-crowns cut a poor figure, and therefore Hilda, almost without discontinuing the gesture of largesse, said:

"That is from Uncle Edwin. And this," putting a florin and three shillings more to the treasure, "is from Auntie Hilda."

Somehow she was talking as the others talked, and she disliked herself for yielding to the spirit of the Benbow home, but she could not help it; the pervading spirit conquered everybody. She felt self-conscious; and Bert's self-consciousness was still further increased as the exclamations grew in power and sincerity. Though he experienced the mournful pride of rich possessions, he knew well that the money would be of no real value. His presents, all useful (save a bouquet of flowers from Rupert), were all useless to him. Thus the prim young Clara had been parentally guided to give him a comb. If all the combs in the world had been suddenly annihilated Bert would not have cared,--would indeed have rejoiced. And as to the spectacles, he would have preferred the prospect of total blindness in middle age to the compulsion of wearing them. Who can wonder that his father had not fathomed the mind of the strange creature?

Albert gazed rapt at the beautiful sight of the plate. It reminded him pleasantly of a collection-plate at the Sunday School Anniversary sermons. In a moment the conversation ran upon savings-bank accounts. Each child had a savings-bank account, and their riches were astounding. Rupert had an account and was getting interest at the rate of two and a half per cent on six pounds ten shillings. The thriftiness of the elder children had reached amounts which might be mentioned with satisfaction even to the luxurious wife of the richest member of the family. Young Clara was the wealthiest of the band. "I've got the most, haven't I, fardy?" she said with complacency. "I've got more than Bert, haven't I?" Nobody seemed to know how it was that she had surpassed Bert, who had had more birthdays and more Christmases. The inferiority of the eldest could not be attributed to dissipation or improvidence, for none of the children was allowed to spend a cent. The savings-bank devoured all, and never rendered back. However, Bert was now creeping up, and his mother exhorted him to do his best in future. She then took the money from the plate, and promised Bert for the morrow the treat of accompanying her to the Post Office in order to bury it.

A bell rang within the house, and at once young Clara exclaimed:

"Oh! There's Flossie! Oh, my word, she is late, isn't she, fardy? What a good thing we didn't wait tea for her! ... Move up, miss." This to Lucy.

"People who are late must take the consequences, especially little girls," said Albert in reply.

And presently Flossie entered, tripping, shrugging up her shoulders and throwing back her mane, and wonderfully innocent.

"This is Flossie, who is always late," Albert introduced her to Hilda.

"Am I really?" said Flossie, in a very low, soft voice, with a bright and apparently frightened smile.

Dark Flossie was of Amy's age and supposed to be Amy's particular friend. She was the daughter of young Clara's music mistress. The little girl's prestige in the Benbow house was due to two causes. First she was graceful and rather stylish in movement--qualities which none of the Benbow children had, though young Clara was pretty enough; and second her mother had rather more pupils than she could comfortably handle, and indeed sometimes refused a pupil.

Flossie with her physical elegance was like a foreigner among the Benbows. She had a precocious demeanour. She shook hands and embraced like a woman, and she gave her birthday gift to Bert as if she were distributing a prize. It was a lead-pencil, with a patent sharpener. Bert would have preferred a bicycle, but the patent sharpener made an oasis in his day. His father pointed out to him that as the pencil was already sharpened he could not at present use the sharpener. Amy thereupon furtively passed him the stump of a pencil to operate upon, and then his mother told him that he had better postpone his first sharpening until he got into the garden, where bits of wood would not be untidy. Flossie carefully settled her very short white skirts on a chair, smiling all the time, and enquired about two brothers whom she had been told were to be among the guests. Albert informed her with solemnity that these two brothers were both down with measles, and that Auntie Hamps and Auntie Hilda had come to make up for their absence.

"Poor things!" murmured Flossie sympathetically.

Hilda laughed, and Flossie screwing up her eyes and shrugging up her shoulders laughed too, as if saying: "You and I alone understand me."

"What a pretty flower!" Flossie exclaimed, in her low soft voice, indicating the flower in the vase in front of Amy.

"There's half a crumb left," said Albert, passing the cake-plate to Flossie carefully. "We thought we'd better keep it for you, though we don't reckon to keep anything for little girls that come late."

"Amy," whispered her mother, leaning towards the fat girl. "Wouldn't it be nice of you to give your flower to Flossie?" Amy started.

"I don't want to," she whispered back, flushing.

The flower was a gift to Amy from Bert, out of the birthday bunch presented to him by Rupert. Mysterious relations existed between Bert and the benignant, acquiescent Amy.

"Oh! Amy!" her mother protested, still whispering, but shocked.

Tears came into Amy's eyes. These tears Amy at length wiped away, and, straightening her face, offered the flower with stiff outstretched arm to her friend Flossie. And Flossie smilingly accepted it.

"It is kind of you, you darling!" said Flossie, and stuck the flower in an interstice of her embroidered pinafore.

Amy, gravely lacking in self-control, began to whimper again.

"That's my good little girl!" muttered Clara to her, exhibiting pride in her daughter's victory over self, and rubbed the child's eyes with her handkerchief. The parents were continually thus "bringing up" their children. Hilda pressed her lips together.

Immediately afterwards it was noticed that Flossie was no longer eating.

"I've had quite enough, thank you," said she in answer to expostulations.

"No jam, even? And you've not finished your tea!"

"I've had quite enough, thank you," said she, and folded up her napkin.

"Please, father, can we go and play in the garden now?" Bert asked.

Albert looked at his wife.

"Yes, I think they might," said Clara. "Go and play nicely." They all rose.

"Now quietly, qui-etly!" Albert warned them.

And they went from the room quietly, each in his own fashion,--Flossie like a modest tsarina, young Clara full of virtue and holding Rupert by the hand, Amy lumpily, tiny Lucy as one who had too soon been robbed of the privilege of being the youngest, and Bert in the rear like a criminal who is observed in a suspicious act. And Albert blew out wind, as if getting rid of a great weight.

IV

"Finished your greengage, auntie?" asked Clara, after the pause which ensued while the adults were accustoming themselves to the absence of the children.

And it was Maggie who answered, rather eagerly:

"No, she hasn't. She's left it to the tender mercies of that Maria. She wouldn't let me stay, and she wouldn't stay herself."

These were almost the first words, save murmurings as to cups of tea, quantities of sugar and of milk, etc., that the taciturn Maggie had uttered since Hilda's arrival. She was not sulky, she had merely been devoting herself and allowing herself to be exploited, in the vacuous manner customary to her,--and listening receptively--or perhaps not even receptively--offering no remark. Save that the smooth-working mechanism of the repast would have creaked and stopped at her departure, she might have slipped from the room unnoticed as a cat. But now she spoke as one capable of enthusiasm and resentment on behalf of an ideal. To her it was scandalous that greengage jam should be jeopardised for the sake of social pleasures, and suddenly it became evident she and her auntie had had a difference on the matter.

Mrs. Hamps said stoutly and defiantly, with grandeur:

"Well, I wasn't going to have my eldest grand-nephew's twelfth birthday party interfered with for any jam."

"Hear, hear!" said Hilda, liking the terrific woman for an instant.

But mild Maggie was inflexible.

Clara, knowing that in Maggie very slight symptoms had enormous significance, at once changed the subject. Albert went to the back window, whence by twisting his neck he could descry a corner of the garden.

Said Clara, smiling:

"I hear you're going to have some musical evenings, Hilda ... on Sunday nights."

Malice and ridicule were in Clara's tone. On the phrase "musical evenings" she put a strange disdainful emphasis, as though a musical evening denoted something not only unrighteous but snobbish, new-fangled, and absurd. Yet envy also was in her tone.

Hilda was startled.

"Ah! Who told you that?"

"Never mind! I heard," said Clara darkly.

Hilda wondered where the Benbows, from whom seemingly naught could be concealed, had in fact got this tit-bit of news. By tacit consent she and Edwin had as yet said nothing to anybody except the Orgreaves, who alone, with Tertius Ingpen and one or two more intimates, were invited, or were to be invited, to the first evening. Relations between the Orgreaves and the Benbows scarcely existed.

"We're having a little music on Sunday night," said Hilda, as it were apologetically, and scorning herself for being apologetic. Why should she be apologetic to these base creatures? But she couldn't help it; the public opinion of the room was too much for her. She even added: "We're hoping that old Mrs. Orgreave will come. It will be the first time she's been out in the evening for ever so long." The name of Mrs. Orgreave was calculated by Hilda to overawe them and stop their mouths.

No name, however, could overawe Mrs. Hamps. She smiled kindly, and with respect for the caprices of others; she spoke in a tone exceptionally polite,--but what she said was: "I'm sorry ... I'm sorry."

The deliverance was final. Auntie Hamps was almost as deeply moved about the approaching desecration of the Sabbath as Maggie had been about the casual treatment of jam. In earlier years she would have said a great deal more--just as in earlier years she would have punctuated Bert's birthday mouthfuls with descants upon the excellence of his parents and moral exhortations to himself; but Auntie Hamps was growing older, and quieter, and "I'm sorry ... I'm sorry" meant much from her.

Hilda became sad, disgusted, indignant, moody. The breach which separated her and Edwin from the rest of the family was enormous, as might be seen in the mere fact that they had never for a moment contemplated asking anybody in the family to the musical evening, nor had the family ever dreamed of an invitation. It was astonishing that Edwin should be so different from the others. But after all, was he? She could see in him sometimes bits of Maggie, of Clara, and even of the Unspeakable. She was conscious of her grievances against Edwin. Among these was that he never, or scarcely ever, praised her. At moments, when she had tried hard, she felt a great need of praise. But Edwin would watch her critically, with the damnable grim detachment of the Five Towns towards a stranger or a returned exile.

As she sat in the stuffy dining-room of the Benbows, surrounded by hostilities and incomprehensions, she had a sensation of unreality, or at any rate of a vast mistake. Why was she there? Was she not tied by intimate experience to a man at that very instant in prison? (She had a fearful vision of him in prison,--she, sitting there in the midst of Maggie, Clara, and Auntie Hamps!) Was she not the mother of an illegitimate boy? Victimised or not, innocent or not, she, a guest at Bert's intensely legitimate birthday fête, was the mother of an illegitimate boy. Incredible! She ought never to have married into the Clayhangers, never to have come back to this cackling provincial district. All these people were inimical towards her,--because she represented the luxury and riches and worldly splendour of the family, and because her illegitimate boy had tempted the heir of the Benbows to blasphemous wickedness, and because she herself had tempted a weak Edwin to abandon chapel and to desecrate the Sabbath, and again because she, without a penny of her own, had stepped in and now represented the luxury and riches and worldly splendour of the family. And all the family's grievances against Edwin were also grievances against her. Once, long ago, when he was yet a bachelor, and had no hope of Hilda, Edwin had prevented his father, in dotage, from lending a thousand pounds to Albert upon no security. The interference was unpardonable, and Hilda would not be pardoned for it.

Such was marriage into a family. Such was family life.... Yes, she felt unreal there, and also unsafe. She had prevaricated about George and the penknife; and she had allowed Clara to remain under the impression that her visit to the house was a birthday visit. Auntie Hamps and destiny, between them, would lay bare all this lying. The antipathy against her would increase. But let it increase never so much, it still would not equal Hilda's against the family, as she thrilled to it then. Their narrow ignorance, their narrow self-conceit, their detestation of beauty, their pietism, their bigotry--revolted her. In what century had they been living all those years? Was this married life? Had Albert and Clara ever felt a moment of mutual passion? They were nothing but parents, eternally preoccupied with "oughts" and "ought nots" and forbiddances and horrid reluctant permissions. They did not know what joy was, and they did not want anybody else to know what joy was. Even on the outskirts of such a family, a musical evening on a Sunday night appeared a forlorn enterprise. And all the families in all the streets were the same. Hilda was hard enough on George sometimes, but in that moment she would have preferred George to be a thoroughly bad rude boy and to go to the devil, and herself to be a woman abandoned to every licence, rather than that he and she should resemble Clara and her offspring. All her wrath centred upon Clara as the very symbol of what she loathed.

"Hello!" cried the watchful Albert from the window. "What's happening, I wonder?"

In a moment Rupert ran into the room, and without a word scrambled on his mother's lap, absolutely confident in her goodness and power.

"What's amiss, tuppenny?" asked his father.

"Tired," answered Rupert, with a faint, endearing smile.

He laid himself close against his mother's breast, and drew up his knees, and Clara held his body in her arms, and whispered to him.

"Amy 'udn't play with me," he murmured.

"Wouldn't she? Naughty Amy!"

"Mammy tired too," he glanced upwards at his mother's eyes in sympathy.

And immediately he was asleep. Clara kissed him, bending her head down and with difficulty reaching his cheek with her lips.

Auntie Hamps enquired fondly:

"What does he mean--'mother tired too'?"

"Well," said Clara, "the fact is some of 'em were so excited they stopped my afternoon sleep this afternoon. I always do have my nap, you know,"--she looked at Hilda. "In here! When this door's closed they know mother mustn't be disturbed. Only this afternoon Lucy or Amy--I don't know which, and I didn't enquire too closely--forgot.... He's remembered it, the little Turk."

"Is he asleep?" Hilda demanded in a low voice.

"Fast. He's been like that lately. He'll play a bit, and then he'll stop, and say he's tired, and sometimes cry, and he'll come to me and be asleep in two jiffs. I think he's been a bit run down. He said he had toothache yesterday. It was nothing but a little cold; they've all had colds; but I wrapped his face up to please him. He looked so sweet in his bandage, I assure you I didn't want to take it off again. No, I didn't.... I wonder why Amy wouldn't play with him? She's such a splendid playmate--when she likes. Full of imagination! Simply full of it!"

Albert had approached from the window.

With an air of important conviction, he said to Hilda:

"Yes, Amy's imagination is really remarkable." As no one responded to this statement, he drummed on the table to ease the silence, and then suddenly added: "Well, I suppose I must be getting on with my dictionary reading! I'm only at S; and there's bound to be a lot of words under U--beginning with un, you know. I saw at once there would be." He spoke rather defiantly, as though challenging public opinion to condemn his new dubious activity.

"Oh!" said Clara. "Albert's quite taken up with missing words nowadays."

But instead of conning his dictionary, Albert returned to the window, drawn by his inexhaustible paternal curiosity, and he even opened the window and leaned out, so that he might more effectively watch the garden. And with the fresh air there entered the high, gay, inspiriting voices of the children.

Clara smiled down at the boy sleeping in her lap. She was happy. The child was happy. His flushed face, with its expression of loving innocence, was exquisitely touching. Clara's face was full of proud tenderness. Everybody gazed at the picture with secret and profound pleasure. Hilda wished once more that George was only two and a half years old again. George's infancy, and her early motherhood, had been very different from all this. She had never been able to shut a dining-room door, or any other door, as a sign that she must not be disturbed. And certainly George had never sympathetically remarked that she was tired.... She was envious.... And yet a minute ago she had been execrating the family life of the Benbows. The complexity of the tissue of existence was puzzling.

V

When Albert brought his head once more into the room he suddenly discovered the stuffiness of the atmosphere, and with the large, free gestures of a mountaineer and a sanitarian threw open both windows as wide as possible. The bleak wind from the moorlands surged in, fluttering curtains, and lowering the temperature at a run.

"Won't Rupert catch cold?" Hilda suggested, chilled.

"He's got to be hardened, Rupert has!" Albert replied easily. "Fresh air! Nothing like it! Does 'em good to feel it!"

Hilda thought:

"Pity you didn't think so a bit earlier!"

Her countenance was too expressive. Albert divined some ironic thought in her brain, and turned on her with a sort of parrying jeer:

"And how's the great man getting along?"

In this phrase, which both he and Clara employed with increasing frequency, Albert let out not only his jealousy of, but his respect for, the head of the family. Hilda did not like it, but it flattered her on Edwin's behalf, and she never showed her resentment of the attitude which prompted it.

"Edwin? Oh, he's all right. He's working." She put a slight emphasis on the last pronoun, in order revengefully to contrast Edwin's industry with Albert's presence during business hours at a children's birthday party. "He said to me as he went out that he must go and earn something towards Maggie's rent." She laughed softly.

Clara smiled cautiously; Maggie smiled and blushed a little; Albert did not commit himself; only Auntie Hamps laughed without reserve.

"Edwin will have his joke," said she.

Although Hilda had audaciously gone forth that afternoon with the express intention of opening negotiations, on her own initiative, with Maggie for the purchase of the house, she had certainly not meant to discuss the matter in the presence of the entire family. But she was seized by one of her characteristic impulses, and she gave herself up to it with the usual mixture of glee and apprehension. She said:

"I suppose you wouldn't care to sell us the house, would you, Maggie?"

Everybody became alert, and as it grew apparent that the company was assisting at the actual birth of a family episode or incident, a peculiar feeling of eager pleasure spread through the room, and the appetite for history-making leapt up.

"Indeed I should!" Maggie answered, with a deepening flush, and all were astonished at her decisiveness, and at the warmth of her tone. "I never wanted the house. Only it was arranged that I should have it, so of course I took it." The long-silent victim was speaking. Money was useless to her, for she was incapable of turning it into happiness; but she had her views on finance and property, nevertheless; and though in all such matters she did as she was told, submissively accepting the decisions of brother or brother-in-law as decrees of fate, yet she was quite aware of the victimhood. The assemblage was surprised and even a little intimidated by her mild outburst.

"But you've got a very good tenant, Maggie," said Auntie Hamps enthusiastically.

"She's got a very good tenant, admitted!" Albert said judicially and almost sternly. "But she'd never have any difficulty in finding a very good tenant for that house. That's not the point. The point is that the investment really isn't remunerative. Maggie could do much better for herself than that. Very much better. Why, if she went the right way about it she could get ten per cent on her money! I know of things.... And I bet she doesn't get three and a half per cent clear from the house. Not three and a half." He glanced reproachfully at Hilda.

"Do you mean the rent's too low?" Hilda questioned boldly.

He hesitated, losing courage.

"I don't say it's too low. But Maggie perhaps took the house over at too big a figure."

Maggie looked up at her brother-in-law.

"And whose fault was that?" she asked sharply. The general surprise was intensified. No one could understand Maggie. No one had the wit to perceive that she had been truly annoyed by Auntie Hamps's negligence in regard to jam, and was momentarily capable of bitterness. "Whose fault was that?" she repeated. "You and Clara and Edwin settled it between you. You yourself said over and over again it was a fair figure."

"I thought so at the time! I thought so at the time!" said Albert quickly. "We all acted for the best."

"I'm sure you did," murmured Auntie Hamps.

"I should think so, indeed!" murmured Clara, seeking to disguise her constraint by attentions to the sleeping Rupert.

"Is Edwin thinking of buying, then?" Albert asked Hilda in a quiet, studiously careless voice.

"We've discussed it," responded Hilda.

"Because if he is, he ought to take it over at the price Mag took it at. She oughtn't to lose on it. That's only fair."

"I'm sure Edwin would never do anything unfair," said Auntie Hamps.

Hilda made no reply. She had already heard the argument from Edwin, and Albert now seemed to her more tedious and unprincipled than usual. Her reason admitted the force of the argument as regards Maggie, but instinct opposed it.

Nevertheless she was conscious of sudden sympathy for Maggie, and of a weakening of her prejudice against her.

"Hadn't we better be going, Auntie?" Maggie curtly and reproachfully suggested. "You know quite well that jam stands a good chance of being ruined."

"I suppose we had," Auntie Hamps concurred with a sigh, and rose.

"I shall be able to carry out my plan," thought Hilda, full of wisdom and triumph. And she saw Edwin, owner of the house, with his wild lithographic project scotched. And the realisation of her own sagacity thus exercised on behalf of those she loved, made her glad.

At the same moment, just as Albert was recommencing his flow, the door opened and Edwin entered. He had glimpsed the children in the garden and had come into the house by the back way. There were cries of stupefaction and bliss. Both Albert and Clara were unmistakably startled and flattered. Indeed, several seconds elapsed before Albert could assume the proper grim, casual air. Auntie Hamps rejoiced and sat down again. Maggie disclosed no feeling, and she would not sit down again. Hilda had a serious qualm. She was obliged to persuade herself that in opening the negotiations for the house she had not committed an enormity. She felt less sagacious and less dominant. Who could have dreamt that Edwin would pop in just then? It was notorious, it was even a subject of complaint, that he never popped in. In reply to enquiries he stammered in his customary hesitating way that he happened to be in the neighbourhood on business and that it had occurred to him, etc., etc. In short, there he was.

"Aren't you coming, Auntie?" Maggie demanded.

"Let me have a look at Edwin, child," said Auntie Hamps, somewhat nettled. "How set you are!"

"Then I shall go alone," said Maggie.

"Yes. But what about this house business?" Albert tried to stop her.

He could not stop her. Finance, houses, rents, were not real to her. She owned but did not possess such things. But the endangered jam was real to her. She did not own it, but she possessed it. She departed.

"What's amiss with her to-day?" murmured Mrs. Hamps. "I must go too, or I shall be catching it; my word I shall!"

"What house business?" Edwin asked.

"Well," said Albert. "I like that! Aren't you trying to buy her house from her? We've just been talking it over."

Edwin glanced swiftly at Hilda, and Hilda knew from the peculiar constrained, almost shamefaced, expression on his features, that he was extremely annoyed. He gave a little nervous laugh.

"Oh! Have ye?" he muttered.

VI

Although Edwin discussed the purchase of the house quite calmly with Albert, and appeared to regard it as an affair practically settled, Hilda could perceive from a single gesture of his in the lobby as they were leaving, that his resentment against herself had not been diminished by the smooth course of talking. Nevertheless she was considerably startled by his outburst in the street.

"It's a pity Maggie went off like that," she said quietly. "You might have fixed everything up immediately."

Then it was that he turned on her, glowering angrily.

"Why on earth did you go talking about it, without telling me first?" he demanded, furious.

"But it was understood, dear----" She smiled, affecting not to perceive his temper, and thereby aggravating it.

He almost shouted:

"Nothing of the kind! Nothing of the kind!"

"Maggie was there. I just happened to mention it." Hilda was still quite placid.

"You went down on purpose to tell her, so you needn't deny it. Do you take me for a fool?"

Her placidity was undiminished.

"Of course I don't take you for a fool, dear. I assure you I hadn't the slightest idea you'd be annoyed."

"Yes, you had. I could see it on your face when I came in. Don't try to stuff me up. You go blundering into a thing, without the least notion--without the least notion! I've told you before, and I tell you again--I won't have you interfering in my business affairs. You know nothing of business. You'll make my life impossible. All you women are the same. You will poke your noses in. There'll have to be a clear understanding between you and me on one or two points, before we go much further."

"But you told me I could mention it to her."

"No, I didn't."

"You did, Edwin. Do be just."

"I didn't say you could go and plunge right into it at once. These things have to be thought out. Houses aren't bought like that. A house isn't a pound of tea, and it isn't a hat."

"I'm very sorry."

"No, you aren't. And you know jolly well you aren't. Your scheme was simply to tie my hands."

She knew the truth of this, and her smile became queer. Nevertheless the amiable calm which she maintained astonished even herself. She was not happy, but certainly she was not unhappy. She had got, or she was going to get, what she wanted; and here was the only fact important to her; the means by which she had got it, or was going to get it, were negligible now. It cost her very little to be magnanimous. She wondered at Edwin. Was this furious brute the timid, worshipping boy who had so marvellously kissed her a dozen years earlier--before she had fallen into the hands of a scoundrel? Were these scenes what the exquisite romance of marriage had come to? ... Well, and if it was so, what then? If she was not happy she was elated, and she was philosophic, and she had the terrific sense of realities of some of her sex. She was out of the Benbow house; she breathed free, she had triumphed, and she had her man to herself. He might be a brute--the Five Towns (she had noticed as a returned exile) were full of brutes whose passions surged and boiled beneath the phlegmatic surface--but he existed, and their love existed. And a peep into the depth of the cauldron was exciting.... The injustice or the justice of his behaviour did not make a live question.

Moreover, she did not in truth seriously regard him as a brute. She regarded him as an unreasonable creature, something like a baby, to be humoured in the inessentials of a matter of which the essentials were now definitely in her favour. His taunt that she went blundering into a thing, and that she knew naught of business, amused her. She knew her own business, and knew it profoundly. The actual situation was a proof of that. As for abstract principles of business, the conventions and etiquette of it--her lips condescendingly curled. After all, what had she done to merit this fury? Nothing! Nothing! What could it matter whether the negotiations were begun instantly or in a week's or a month's time? (Edwin would have dilly-dallied probably for three months, or six). She had merely said a few harmless words, offered a suggestion. And now he desired to tear her limb from limb and eat her alive. It was comical! Impossible for her to be angry, in her triumph! It was too comical! She had married an astounding personage.... But she had married him. He was hers. She exulted in the possession of him. His absurd peculiarities did not lower him in her esteem. She had a perfect appreciation of his points, including his general wisdom. But she was convinced that she had a special and different and superior kind of wisdom.

"And a nice thing you've let Maggie in for!" Edwin broke out afresh after a spell of silent walking.

"Let Maggie in for?" she exclaimed lightly.

"Albert ought never to have known anything of it until it was all settled. He will be yarning away to her about how he can use her money for her, and what he gets hold of she'll never see again,--you may bet your boots on that. If you'd left it to me I could have fixed things up for her in advance. But no! In you must go! Up to the neck! And ruin everything!"

"Oh!" she said reassuringly. "You'll be able to look after Maggie all right."

He sniffed, and settled down into embittered disgust, quickening somewhat his speed up the slope of Acre Lane.

"Please don't walk so fast, Edwin," she breathed, just like a nice little girl. "I can't keep up with you."

In spite of his enormous anger he could not refuse such a request. She was getting the better of him again. He knew it; he could see through the devices. With an irritated swing of his body he slowed down to suit her.

She had a glimpse of his set, gloomy, savage, ruthless face, the lower lip bulging out. Really it was grotesque! Were they grown up, he and she? She smiled almost self-consciously, fearing that passers-by might notice his preposterous condition. All the way up Acre Lane and across by St. Luke's Churchyard into Trafalgar Road they walked thus side by side in silence. By strange good luck they did not meet a single acquaintance, and as Edwin had a latchkey, no servant had to come and open the door and behold them.

Edwin, throwing his hat on the stand, ran immediately upstairs. Hilda passed idly into the drawing-room. She was glad to be in her own drawing-room again. It was a distinguished apartment, after Clara's. There lay the Dvorak music on the piano.... The atmosphere seemed full of ozone. She rang for Ada and spoke to her with charming friendliness about Master George. Master George had returned from an informal cricket match in the Manor Fields, and was in the garden. Yes, Ada had seen to his school-clothes. Everything was in order for the new term shortly to commence. But Master George had received a blow from the cricket-ball on his shin, which was black and blue.... Had Ada done anything to the shin? No, Master George would not let her touch it, but she had been allowed to see it.... Very well, Ada.... There was something beatific about the state of being mistress of a house. Without the mistress, the house would simply crumble to pieces.

Hilda went upstairs; she was apprehensive, but her apprehensiveness was agreeable to her.... No, Edwin was not in the bedroom.... She could hear him in the bathroom. She tried the door. It was bolted. He always bolted it.

"Edwin!"

"What is it?"

He opened the door. He was in his shirt sleeves and had just finished with the towel. She entered, and shut the door and bolted it. And then she began to kiss him. She kissed him time after time, on his cheek so damp and fresh.

"Poor dear!" she murmured.

She knew that he could not altogether resist those repeated kisses. They were more effective than the best arguments or the most graceful articulate surrenders. Thus she completed her triumph. But whether the virtue of the kisses lay in their sensuousness or in their sentiment, neither he nor she knew. And she did not care.... She did not kiss him with abandonment. There was a reserve in her kisses, and in her smile. Indeed she went on kissing him rather sternly. Her glance, when their eyes were very close together, was curious. It seemed to imply: "We are in love. And we love. I am yours. You are mine. Life is very fine after all. I am a happy woman. But still--each is for himself in this world, and that's the bedrock of marriage as of all other institutions." Her sense of realities again! And she went on kissing, irresistibly.

"Kiss me."

And he had to kiss her.

Whereupon she softened to him, and abandoned herself to the emanations of his charm, and her lips became almost liquid as she kissed him again; nevertheless there was still a slight reserve in her kisses.

At tea she chattered like a magpie, as the saying is. Between her and George there seemed to be a secret instinctive understanding that Edwin had to be humoured, enlivened, drawn into talk,--for although he had kissed her, his mood was yet by no means restored to the normal. He would have liked to remain, majestic, within the tent of his soul. But they were too clever for him. Then, to achieve his discomfiture, entered Johnnie Orgreave, with a suggestion that they should all four--Edwin, Hilda, Janet, and himself--go to the theatre at Hanbridge that night. Hilda accepted the idea instantly. Since her marriage, her appetite for pleasure had developed enormously. At moments she was positively greedy for pleasure. She was incapable of being bored at the theatre, she would sooner be in the theatre of a night than out of it.

"Oh! Do let's go!" she cried.

Edwin did not want to go, but he had to concur. He did not want to be pleasant to Johnnie Orgreave or to anybody, but he had to be pleasant.

"Be on the first car that goes up after seven fifteen," said Johnnie as he was departing.

Edwin grunted.

"You understand, Teddy? The first car that goes up after seven fifteen."

"All right! All right!"

Blithely Hilda went to beautify herself. And when she had beautified herself and made herself into a queen of whom the haughtiest master-printer might be proud, she despatched Ada for Master George. And Master George had to come to her bedroom.

"Let me look at that leg," she said. "Sit down."

Devious creature! During tea she had not even divulged that she had heard of the damaged shin. Master George was taken by surprise. He sat down. She knelt, and herself unloosed the stocking and exposed the little calf. The place was black and blue, but it had a healthy look.

"It's nothing," she said.

And then, all in her splendid finery, she kissed the dirty discoloured shin. Strange! He was only two years old and just learning to talk.

"Now then, missis! Here's the tram!" Edwin yelled out loudly, roughly, from below. He would have given a sovereign to see her miss the car, but his inconvenient sense of justice forced him to warn her.

"Coming! Coming!"

She kissed Master George on the mouth eagerly, and George seemed, unusually, to return the eagerness. She ran down the darkening stairs, ecstatic.

In the dusky road, Edwin curtly signalled to the vast ascending steam-car, and it stopped. Those were in the old days, when people did what they liked with the cars, stopping them here and stopping them there according to their fancy. The era of electricity and fixed stopping-places, and soulless, conscienceless control from London had not set in. Edwin and Hilda mounted. Two hundred yards further on the steam-tram was once more arrested, and Johnnie and Janet joined them. Hilda was in the highest spirits. The great affair of the afternoon had not been a quarrel, but an animating experience which, though dangerous, intensified her self-confidence and her zest.

CHAPTER IX

THE WEEK-END

I

The events of the portentous week-end which included the musical evening began early on the Saturday, and the first one was a chance word uttered by George.

Breakfast was nearly over in the Clayhanger dining-room. Hilda sat opposite to Edwin, and George between them. They had all eaten with appetite, and the disillusion which usually accompanies the satisfaction of desire was upon them. They had looked forward to breakfast, scenting with zest its pleasing odours, and breakfast was over, save perhaps for a final unnecessary piece of toast or half a cup of chilled coffee.

Hilda did not want to move, because she did not care for the Saturday morning task of shopping and re-victualling and being bland with fellow-shoppers in the emporiums. The house-doors were too frequently open on Saturday mornings, and errand-boys thereat, and a wind blowing through the house, and it was the morning for specially cleaning the hall--detestable and damp operation--and servants seemed loose on Saturday morning, and dinner was apt to be late. But Hilda knew she would have to move. To postpone was only to aggravate. Destiny grasped her firm. George was not keen about moving, because he had no plan of campaign; the desolating prospect of resuming school on Monday had withered his energy; he was in a mood to be either a martyr or a villain. Edwin was lazily sardonic, partly because the leisure of breakfast was at an end, partly because he hated the wage-paying slackness of Saturday morning at the shop, and partly because his relations with Hilda had remained indefinite and disquieting, despite a thousand mutual urbanities and thoughtful refinements, and even some caresses. A sense of aimlessness dejected him; and in the central caves of his brain the question was mysteriously stirring: What is the use of all these things,--success, dignity, importance, luxury, love, sensuality, order, moral superiority? He foresaw thirty years of breakfasts, with plenty of the finest home-cured bacon and fresh eggs, but no romance.

Before his marriage he used to read the paper honestly and rudely at breakfast. That is to say, he would prop it up squarely in front of him, hiding his sister Maggie, and anyhow ignoring her; and Maggie had to "like it or lump it"; she probably lumped it. But upon marriage he had become a chevalier; he had nobly decided that it was not correct to put a newspaper between yourself and a woman who had denied you nothing. Nevertheless, his appetite for newspapers being almost equal to his appetite for bacon, he would still take nips at the newspaper during breakfast, hold it in one hand, glance at it, drop it, pick it up, talk amiably while glancing at it, drop it, pick it up again. So long as the newspaper was held aside and did not touch the table, so long as he did not read more than ten lines at a time, he considered that punctilio was satisfied, and that he was not in fact reading the newspaper at all. But towards the end of breakfast, when the last food was disappearing, and he had lapped the cream off the news, he would hold the newspaper in both hands--and brazenly and conscientiously read. His chief interest, just then, was political. Like most members of his party, he was endeavouring to decipher the party programme and not succeeding, and he feared for his party and was a little ashamed for it. Grave events had occurred. The substructure of the state was rocking. A newly elected supporter of the Government, unaware that he was being admitted to the best club in London, had gone to the House of Commons in a tweed cap and preceded by a brass-band. Serious pillars of society knew that the time had come to invest their savings abroad. Edwin, with many another ardent liberal, was seeking to persuade himself that everything was all right after all. The domestic atmosphere--Hilda's baffling face, the emptied table, the shadow of business, repletion, early symptoms of indigestion, the sound of a slop-pail in the hall--did not aid him to optimism. In brief the morning was a fair specimen of a kind of morning that seemed likely to be for him an average morning.

"Can't I leave the table, mother?" asked George discontentedly.

Hilda nodded.

George gave a coarse sound of glee.

"George! ... That's so unlike you!" his mother frowned.

Instead of going directly towards the door, he must needs pass right round the table, behind the chair of his occupied uncle. As he did so, he scanned the newspaper and read out loudly in passing for the benefit of the room:

"'Local Divorce Case. Etches v. Etches. Painful details.'"

The words meant nothing to George. They had happened to catch his eye. He read them as he might have read an extract from the books of Euclid, and noisily and ostentatiously departed, not without a further protest from Hilda.

And Edwin and Hilda, left alone together, were self-conscious.

"Lively kid!" murmured Edwin self-consciously.

And Hilda, self-consciously:

"You never told me that case was on."

"I didn't know till I saw it here."

"What's the result?"

"Not finished.... Here you are, if you want to read it."

He handed the sheet across the table. Despite his serious interest in politics he had read the report before anything else. Etches v. Etches, indeed, surpassed Gladstonian politics as an aid to the dubious prosperity of the very young morning newspaper, which represented the latest and most original attempt to challenge the journalistic monopoly of the afternoon Staffordshire Signal. It lived scarcely longer than the divorce case, for the proprietors, though Non-conformists and therefore astute, had failed to foresee that the Five Towns public would not wait for racing results until the next morning.

"Thanks," Hilda amiably and negligently murmured.

Edwin hummed.

Useless for Hilda to take that casual tone! Useless for Edwin to hum! The unconcealable thought in both their minds was--and each could divine the other's thought and almost hear its vibration:

"We might end in the divorce court, too."

Hence their self-consciousness.

The thought was absurd, irrational, indefensible, shocking, it had no father and no mother, it sprang out of naught; but it existed, and it had force enough to make them uncomfortable.

The Etches couple, belonging to the great, numerous, wealthy, and respectable family of Etches, had been married barely a year.

Edwin rose and glanced at his well-tended fingernails. The pleasant animation of his skin caused by the bath was still perceptible. He could feel it in his back, and it helped his conviction of virtue. He chose a cigarette out of his silver case,--a good cigarette, a good case--and lit it, and waved the match into extinction, and puffed out much smoke, and regarded the correctness of the crease in his trousers (the vertical trouser-crease having recently been introduced into the district and insisted on by that tailor and artist and seeker after perfection, Shillitoe), and walked firmly to the door. But the self-consciousness remained.

Just as he reached the door, his wife, gazing at the newspaper, stopped him:

"Edwin."

"What's up?"

He did not move from the door, and she did not look up from the newspaper.

"Seen your friend Big James this morning?"

Edwin usually went down to business before breakfast, so that his conscience might be free for a leisurely meal at nine o'clock. Big James was the oldest employee in the business. Originally he had been foreman compositor, and was still technically so described, but in fact he was general manager and Edwin's majestic vicegerent in all the printing-shops. "Ask Big James," was the watchword of the whole organism.

"No," said Edwin. "Why?"

"Oh, nothing! It doesn't matter."

Edwin had made certain resolutions about his temper, but it seemed to him that such a reply justified annoyance, and he therefore permitted himself to be annoyed, failing to see that serenity is a positive virtue only when there is justification for annoyance. The nincompoop had not even begun to perceive that what is called "right-living" means the acceptance of injustice and the excusing of the inexcusable.

"Now then," he said, brusquely. "Out with it." But there was still a trace of rough tolerance in his voice.

"No. It's all right. I was wrong to mention it."

Her admission of sin did not in the least placate him.

He advanced towards the table.

"You haven't mentioned it," he said stiffly.

Their eyes met, as Hilda's quitted the newspaper. He could not read hers. She seemed very calm. He thought as he looked at her: "How strange it is that I should be living with this woman! What is she to me? What do I know of her?"

She said with tranquillity:

"If you do see Big James you might tell him not to trouble himself about that programme."

"Programme? What programme?" he asked, startled.

"Oh! Edwin!" She gave a little laugh. "The musical evening programme, of course. Aren't we having a musical evening to-morrow night?"

More justification for annoyance! Why should she confuse the situation by pretending that he had forgotten the musical evening? The pretence was idiotic, deceiving no one. The musical evening was constantly being mentioned.

Reports of assiduous practising had reached them; and on the previous night they had had quite a subdued altercation over a proposal of Hilda's for altering the furniture in the drawing-room.

"This is the first I've heard of any programme," said Edwin. "Do you mean a printed programme?"

Of course she could mean nothing else. He was absolutely staggered at the idea that she had been down to his works, without a word to him, and given orders to Big James, or even talked to Big James, about a programme. She had no remorse. She had no sense of danger. Had she the slightest conception of what business was? Imagine Maggie attempting such a thing! It was simply not conceivable. A wife going to her husband's works, and behind his back giving orders----! It was as though a natural law had suspended its force.

"Why, Edwin," she said in extremely clear, somewhat surprised, and gently benevolent accents. "What ever's the matter with you? There is a programme of music, I suppose?" (There she was, ridiculously changing the meaning of the word programme! What infantile tactics!) "It occurred to me all of a sudden yesterday afternoon how nice it would be to have it printed on gilt-edged cards, so I ran down to the shop, but you weren't there. So I saw Big James."

"You never said anything to me about it last night. Nor this morning."

"Didn't I? ... Well, I forgot."

Grotesque creature!

"Well, what did Big James say?"

"Oh! Don't ask me. But if he treats all your customers as he treated me ... However, it doesn't matter now. I shall write the programme out myself."

"What did he say?"

"It wasn't what he said.... But he's very rude, you know. Other people think so too."

"What other people?"

"Oh! Never mind who! Of course, I know how to take it. And I know you believe in him blindly. But his airs are preposterous. And he's a dirty old man. And I say, Edwin, seeing how very particular you are about things at home, you really ought to see that the front shop is kept cleaner. It's no affair of mine, and I never interfere,--but really...!"

Not a phrase of this speech but what was highly and deliberately provocative. Assuredly no other person had ever said that Big James was rude. (But had someone else said so, after all? Suppose, challenged, she gave a name!) Big James's airs were not preposterous; he was merely old and dignified. His apron and hands were dirty, naturally.... And then the implication that Big James was a fraud, and that he, Edwin, was simpleton enough to be victimised by the fraud, while the great all-seeing Hilda exposed it at a single glance! And the implication that he, Edwin, was fussy at home, and negligent at the shop! And the astounding assertion that she never interfered!

He smothered up all his feelings, with difficulty, as a sailor smothers up a lowered sail in a high wind, and merely demanded, for the third time:

"What did Big James say?"

"I was given to understand," said Hilda roguishly, "that it was quite, quite, quite impossible. But his majesty would see! ... Well, he needn't 'see.' I see how wrong I was to suggest it at all."

Edwin moved away in silence.

"Are you going, Edwin?" she asked innocently.

"Yes," glumly.

"You haven't kissed me."

She did not put him to the shame of returning to her. No, she jumped up blithely, radiant. Her make-believe that nothing had happened was maddening. She kissed him lovingly, with a smile, more than once. He did not kiss; he was kissed. Nevertheless somehow the kissing modified his mental position and he felt better after it.

"Don't work yourself up, darling," she counselled him, with kindness and concern, as he went out of the room. "You know how sensitive you are." It was a calculated insult, but an insult which had to be ignored. To notice it would have been a grave tactical error.

II

When he reached the shop, he sat down at his old desk in the black-stained cubicle, and spied forth and around for the alleged dust which he would tolerate in business but would not tolerate at home. It was there. He could see places that had obviously not been touched for weeks, withdrawn places where the undisturbed mounds of stock and litter had the eternal character of Roman remains or vestiges of creation. The senior errand-boy was in the shop, snuffling over a blue-paper parcel.

"Boy," said Edwin. "What time do you come here in the morning?"

"'A' past seven, sir."

"Well, on Monday morning you'll be here at seven and you'll move everything--there and there and there--and sweep and dust properly. This shop's like a pigstye. I believe you never dust anything but the counters."

He was mild but firm. He knew himself for a just man; yet the fact that he was robbing this boy of half-an-hour's sleep and probably the boy's mother also, and upsetting the ancient order of the boy's household, did not trouble him, did not even occur to him. For him the boy had no mother and no household, but was a patent self-causing boy that came miraculously into existence on the shop doorstep every morning and achieved annihilation thereon every night.

The boy was a fatalist, but his fatalism had limits, because he well knew that the demand for errand-boys was greater than the supply. Though the limits of his fatalism had not yet been reached, he was scarcely pleased.

"If I come at seven who'll gi' me th' kays, sir?" he demanded rather surlily, wiping his nose on his sleeve.

"I'll see that you have the keys," said Edwin, with divine assurance, though he had not thought of the difficulty of the keys.

The boy left the shop, his body thrown out of the perpendicular by the weight of the blue-paper parcel.

"You ought to keep an eye on this place," said Edwin quietly to the young man who combined the function of clerk with that of salesman to the rare retail customers. "I can't see to everything. Here, check these wages for me." He indicated small piles of money.

"Yes, sir," said the clerk with self-respect, but admitting the justice of the animadversion.

Edwin seldom had difficulty with his employees. Serious friction was unknown in the establishment.

He went out by the back-entrance, thinking:

"It's no affair whatever of hers. Moreover the shop's as clean as shops are, and a damned sight cleaner than most. A shop isn't a drawing-room.... And now there's the infernal programme."

He would have liked to bury and forget the matter of the programme. But he could not. His conscience, or her fussiness, would force him to examine into it. There was no doubt that Big James was getting an old man, with peculiar pompous mannerisms and a disposition towards impossibilism. Big James ought to have remembered, in speaking to Hilda, that he was speaking to the wife of his employer. That Hilda should give an order, or even make a request, direct was perhaps unusual, but--dash it!--you knew what women were, and if that old josser of a bachelor, Big James, didn't know what women were, so much the worse for him. He should just give Big James a hint. He could not have Big James making mischief between himself and Hilda.

But the coward would not go straight to Big James. He went first up to what had come to be called "the litho room," partly in order to postpone Big James, but partly also because he had quite an affectionate proud interest in the litho room. In Edwin's childhood this room, now stripped and soiled into a workshop, had been the drawing-room of the Clayhanger family; and it still showed the defect which it had always shown; the window was too small and too near the corner of the room. No transformation could render it satisfactory save a change in the window. Old Darius Clayhanger had vaguely talked of altering the window. Edwin had thought seriously of it. But nothing had been done. Edwin was continuing the very policy of his father which had so roused his disdain when he was young: the policy of "making things do." Instead of entering upon lithography in a manner bold, logical, and decisive, he had nervously and half-heartedly slithered into it. Thus at the back of the yard was a second-hand "Newsom" machine in quarters too small for it, and the apparatus for the preliminary polishing of the stones; while up here in the ex-drawing-room were grotesquely mingled the final polishing process and the artistic department.

The artist who drew the designs on the stone was a German, with short fair hair and moustache, a thick neck and a changeless expression. Edwin had surprisingly found him in Hanbridge. He was very skilled in judging the amount of "work" necessary on the stone to produce a desired result on the paper, and very laborious. Without him the nascent lithographic trade could not have prospered. His wages were extremely moderate, but they were what he had asked, and in exchange for them he gave his existence. Edwin liked to watch him drawing, slavishly, meticulously, endlessly. He was absolutely without imagination, artistic feeling, charm, urbanity, or elasticity of any sort,--a miracle of sheer gruff positiveness. He lived somewhere in Hanbridge, and had once been seen by Edwin on a Sunday afternoon, wheeling a perambulator and smiling at a young enceinte woman who held his free arm. An astounding sight, which forced Edwin to adjust his estimates! He grimly called himself an Englishman, and was legally entitled to do so. On this morning he was drawing a ewer and basin, for the illustrated catalogue of an earthenware manufacturer.

"Not a very good light to-day," murmured Edwin.

"Eh?"

"Not a very good light."

"No," said Karl sourly and indifferently, bent over the stone, and breathing with calm regularity. "My eyesight is being de-stroit."

Behind, a young man in a smock was industriously polishing a stone.

Edwin beheld with pleasure. It was a joy to think that here was the sole lithography in Bursley, and that his own enterprise had started it. Nevertheless he was ashamed too,--ashamed of his hesitations, his half-measures, his timidity, and of Karl's impaired eyesight. There was no reason why he should not build a proper works, and every reason why he should; the operation would be remunerative; it would set an example; it would increase his prestige. He grew resolute. On the day of the party at the Benbows' he had been and carefully inspected the plot of land at Shawport, and yesterday he had made a very low offer for it. If the offer was refused, he would raise it. He swore to himself he would have his works.

Then Big James came into the litho room.

"I was seeking ye, sir," said Big James majestically, with a mysterious expression.

Edwin tried to look at him anew, as it were with Hilda's eyes. Certainly his bigness amounted now to an enormity, for proportionately his girth more than matched his excessive height. His apron descended from the semicircle of his paunch like a vast grey wall. The apron was dirty, this being Saturday, but it was at any rate intact; in old days Big James and others at critical moments of machining used to tear strips off their aprons for machine-rags.... Yes, he was conceivably a grotesque figure, with his spectacles, which did not suit him, his heavy breathing, his mannerisms, and his grandiose air of Atlas supporting the moral world. A woman might be excused for seeing the comic side of him. But surely he was honest and loyal. Surely he was not the adder that Hilda with an intonation had suggested!

"I'm coming," said Edwin, rather curtly.

He felt just in the humour for putting Big James "straight." Still his reply had not been too curt, for to his staff he was the opposite of a bully; he always scorned to take a facile advantage of his power, often tried even to conceal his power in the fiction that the employee was one man and himself merely another. He would be far more devastating to his wife and his sister than to any employee. But at intervals a bad or careless workman had to meet the blaze of his eye and accept the lash of his speech.

"It's about that little job for the mistress, sir," said Big James in a soft voice, when they were out on the landing.

Edwin gave a start. The ageing man's tones were so eager, so anxiously loyal! His emphasis on the word 'mistress' conveyed so clearly that the mistress was a high and glorious personage to serve whom was an honour and a fearful honour! The ageing man had almost whispered, like a boy, glancing with jealous distrust at the shut door of the room that contained the German.

"Oh!" muttered Edwin, taken aback.

"I set it up myself," said Big James, and holding his head very high looked down at Edwin under his spectacles.

"Why!" said Edwin cautiously. "I thought you'd given Mrs. Clayhanger the idea it couldn't be done in time."

"Bless ye, sir! Not if I know it! I intimated to her the situation in which we were placed, with urgent jobs on hand, as in duty bound, sir, she being the mistress. Ye know how slow I am to give a promise, sir. But not to do it--such was not my intention. And as I have said already, sir, I've set it up myself, and here's a rough pull."

He produced a piece of paper.

Edwin's ancient affection for Big James grew indignant. The old fellow was the very mirror of loyalty. He might be somewhat grotesque and mannered upon occasion, but he was the soul of the Clayhanger business. He had taught Edwin most of what he knew about both typesetting and machining. It seemed not long since that he used to call Edwin "young sir," a to enter into tacit leagues with him against the dangerous obstinacies of his decaying father. Big James had genuinely admired Darius Clayhanger. Assuredly he admired Darius's son not less. His fidelity to the dynasty was touching; it was wistful. The order from the mistress had tremendously excited and flattered him in his secret heart.... And yet Hilda must call him names, must insinuate against his superb integrity, must grossly misrepresent his attitude to herself. Whatever in his pompous old way he might have said, she could not possibly have mistaken his anxiety to please her. No, she had given a false account of their interview,--and Edwin had believed it! Edwin now swerved violently back to his own original view. He firmly believed Big James against his wife. He reflected: "How simple I was to swallow all Hilda said without confirmation! I might have known!" And that he should think such a thought shocked him tremendously.

The programme was not satisfactorily set up. Apart from several mistakes in the spelling of proper names, the thing with its fancy types, curious centring, and superabundance of full-stops, resembled more the libretto of a Primitive Methodist Tea-meeting than a programme of classical music offered to refined dilettanti on a Sunday night. Though Edwin had endeavoured to modernise Big James, he had failed. It was perhaps well that he had failed. For the majority of customers preferred Big James's taste in printing to Edwin's. He corrected the misspellings and removed a few full-stops, and then said:

"It's all right. But I doubt if Mrs. Clayhanger'll care for all these fancy founts," implying that it was a pity, of course, that Big James's fancy founts would not be appreciated at their true value, but women were women. "I should almost be inclined to set it all again in old-face. I'm sure she'd prefer it. Do you mind?"

"With the greatest of pleasure, sir," Big James heartily concurred, looking at his watch. "But I must be lively."

He conveyed his immense bulk neatly and importantly down the narrow stairs.

III

Edwin sat in his cubicle again, his affection for Big James very active. How simple and agreeable it was to be a man among men only! The printing-business was an organism fifty times as large as the home, and it worked fifty times more smoothly. No misunderstandings, no secrecies (at any rate among the chief persons concerned), and a general recognition of the principles of justice! Even the errand-boy had understood. And the shop-clerk by his tone had admitted that he too was worthy of blame. The blame was not overdone, and common-sense had closed the episode in a moment. And see with what splendid good-will Big James, despite the intense conservatism of old age, had accepted the wholesale condemnation of his idea of a programme! The relations of men were truly wonderful, when you come to think about it. And to be at business was a relief and even a pleasure. Edwin could not remember having ever before regarded the business as a source of pleasure. A youth, he had gone into it greatly against his will, and by tradition he had supposed himself still to hate it.

Why had Hilda misled him as to Big James? For she had misled him. Yes, she had misled him. What was her motive? What did she think she could gain by it? He was still profoundly disturbed by this deception. "Why!" he thought, "I can't trust her! I shall have to be on my guard! I've been in the habit of opening my mouth and swallowing practically everything she says!" His sense of justice very sharply resented her perfidy to Big James. His heart warmed to the defence of the excellent old man. What had she got against Big James? Since the day when the enormous man had first shown her over the printing shops, before their original betrothal, a decade and more ago, he had never treated her with anything but an elaborate and sincere respect. Was she jealous of him, because of his, Edwin's, expressed confidence in and ancient regard for him, and because Edwin and he had always been good companions? Or had she merely taken a dislike to him,--a physical dislike? Edwin had noticed that some women had a malicious detestation for some old men, especially when the old men had any touch of the grotesque or the pompous.... Well, he should defend Big James against her. She should keep her hands off Big James. His sense of justice was so powerful in that moment that if he had had to choose between his wife and Big James he would have chosen Big James.

He came out of the cubicle into the shop, and arranged his countenance so that the clerk should suppose him to be thinking in tremendous concentration upon some complex problem of the business. And simultaneously Hilda passed up Duck Bank on the way to market. She passed so close to the shop that she seemed to brush it like a delicious, exciting, and exasperating menace. If she turned her head she could scarcely fail to see Edwin near the door of the shop. But she did not turn her head. She glided up the slope steadily and implacably. And even in the distance of the street her individuality showed itself mysterious and strong. He could never decide whether she was beautiful or not; he felt that she was impressive, and not to be scorned or ignored. Perhaps she was not beautiful. Certainly she was not young. She had not the insipidity of the young girl unfulfilled. Nor did she inspire melancholy like the woman just beyond her prime. The one was going to be; the other had been. Hilda was. And she had lived. There was in her none of the detestable ignorance and innocence that, for Edwin, spoilt the majority of women. She knew. She was an equal, and a dangerous equal. Simultaneously he felt that he could crush and kill the little thing, and that he must beware of the powerful, unscrupulous, inscrutable individuality.... And she receded still higher up Duck Bank and then turned round the corner to the Market Place and vanished. And there was a void.

She would return. As she had receded gradually, so she would gradually approach the shop again with her delicious, exciting, exasperating menace. And he had a scheme for running out to her and with candour inviting her in and explaining to her in just the right tone of good-will that loyalty to herself simply hummed and buzzed in the shop and the printing-works, and that Big James worshipped her, and that though she was perfect in sagacity she had really been mistaken about Big James. And he had a vision of her smiling kindly and frankly upon Big James, and Big James twisting upon his own axis in joyous pride. Nothing but good-will and candour was required to produce this bliss.

But he knew that he would never run out to her and invite her to enter. The enterprise was perilous to the point of being foolhardy. With a tone, with a hesitation, with an undecipherable pout, she might, she would, render it absurd.... And then, his pride! ... At that moment young Alec Batchgrew, perhaps then the town's chief mooncalf, came down Duck Bank in dazzling breeches on a superb grey horse. And Edwin went abruptly back to work lest the noodle should rein in at the shop door and talk to him.

IV

When he returned home, a few minutes before the official hour of one o'clock, he heard women's voices and laughter in the drawing-room. And as he stood in the hall, fingering the thin little parcel of six programmes which he had brought with him, the laughter overcame the voices and then expended itself in shrieks of quite uncontrolled mirth. The drawing-room door was half open. He stepped quietly to it.

The weather, after being thunderous, had cleared, and the part of the drawing-room near the open window was shot with rays of sunshine.

Janet Orgreave, all dressed in white, lay back in an easy chair; she was laughing and wiping the tears from her eyes. At the piano sat very upright a seemingly rather pert young woman, not laughing, but smiling, with arch sparkling eyes fixed on the others; this was Daisy Marrion, a cousin of Mrs. Tom Orgreave, and the next to the last unmarried daughter of a large family up at Hillport. Standing by the piano was a young timid girl of about sixteen, whom Edwin, who had not seen her before, guessed to be Janet's niece, Elaine, eldest daughter of Janet's elder sister in London; Elaine's approaching visit had been announced. These other two, like Janet, were in white. Lastly there was Hilda, in grey, with a black hat, laughing like a child. "They are all children," he thought as, unnoticed, he watched them in their bright fragile frocks and hats, and in their excessive gaiety, and in the strange abandon of their gestures. "They are a foreign race encamped among us men. Fancy women of nearly forty giggling with these girls as Janet and Hilda are giggling!" He felt much pleasure in the sight. It could not have happened in poor old Maggie's reign. It was delicious. It was one of the rewards of existence, for the grace of these creatures was surpassing. But at the same time it was hysterical and infantile. He thought: "I've been taking women too seriously." And his heart lightened somewhat.

Elaine saw him first. A flush flowed from her cheeks to her neck. Her body stiffened. She became intensely self-conscious. She could not speak, but she leaned forward and gazed with a passion of apprehension at Janet, as if murmuring: "Look! The enemy! Take care!" The imploring silent movement was delightful in its gawky ingenuousness.

"Do tell us some more, Daisy," Hilda implored weakly.

"There is no more," said Daisy, and then started: "Oh, Mr. Clayhanger! How long have you been there?"

He entered the room, yielding himself, proud, masculine, acutely aware of his sudden effect on these girls. For even Hilda was naught but a girl at the moment; and Janet was really a girl, though the presence of that shy niece, just awaking to her own body and to the world, made Janet seem old in spite of her slimness and of that smoothness of skin that was due to a tranquil, kind temperament. The shy niece was enchantingly constrained upon being introduced to Edwin, whom she was enjoined to call uncle. Only yesterday she must have been a child. Her marvellously clear complexion could not have been imitated by any aunt or elder sister.

"And now perhaps you'll tell me what it's all about," said Edwin.

Hilda replied:

"Janet's called about tennis. It seems they're sick of the new Hillport Club. I knew they would be. And so next year Janet's having a private club on her lawn----"

"Bad as it is," said Janet.

"Where the entire conversation won't be remarks by girls about other girls' frocks and remarks by men about the rotten inferiority of other men."

"This is all very sound," said Edwin, rather struck by Hilda's epigrammatic quality. "But what I ask is--what were you laughing at?"

"Oh, nothing!" said Daisy Marrion.

"Very well then," said Edwin, going to the door and shutting it. "Nobody leaves this room till I know.... Now, niece Elaine!"

Elaine went crimson and squirmed on her only recently hidden legs, but she did not speak.

"Tell him, Daisy," said Janet.

Daisy sat still straighter.

"It was only about Alec Batchgrew, Mr. Clayhanger; I suppose you know him."

Alec was the youngest scion of the great and detested plutocratic family of Batchgrew,--enormously important in his nineteen years.

"Yes, I know him," said Edwin. "I saw him on his new grey horse this morning."

"His 'orse," Janet corrected. They all began to laugh again loudly.

"He's taken a terrific fancy to Maud, my kiddie sister," said Daisy. "She's sixteen. Yesterday afternoon at the tennis club he said to Maud: 'Look 'ere. I shall ride through the town to-morrow morning on my 'orse, while you're all marketing. I shan't take any notice of any of the other girls, but if you bow to me I'll take my 'at off to you.'" She imitated the Batchgrew intonation.

"That's a good tale," said Edwin calmly. "What a cuckoo! He ought to be put in a museum."

Daisy, made rather nervous by the success of her tale, bent over the piano, and skimmed pianissimo and rapidly through the "Clytie" waltz. Elaine moved her shoulders to the rhythm.

Janet said they must go.

"Here! Hold on a bit!" said Edwin, through the light film of music, and undoing the little parcel he handed one specimen of the programme to Hilda and another to Janet, simultaneously.

"Oh, so my ideas are listened to, sometimes!" murmured Hilda, who was, however, pleased.

A malicious and unjust remark, he thought. But the next instant Hilda said in a quite friendly natural tone:

"Janet's going to bring Elaine. And she says Tom says she is to tell you that he's coming whether he's wanted or not. Daisy won't come."

"Why?" asked Edwin, but quite perfunctorily; he knew that the Marrions were not interested in interesting music, and his design had been to limit the audience to enthusiasts.

"Church," answered Daisy succinctly.

"Come after church."

She shook her head.

"And how's the practising?" Edwin enquired from Janet.

"Pretty fair," said she. "But not so good as this programme. What swells we are, my word!"

"Hilda's idea," said Edwin generously. "Your mother coming?"

"Oh, yes, I think so."

As the visitors were leaving, Hilda stopped Janet.

"Don't you think it'll be better if we have the piano put over there, and all the chairs together round here, Janet?"

"It might be," said Janet uncertainly.

Hilda turned sharply to Edwin:

"There! What did I tell you?"

"Well," he protested good-humouredly, "what on earth do you expect her to say, when you ask her like that? Anyhow I may announce definitely that I'm not going to have the piano moved. We'll try things as they are, for a start, and then see. Why, if you put all the chairs together over there, the place'll look like a blooming boarding-house."

The comparison was a failure in tact, which he at once recognised but could not retrieve. Hilda faintly reddened, and the memory of her struggles as manageress of a boarding-house was harshly revived in her.

"Some day I shall try the piano over there," she said, low.

And Edwin concurred, amiably:

"All right. Some day we'll try it together, just to see what it is like."

The girls, the younger ones still giggling, slipped elegantly out of the house, one after another.

Dinner passed without incident.

V

The next day, Sunday, Edwin had a headache; and it was a bilious headache. Hence he insisted to himself and to everyone that it was not a bilious headache, but just one of those plain headaches which sometimes visit the righteous without cause or excuse; for he would never accept the theory that he had inherited his father's digestive weakness. A liability to colds he would admit, but not on any account a feeble stomach. Hence, further, he was obliged to pretend to eat as usual. George was rather gnat-like that morning, and Hilda was in a susceptible condition, doubtless due to nervousness occasioned by the novel responsibilities of the musical evening--and a Sabbath musical evening at that! After the one o'clock dinner, Edwin lay down on the sofa in the dining-room and read and slept; and when he woke up he felt better, and was sincerely almost persuaded that his headache had not been and was not a bilious headache. He said to himself that a short walk might disperse the headache entirely. He made one or two trifling adjustments in the disposition of the drawing-room furniture--his own disposition of it, and immensely and indubitably superior to that so pertinaciously advocated by Hilda--and then he went out. Neither Hilda nor George was visible. Possibly during his rest they had gone for a walk; they had fits of intimacy.

He walked in the faint September sunshine down Trafalgar Road into the town. Except for a few girls in dowdy finery and a few heavy youths with their black or dark-blue trousers turned up round the ankles far enough to show the white cotton lining, the street was empty. The devout at that hour were either dozing at home or engaged in Sunday school work; thousands of children were concentrated in the hot Sunday schools. As he passed the Bethesda Chapel and School he heard the voices of children addressing the Lord of the Universe in laudatory and intercessory song. Near the Bethesda chapel, by the Duke of Cambridge Vaults, two men stood waiting, their faces firm in the sure knowledge that within three hours the public-houses would again be open. Thick smoke rose from the chimneys of several manufactories and thin smoke from the chimneys of many others. The scheme of a Sunday musical evening in that land presented itself to Edwin as something rash, fantastic, and hopeless,--and yet solacing. Were it known it could excite only hostility, horror, contempt, or an intense bovine indifference; chiefly the last.... Breathe the name of Chopin in that land!...

As he climbed Duck Bank he fumbled in his pocket for his private key of the shop, which he had brought with him; for, not the desire for fresh air, but an acute curiosity as to the answer to his letter to the solicitor to the Hall trustees making an offer for the land at Shawport, had sent him out of the house. Would the offer be accepted or declined, or would a somewhat higher sum be suggested? The reply would have been put into the post on Saturday, and was doubtless then lying in the letter-box within the shop. The whole future seemed to be lying unopened in that letter-box.

He penetrated into his own shop like a thief, for it was not meet for an important tradesman to be seen dallying with business of a Sunday afternoon. As he went into the shutter-darkened interior he thought of Hilda, whom many years earlier he had kissed in that very same shutter-darkened interior one Thursday afternoon. Life appeared incredible to him, and in his wife he could see almost no trace of the girl he had kissed there in the obscure shop. There was a fair quantity of letters in the box. The first one he opened was from a solicitor; not the solicitor to the Hall trustees, but Tom Orgreave, who announced to Edwin Clayhanger, Esquire, dear sir, that his clients, the Palace Porcelain Company of Longshaw, felt compelled to call their creditors together. The Palace Porcelain Company, who had believed in the efficacy of printed advertising matter and expensive catalogues, owed Edwin a hundred and eighty pounds. It was a blow, and the more so in that it was unexpected. "Did I come messing down here on a Sunday afternoon to receive this sort of news?" he bitterly asked. A moment earlier he had not doubted the solvency of the Palace Porcelain Company; but now he felt that the Company wouldn't pay two shillings in the pound,--perhaps not even that, as there were debenture-holders. The next letter was an acceptance of his offer for the Shawport land. The die was cast, then. The new works would have to be created; lithography would increase; in the vast new enterprise he would be hampered by the purchase of Maggie's house; he had just made a bad debt; and he would have Hilda's capricious opposition to deal with. He quitted the shop abruptly, locked the door, and went back home, his mind very active but undirected.

VI

Something unfamiliar in the aspect of the breakfast-room as glimpsed through the open door from the hall, drew him within. Hilda had at last begun to make it into "her" room. She had brought an old writing-desk from upstairs and put it between the fireplace and the window. Edwin thought: "Doesn't she even know the light ought to fall over the left shoulder, not over the right?" Letter paper and envelopes and even stamps were visible; and a miscellaneous mass of letters and bills had been pushed into the space between the flat of the desk and the small drawers about it. There was also an easy-chair, with a freshly-covered cushion on it; a new hearthrug that Edwin neither recognised nor approved of; several framed prints, and other oddments. His own portrait still dominated the mantelpiece, but it was now flanked by two brass candle-sticks. He thought: "If she'd ask me, I could have arranged it for her much better than that." Nevertheless the idea of her being absolute monarch of the little room, and expressing her individuality in it and by it, both pleased and touched him. Nor did he at all resent the fact that she had executed her plan in secret. She must have been anxious to get the room finished for the musical evening.

Thence he passed into the drawing-room,--and was thunderstruck. The arrangement of the furniture was utterly changed, and the resemblance to a boarding-house parlour after all achieved. The piano had crossed the room; the chairs were massed together in the most ridiculous way; the sofa was so placed as to be almost useless. His anger was furious but cold. The woman had considerable taste in certain directions, but she simply did not understand the art of fixing up a room. Whereas he did. Each room in the house (save her poor little amateurish breakfast-room or "boudoir") had been arranged by himself, even to small details,--and well arranged. Everyone admitted that he had a talent for interiors. The house was complete before she ever saw it, and he had been responsible for it. He was not the ordinary inexperienced ignorant husband who "leaves all that sort of thing to the missis." Interiors mattered to him; they influenced his daily happiness. The woman had clearly failed to appreciate the sacredness of the status quo. He appreciated it himself, and never altered anything without consulting her and definitely announcing his intention to alter. She probably didn't care a fig for the status quo. Her conduct was inexcusable. It was an attack on vital principles. It was an outrage. Doubtless, in her scorn for the status quo, she imagined that he would accept the fait accompli. She was mistaken. With astounding energy he set to work to restore the status quo ante. The vigour with which he dragged and pushed an innocent elephantine piano was marvellous. In less than five minutes not a trace remained of the fait accompli. He thought: "This is a queer start for a musical evening!" But he was triumphant, resolute, and remorseless. He would show her a thing or two. In particular he would show that fair play had to be practised in his house. Then, perceiving that his hands were dirty, and one finger bleeding, he went majestically, if somewhat breathless, upstairs to the bathroom, and washed with care. In the glass he saw that, despite his exertions, he was pale. At length he descended, wondering where she was, where she had hidden herself, who had helped her to move the furniture, and what exactly the upshot would be. There could be no doubt that he was in a state of high emotion, in which unflinching obstinacy was shot through with qualms about disaster.

He revisited the drawing-room to survey his labours. She was there. Whence she had sprung, he knew not. But she was there. He caught sight of her standing by the window before entering the room.

When he got into the room he saw that her emotional excitement far surpassed his own. Her lips and her hands were twitching; her nostrils dilated and contracted; tears were in her eyes.

"Edwin," she exclaimed very passionately, in a thick voice, quite unlike her usual clear tones, as she surveyed the furniture, "this is really too much!"

Evidently she thought of nothing but her resentment. No consideration other than her outraged dignity would have affected her demeanour. If a whole regiment of their friends had been watching at the door, her demeanour would not have altered. The bedrock of her nature had been reached.

"It's war, this is!" thought Edwin.

He was afraid; he was even intimidated by her anger; but he did not lose his courage. The determination to fight for himself, and to see the thing through no matter what happened, was not a bit weakened. An inwardly feverish but outwardly calm vindictive desperation possessed him. He and she would soon know who was the stronger.

At the same time he said to himself:

"I was hasty. I ought not to have acted in such a hurry. Before doing anything I ought to have told her quietly that I intended to have the last word as regards furniture in this house. I was within my rights in acting at once, but it wasn't very clever of me, clumsy fool!"

Aloud he said, with a kind of self-conscious snigger:

"What's too much?"

Hilda went on:

"You simply make me look a fool in my own house, before my own son and the servants."

"You've brought it on yourself," said he fiercely. "If you will do these idiotic things you must take the consequences. I told you I didn't want the furniture moved, and immediately my back's turned you go and move it. I won't have it, and so I tell you straight."

"You're a brute," she continued, not heeding him, obsessed by her own wound. "You're a brute!" She said it with terrifying conviction. "Everybody knows it. Didn't Maggie warn me? You're a brute and a bully. And you do all you can to shame me in my own house. Who'd think I was supposed to be the mistress here? Even in front of my friends you insult me."

"Don't act like a baby. How do I insult you?"

"Talking about boarding-houses. Do you think Janet and all of them didn't notice it?"

"Well," he said. "Let this be a lesson to you."

She hid her face in her hands and sobbed, moving towards the door.

He thought:

"She's beaten. She knows she's got to take it."

Then he said:

"Do I go altering furniture without consulting you? Do I do things behind your back? Never!"

"That's no reason why you should try to make me look a fool in my own house. I told Ada how I wanted the furniture, and George and I helped her. And then a moment afterwards you give them contrary orders. What will they think of me? Naturally they'll think I'm not your wife, but your slave. You're a brute." Her voice rose.

"I didn't give any orders. I haven't seen the damned servants and I haven't seen George."

She looked up suddenly:

"Then who moved the furniture?"

"I did."

"Who helped you?"

"Nobody helped me."

"But I was here only a minute or two since."

"Well, do you suppose it takes me half a day to move a few sticks of furniture?"

She was impressed by his strength and his swiftness, and apparently silenced; she had thought that the servants had been brought into the affair.

"You ought to know perfectly well," he proceeded, "I should never dream of insulting you before the servants. Nobody's more careful of your dignity than I am. I should like to see anybody do anything against your dignity while I'm here."

She was still sobbing.

"I think you ought to apologise to me," she blubbered. "Yes, I really do."

"Why should I apologise to you? You moved the furniture against my wish. I moved it against yours. That's all. You began. I didn't begin. You want everything your own way. Well, you won't have it."

She blubbered once more:

"You ought to apologise to me."

And then she wept hysterically.

He meditated sourly, harshly. He had conquered. The furniture was as he wished, and it would remain so. The enemy was in tears, shamed, humiliated. He had a desire to restore her dignity, partly because she was his wife and partly because he hated to see any human being beaten. Moreover, at the bottom of his heart he had a tremendous regard for appearances, and he felt fears for the musical evening. He could not contemplate the possibility of visitors perceiving that the host and hostess had violently quarrelled. He would have sacrificed almost anything to the social proprieties. And he knew that Hilda would not think of them, or at any rate would not think of them effectively. He did not mind apologising to her, if an apology would give her satisfaction. He was her superior in moral force, and naught else mattered.

"I don't think I ought to apologise," he said, with a slight laugh. "But if you think so I don't mind apologising. I apologise. There!" He dropped into an easy-chair.

To him it was as if he had said:

"You see what a magnanimous chap I am."

She tried to conceal her feelings, but she was pleased, flattered, astonished. Her self-respect returned to her rapidly.

"Thank you," she murmured, and added: "It was the least you could do."

At her last words he thought:

"Women are incapable of being magnanimous."

She moved towards the door.

"Hilda," he said.

She stopped.

"Come here," he commanded with gentle bluffness.

She wavered towards him.

"Come here, I tell you," he said again.

He drew her down to him, all fluttering and sobbing and wet, and kissed her, kissed her several times; and then, sitting on his knees, she kissed him. But, though she mysteriously signified forgiveness, she could not smile; she was still far too agitated and out of control to be able to smile.

The scene was over. The proprieties of the musical evening were saved. Her broken body and soul huddled against him were agreeably wistful to his triumphant manliness.

But he had had a terrible fright. And even now there was a certain mere bravado in his attitude. In his heart he was thinking:

"By Jove! Has it come to this?"

The responsibilities of the future seemed too complicated, wearisome and overwhelming. The earthly career of a bachelor seemed almost heavenly in its wondrous freedom.... Etches v. Etches.... The unexampled creature, so recently the source of ineffable romance, still sat on his knees, weighing them down. Suddenly he noticed that his head ached very badly--worse than it had ached all day.

VII

The Sunday musical evening, beyond its artistic thrills and emotional quality, proved to be exciting as a social manifestation. Those present at it felt as must feel Russian conspirators in a back room of some big grey house of a Petrograd suburb when the secret printing-press begins to function before their eyes. This concert of profane harmonies, deliberately planned and pouring out through open windows to affront the ears of returners from church and chapel, was considered by its organisers as a remarkable event; and rightly so. The Clayhanger house might have been a fortress, with the blood-red standard of art and freedom floating from a pole lashed to its chimney. Of course everybody pretended to everybody else that the musical evening was a quite ordinary phenomenon.

It was a success, and a flashing success, yet not unqualified. The performers--Tertius Ingpen on the piano, on the fiddle, and on the clarinet, Janet Orgreave on the piano, and very timidly in a little song by Grieg, Tom Orgreave on the piano and his contralto wife in two famous and affecting songs by Schumann and also on the piano, and Edwin sick but obstinate as turner-over of pages--all did most creditably. The music was given with ardent sympathy, and in none of it did any marked pause occur which had not been contemplated by the composer himself. But abstentions had thinned the women among the audience. Elaine Hill did not come, and, far more important, Mrs. Orgreave did not come. Her husband, old Osmond Orgreave, had not been expected, as of late (owing to the swift onset of renal disease, hitherto treated by him with some contempt) he had declined absolutely to go out at night; but Edwin had counted on Mrs. Orgreave. She simply sent word that she did not care to leave her husband, and that Elaine was keeping her company. Disappointment, keen but brief, resulted. Edwin's severe sick headache was also a drawback. It did, however, lessen the bad social effect of an altercation between him and Hilda, in which Edwin's part was attributed to his indisposition. This altercation arose out of an irresponsible suggestion from somebody that something else should be played instead of something else. Now, for Edwin, a programme was a programme,--sacred, to be executed regardless of every extrinsic consideration. And seeing that the programme was printed...! Edwin negatived the suggestion instantly, and the most weighty opinion in the room agreed with him, but Hilda must needs fly out: "Why not change it? I'm sure it will be better," etc. Whereas she could be sure of nothing of the sort, and was incompetent to offer an opinion. And she unreasonably and unnecessarily insisted, despite Tertius Ingpen, and the change was made. It was astounding to Edwin that, after the shattering scene of the afternoon, she should be so foolhardy, so careless, so obstinate. But she was. He kept his resentment neatly in a little drawer in his mind, and glanced at it now and then. And he thought of Tertius Ingpen's terrible remark about women at Ingpen's first visit. He said to himself: "There's a lot in it, no doubt about that."

At the close of the last item, two of Brahms's Hungarian Dances for pianoforte duet (played with truly electrifying brio by little wizening Tom Orgreave and his wife), both Tertius Ingpen and Tom fussed consciously about the piano, triumphant, not knowing quite what to do next, and each looking rather like a man who has told a good story, and in the midst of the applause tries to make out by an affectation of casualness that the story is nothing at all.

"Of course," said Tom Orgreave carelessly, and glancing at the ground as he usually did when speaking, "Fine as those dances are on the piano, I should prefer to hear them with the fiddle."

"Why?" demanded Ingpen challengingly.

"Because they were written for the fiddle," said Tom Orgreave with finality.

"Written for the fiddle? Not a bit of it!"

With superiority outwardly unruffled, Tom said:

"Pardon me. Brahms wrote them for Joachim. I've heard him play them."

"So have I," said Tertius Ingpen, lightly but scornfully. "But they were written originally for pianoforte duet, as you played them to-night. Brahms arranged them afterwards for Joachim."

Tom Orgreave shook under the blow, for in musical knowledge his supremacy had never been challenged in Bleakridge.

"Surely----!" he began weakly.

"My dear fellow, it is so," said Ingpen impatiently.

"Look it up," said Edwin, with false animation, for his head was thudding. "George, fetch the encyclopædia B--and J too."

Delighted, George ran off. He had been examining Johnnie Orgreave's watch, and it was to Johnnie he delivered the encyclopædia, amid mock protests from his uncle Edwin. More than one person had remarked the growing alliance between Johnnie and young George.

But the encyclopædia gave no light.

Then the eldest Swetnam (who had come by invitation at the last moment) said:

"I'm sure Ingpen is right."

He was not sure, but from the demeanour of the two men he could guess, and he thought he might as well share the glory of Ingpen's triumph.

The next instant Tertius Ingpen was sketching out future musical evenings at which quartets and quintets should be performed. He knew men in the orchestra at the Theatre Royal, Hanbridge; he knew girl-violinists who could be drilled, and he was quite certain that he could get a 'cello. From this he went on to part-songs, and in answer to scepticism about local gift for music, he said that during his visits of inspection to factories he had heard spontaneous part-singing "that would knock spots off the Savoy chorus." Indeed, since his return to it, Ingpen had developed some appreciation of certain aspects of his native district. He said that the kindly commonsense with which as an inspector he was received on pot-banks, surpassed anything in the whole country.

"Talking of pot-banks, you'll get a letter from me about the Palace Porcelain Company," Tom Orgreave lifting his eyebrows muttered to Edwin with a strange gloomy constraint.

"I've had it," said Edwin. "You've got some nice clients, I must say."

In a moment, though Tom said not a word more, the Palace Porcelain Company was on the carpet, to Edwin's disgust. He hated to talk about a misfortune. But others beside himself were interested in the Palace Porcelain Company, and the news of its failure had boomed mysteriously through the Sabbath air of the district.

Hilda and Janet were whispering together. And Edwin, gazing at them, saw in them the giggling tennis-playing children of the previous day,--specimens of a foreign race encamped among the men.

Suddenly Hilda turned her head towards the men, and said:

"Of course Edwin's been let in!"

It was a reference to the Palace Porcelain Company. How ungracious! How unnecessary! How unjust! And somehow Edwin had been fearing it. And that was really why he had not liked the turn of the conversation,--he had been afraid of one of her darts!

Useless for Tom Swetnam to say that a number of business men quite as keen as Edwin had been "let in"! From her disdainful silence it appeared that Hilda's conviction of the unusual simplicity of her husband was impregnable.

"I hear you've got that Shawport land," said Johnnie Orgreave.

The mystic influences of music seemed to have been overpowered.

"Who told ye?" asked Edwin in a low voice, once more frightened of Hilda.

"Young Toby Hall. Met him at the Conservative Club last night."

But Hilda had heard.

"What land is that?" she demanded curtly.

"'What land is that?'" Johnnie mimicked her. "It's the land for the new works, missis."

Hilda threw her shoulders back, glaring at Edwin with a sort of outraged fury. Happily most of the people present were talking among themselves.

"You never told me," she muttered.

He said:

"I only knew this afternoon."

Her anger was unmistakable. She was no longer a fluttering feminine wreck on his manly knee.

"Well, good-bye," said Janet Orgreave startlingly to him. "Sorry I have to go so soon."

"You aren't going!" Edwin protested with unnatural loudness. "What about the victuals? I shan't touch 'em myself. But they must be consumed. Here! You and I'll lead the way."

Half playfully he seized her arm. She glanced at Hilda uncertainly.

"Edwin," said Hilda very curtly and severely, "don't be so clumsy. Janet has to go at once. Mr. Orgreave is very ill--very ill indeed. She only came to oblige us." Then she passionately kissed Janet.

It was like a thunderclap in the room. Johnnie and Tom confirmed the news. Of the rest only Tom's wife and Hilda knew. Janet had told Hilda before the music began. Osmond Orgreave had been taken ill between five and six in the afternoon. Dr. Stirling had gone in at once, and pronounced the attack serious. Everything possible was done; even a nurse was obtained instantly, from the Clowes Hospital by the station. From reasons of sentiment, if from no other, Janet would have stayed at home and foregone the musical evening. But those Orgreaves at home had put their heads together and decided that Janet should still go, because without her the entire musical evening would crumble to naught. Here was the true reason of the absence of Mrs. Orgreave and Elaine--both unnecessary to the musical evening. The boys had come, and Tom's wife had come, because, even considered only as an audience, the Orgreave contingent was almost essential to the musical evening. And so Janet, her father's especial favourite and standby, had come, and she had played, and not a word whispered except to Hilda. It was wondrous. It was impressive. All the Orgreaves departed, and the remnant of guests meditated in proud, gratified silence upon the singular fortitude and heroic commonsense that distinguished their part of the world. The musical evening was dramatically over, the refreshments being almost wasted.

VIII

Hilda was climbing on to the wooden-seated chair in the hall to put out the light there when she heard a noise behind the closed door of the kitchen, which she had thought to be empty. She went to the door and pushed it violently open. Not only was the gas flaring away in an unauthorised manner, not only were both servants (theoretically in bed) still up, capless and apronless and looking most curious in unrelieved black, but the adventurous and wicked George was surreptitiously with them, flattering them with his aristocratic companionship, and eating blanc-mange out of a cut-glass dish with a tablespoon. Twice George had been sent to bed. Once the servants had been told to go to bed. The worst of carnivals is that the dregs of the population, such as George, will take advantage of them to rise to the surface and, conscienceless and mischievous, set at defiance the conventions by which society protects itself.

She merely glanced at George; the menace of her eyes was alarming. His lower lip fell; he put down the dish and spoon, and slunk timorously past her on his way upstairs.

Then she said to the servants:

"You ought to be ashamed of yourselves, encouraging him! Go to bed at once." And as they began nervously to handle the things on the table, she added, more imperiously: "At once! Don't keep me waiting. I'll see to all this."

And they followed George meekly.

She gazed in disgust at the general litter of broken refreshments, symbolising the traditional inefficiency of servants, and extinguished the gas.

The three criminals were somewhat the victims of her secret resentment against Edwin, who, a mere martyrised perambulating stomach, had retired. Edwin had defeated her in the afternoon; and all the evening, in the disposition of the furniture, the evidence of his victory had confronted her. By prompt and brutal action, uncharacteristic of him and therefore mean, he had defeated her. True he had embraced and comforted her tears, but it was the kiss of a conqueror. And then, on the top of that, he had proved his commercial incompetence by making a large bad debt, and his commercial rashness by definitely adopting a scheme of whose extreme danger she was convinced. One part of her mind intellectually knew that he had not wilfully synchronised these events in order to wound her, but another part of her mind felt deeply that he had. She had been staggered by the revelation that he was definitely committed to the project of lithography and the new works. Not one word about the matter had he said to her since their altercation on the night of the reception; and she had imagined that, with his usual indecision, he was allowing it to slide. She scarcely recognised her Edwin. Now she accused him of a malicious obstinacy, not understanding that he was involved in the great machine of circumstance and perhaps almost as much surprised as herself at the movement of events. At any rate she was being beaten once more, and her spirit rebelled. Through all the misfortunes previous to her marriage that spirit, if occasionally cowed, had never been broken. She had sat grim and fierce against even bum-bailiffs in her time. Yes, her spirit rebelled, and the fact that others had known about the Shawport land before she knew made her still more mutinous against destiny. She looked round dazed at the situation. What? The mild Edwin defying and crushing her? It was scarcely conceivable. The tension of her nerves from this cause only was extreme. Add to it the strain of the musical evening, intensified by the calamity at the Orgreaves'!

A bell rang in the kitchen, and all the ganglions of her spinal column answered it. Had Edwin rung? No. It was the front-door.

"Pardon me," said Tertius Ingpen, when she opened. "But all my friends soon learn how difficult it is to get rid of me."

"Come in," she said, liking his tone, which flattered her by assuming her sense of humour.

"As I'm sleeping at the office to-night, I thought I might as well take one or two of my musical instruments after all. So I came back."

"You've been round?" she asked, meaning round to the Orgreaves'.

"Yes."

"What is it, really?"

"Well, it appears to be pericarditis supervening on renal disease. He lost consciousness, you know."

"Yes, I know. But what is pericarditis?"

"Pericarditis is inflammation of the pericardium."

"And what's the pericardium?"

They both smiled faintly.

"The pericardium is the membrane that encloses the heart. I don't mind telling you that I've only just acquired this encyclopædic knowledge from Stirling,--he was there."

"And is it supposed to be very dangerous?"

"I don't know. Doctors never want to tell you anything except what you can find out for yourself."

After a little hesitating pause they went into the drawing-room, where the lights were still burning, and the full disorder of the musical evening persisted, including the cigarette-ash on the carpet. Tertius Ingpen picked up his clarinet case, took out the instrument, examined the mouthpiece lovingly, and with tenderness laid it back.

"Do sit down a moment," said Hilda, sitting limply down. "It's stifling, isn't it?"

"Let me open the window," he suggested politely.

As he returned from the window, he said, pulling his short beard:

"It was wonderful how those Orgreaves went through the musical evening, wasn't it? Makes you proud of being English.... I suppose Janet's a great friend of yours?"

His enthusiasm touched her, and her pride in Janet quickened to it. She gave a deliberate, satisfied nod in reply to his question. She was glad to be alone with him in the silence of the house.

"Ed gone to bed?" he questioned, after another little pause.

Already he was calling her husband Ed, and with an affectionate intonation!

She nodded again.

"He stuck it out jolly well," said Ingpen, still standing.

"He brings these attacks on himself," said Hilda, with the calm sententiousness of a good digestion discussing a bad one. She was becoming pleased with herself--with her expensive dress, her position, her philosophy, and her power to hold the full attention of this man.

Ingpen replied, looking steadily at her:

"We bring everything on ourselves."

Then he smiled, as a comrade to another.

She shifted her pose. A desire to discuss Edwin with this man grew in her, for she needed sympathy intensely.

"What do you think of this new scheme of his?" she demanded somewhat self-consciously.

"The new works? Seems all right. But I don't know much about it."

"Well, I'm not so sure." And she exposed her theory of the entire satisfactoriness of their present situation, of the needlessness of fresh risks, and of Edwin's unsuitability for enterprise. "Of course he's splendid," she said. "But he'll never push. I can look at him quite impartially--I mean in all those things."

Ingpen murmured as it were dreamily:

"Have you had much experience of business yourself?"

"It depends what you call business. I suppose you know I used to keep a boarding-house." She was a little defiant.

"No, I didn't know. I may have heard vaguely. Did you make it pay?"

"It did pay in the end."

"But not at first? ... Any disasters?"

She could not decide whether she ought to rebuff the cross-examiner or not. His manner was so objective, so disinterested, so innocent, so disarming, that in the end she smiled uncertainly, raising her thick eyebrows.

"Oh yes," she said bravely.

"And who came to the rescue?" Ingpen proceeded.

"Edwin did."

"I see," said Ingpen, still dreamily.

"I believe you knew all about it," she remarked, having flushed.

"Pardon me! Almost nothing."

"Of course you take Edwin's side."

"Are we talking man to man?" he asked suddenly, in a new tone.

"Most decidedly!" She rose to the challenge.

"Then I'll tell you my leading theory," he said in a soft, polite voice. "The proper place for women is the harem."

"Mr. Ingpen!"

"No, no!" he soothed her, but firmly. "We're talking man to man. I can whisper sweet nothings to you, if you prefer it, but I thought we were trying to be honest. I hold a belief. I state it. I may be wrong, but I hold that belief. You can persecute me for my belief if you like. That's your affair. But surely you aren't afraid of an idea! If you don't like the mere word, let's call it zenana. Call it the drawing-room and kitchen."

"So we're to be kept to our sphere!"

"Now don't be resentful. Naturally you're to be kept to your own sphere. If Edwin began dancing around in the kitchen, you'd soon begin to talk about his sphere. You can't have the advantages of married life for nothing--neither you nor he. But some of you women nowadays seem to expect them gratis. Let me tell you, everything has to be paid for on this particular planet. I'm a bachelor. I've often thought about marrying, of course. I might get married some day. You never know your luck. If I do----"

"You'll keep your wife in the harem, no doubt! And she'll have to accept without daring to say a word all the risks you choose to take."

"There you are again!" he said. "This notion that marriage ought to be the end of risks for a woman is astonishingly rife, I find. Very curious! Very curious!" He seemed to address the wall. "Why, it's the beginning of them. Doesn't the husband take risks?"

"He chooses his own. He doesn't have business risks thrust upon him by his wife."

"Doesn't he? What about the risk of finding himself tied for life to an inefficient housekeeper? That's a bit of a business risk, isn't it? I've known more than one man let in for it."

"And you've felt so sorry for him!"

"No, not specially. You must run risks. When you've finished running risks you're dead and you ought to be buried. If I was a wife I should enjoy running a risk with my husband. I swear I shouldn't want to shut myself up in a glass case with him out of all the draughts! Why, what are we all alive for?"

The idea of the fineness of running risks struck her as original. It challenged her courage, and she began to meditate.

"Yes," she murmured. "So you sleep at the office sometimes?"

"A certain elasticity in one's domestic arrangements." He waved a hand, seeming to pooh-pooh himself lightly. Then, quickly changing his mood, he bent and said good-night, but not quite with the saccharine artificiality of his first visit--rather with honest, friendly sincerity, in which were mingled both thanks and appreciation. Hilda jumped up responsively. And, the clarinet-case under his left arm, and the fiddle-case in his left hand, leaving the right arm free, Ingpen departed.

She did not immediately go to bed. Now that Ingpen was gone she perceived that though she had really said little in opposition to Edwin's scheme, he had at once assumed that she was a strong opponent of it. Hence she must have shown her feelings far too openly at the first mention of the affair before anybody had left. This annoyed her. Also the immense injustice of nearly all Ingpen's argument grew upon her moment by moment. She was conscious of a grudge against him, even while greatly liking him. But she swore that she would never show the grudge, and that he should never suspect it. To the end she would play a man's part in the man-to-man discussion. Moreover her anger against Edwin had not decreased. Nevertheless, a sort of zest, perhaps an angry joy, filled her with novel and intoxicating sensations. Let the scheme of the new works go forward! Let it fail! Let it ruin them! She would stand in the breach. She would show the whole world that no ordeal could lower her head. She had had enough of being the odalisque and the queen, reclining on the soft couch of security. Her nostrils scented life on the wind.... Then she heard a door close upstairs, and began at last rapidly, as it were cruelly, to put out the lights.

IX

The incubus and humiliations of a first-class bilious attack are not eternal. Edwin had not retired very long before the malignant phase of the terrible malady passed inevitably, by phenomena according with all clinical experience, into the next phase. And the patient, who from being chiefly a stomach, had now become chiefly a throbbing head, lay on his pillow exhausted but once more capable of objective thought. His resentment against his wife on account of her gratuitous disbelief in his business faculty, and on account of her interference in a matter that did not concern her, flickered up into new flame. He was absolutely innocent. She was absolutely guilty; no excuse existed or could be invented for her rude and wounding attitude. He esteemed Tertius Ingpen, bachelor, the most fortunate of men.... Women--unjust, dishonourable, unintelligent, unscrupulous, giggling, pleasure-loving! Their appetite for pleasure was infantile and tigerish. He had noticed it growing in Hilda. Previous to marriage he had regarded Hilda as combining the best feminine with the best masculine qualities. In many ways she had exhibited the comforting straightforward characteristics of the male. But since marriage her mental resemblance to a man had diminished daily, and now she was the most feminine woman he had ever met, in the unsatisfactory sense of the word. Women ... Still, the behaviour of Janet and Hilda during the musical evening had been rather heroic. Impossible to dismiss them as being exclusively of the giggling race! They had decided to play a part, and they had played it with impressive fortitude.... And the house of the Orgreaves--was it about to fall? He divined that it was about to fall. No death had so far occurred in the family, which had seemed to be immune through decades and forever. He wondered what would have happened to the house of Orgreave in six months' time.... Then he went back into the dark origins of his bilious attack.... And then he was at inexcusable Hilda again.

At length he heard her on the landing.

She entered the bedroom, and quickly he shut his eyes. He felt unpleasantly through his eyelids that she had turned up the gas. Then she was close to him, sat down on the edge of the bed. She asked him a question, calmly, as to occurrences since his retirement. He nodded an affirmative.

"Your forehead's all broken out," she said, moving away.

In a few moments he was aware of the delicious, soothing, heavenly application to his forehead of a handkerchief drenched in eau de cologne and water. The compress descended upon his forehead with the infinite gentleness of an endearment and the sudden solace of a reprieve. He made faint, inarticulate noises.

The light was extinguished for his ease.

He murmured weakly:

"Are you undressed already?"

"No," she said quietly. "I can undress all right in the dark."

He opened his eyes, and could dimly see her moving darkly about, brushing her hair, casting garments. Then she came towards him, a vague whiteness against the gloom, and, bending, felt for his face, and kissed him. She kissed him with superb and passionate violence; she drew his life out of him, and poured in her own. The tremendous kiss seemed to prove that there is no difference between love and hate. It contained everything--surrender, defiance, anger and tenderness.

Neither of them spoke. The kiss dominated and assuaged him. Its illogicalness overthrew him. He could never have kissed like that under such circumstances. It was a high and bold gesture. It expressed and transmitted confidence. She had explained nothing, justified nothing, made no charge, asked no forgiveness. She had just confronted him with one unarguable fact. And it was the only fact that mattered. His pessimism about marriage lifted. If his spirit was splendidly romantic enough to match hers, marriage remained a feasible state. And he threw away logic and the past, and in a magic vision saw that success in marriage was an affair of goodwill and the right tone. With the whole force of his heart he determined to succeed in marriage. And in the mighty resolve marriage presented itself to him as really rather easy after all.

CHAPTER X

THE ORGREAVE CALAMITY

I

On the following Saturday afternoon--that is, six days later--Edwin had unusually been down to the shop after dinner, and he returned home about four o'clock. Ada, hearing his entrance, came into the hall and said:

"Please, sir, missis is over at Miss Orgreave's and will ye please go over?"

"Where's Master George?"

"In missis's own room, sir."

"All right."

The "mistress's own room" was the new nomenclature adopted by the kitchen, doubtless under suggestion, for the breakfast-room or boudoir. Edwin opened the door and glanced in. George, apparently sketching, sat at his mother's desk, with the light falling over his right shoulder.

He looked up quickly in self-excuse:

"Mother said I could! Mother said I could!"

For the theory of the special sanctity of the boudoir had mysteriously established itself in the house during the previous eight or ten days. George was well aware that even Edwin was not entitled to go in and out as he chose.

"Keep calm, sonny," said Edwin, teasing him.

With permissible and discreet curiosity he glanced from afar at the desk, its upper drawers and its pigeon-holes. Obviously it was very untidy. Its untidiness gave him sardonic pleasure, because Hilda was ever implying, or even stating, that she was a very tidy woman. He remembered that many years ago Janet had mentioned orderliness as a trait of the wonderful girl, Hilda Lessways. But he did not personally consider that she was tidy; assuredly she by no means reached his standard of tidiness, which standard indeed she now and then dismissed as old-maidish. Also, he was sardonically amused by the air of importance and busyness which she put on when using the desk and the room; her household accounts, beheld at a distance, were his wicked joy. He saw a bluish envelope lying untidily on the floor between the desk and the fireplace, and he picked it up. It had been addressed to "Mrs. George Cannon, 59 Preston Street, Brighton," and readdressed in a woman's hand to "Mrs. Clayhanger, Trafalgar Road, Bursley." Whether the handwriting of the original address was masculine or feminine he could not decide. The envelope had probably contained only a bill or a circular. Nevertheless he felt at once inimically inquisitive towards the envelope. Without quite knowing it he was jealous of all Hilda's past life up to her marriage with him. After a moment, reflecting that she had made no mention of a letter, he dropped the envelope superciliously, and it floated to the ground.

"I'm going to Lane End House," he said.

"Can I come?"

"No."

II

The same overhanging spirit of a great event which had somehow justified him in being curt to the boy, rendered him self-conscious and furtive as he stood in the porch of the Orgreaves, waiting for the door to open. Along the drive that curved round the oval lawn under the high trees were wheel-marks still surviving from the previous day. The house also survived; the curtains in all the windows, and the plants or the pieces of furniture between the curtains, were exactly as usual. Yet the solid building and its contents had the air of an illusion.

A servant appeared.

"Good afternoon, Selina."

He had probably never before called her by name, but to-day his self-consciousness impelled him to do uncustomary things.

"Good afternoon, sir," said Selina, whose changeless attire ignored even the greatest events. And it was as if she had said:

"Ah, sir! To what have we come!"

She too was self-conscious and furtive.

Aloud she said:

"Miss Orgreave and Mrs. Clayhanger are upstairs, sir. I'll tell Miss Orgreave."

Coughing nervously, he went into the drawing-room, the large obscure room, crowded with old furniture and expensive new furniture, with books, knickknacks, embroidery, and human history, in which he had first set eyes on Hilda. It was precisely the same as it had been a few days earlier; absolutely nothing had been changed, and yet now it had the archæological and forlorn aspect of a museum.

He dreaded the appearance of Janet and Hilda. What could he say to Janet, or she to him? But he was a little comforted by the fact that Hilda had left a message for him to join them.

On the previous Tuesday Osmond Orgreave had died, and within twenty-four hours Mrs. Orgreave was dead also. On the Friday they were buried together. To-day the blinds were up again; the funereal horses with their artificially curved necks had already dragged other corpses to the cemetery; the town existed as usual; and the family of Orgreave was scattered once more. Marian, the eldest daughter, had not been able to come at all, because her husband was seriously ill. Alicia Hesketh, the youngest daughter, far away in her large house in Devonshire, had not been able to come at all, because she was hourly expecting her third child; nor would Harry, her husband, leave her. Charlie, the doctor at Ealing, had only been able to run down for the funeral, because, his partner having broken his leg, the whole work of the practice was on his shoulders. And to-day Tom, the solicitor, was in his office exploring the financial side of his father's affairs; Johnnie was in the office of Orgreave and Sons, busy with the professional side of his father's affairs; Jimmie, who had made a sinister marriage, was nobody knew precisely where; Tom's wife had done what she could and gone home; Jimmie's wife had never appeared; Elaine, Marian's child, was shopping at Hanbridge for Janet; and Janet remained among her souvenirs. An epoch was finished, and the episode that concluded it, in its strange features and its swiftness, resembled a vast hallucination.

Certain funerals will obsess a whole town. And the funeral of Mr. and Mrs. Osmond Orgreave might have been expected to do so. Not only had their deaths been almost simultaneous, but they had been preceded by superficially similar symptoms, though the husband had died of pericarditis following renal disease, and the wife of hyperæmia of the lungs following increasingly frequent attacks of bronchial catarrh. The phenomena had been impressive, and rumour had heightened them. Also Osmond Orgreave for half a century had been an important and celebrated figure in the town; architecturally a large portion of the new parts of it were his creation. Yet the funeral had not been one of the town's great feverish funerals. True, the children would have opposed anything spectacular; but had municipal opinion decided against the children, they would have been compelled to yield. Again and again prominent men in the town had as it were bought their funeral processions in advance by the yard--processions in which their families, willing or not, were reduced to the rôle of stewards.

Tom and Janet, however, had ordained that nobody whatever beyond the family should be invited to the funeral, and there had been no sincere protest from outside.

The fact was that Osmond Orgreave had never related himself to the crowd. He was not a Freemason; he had never been President of the Society for the Prosecution of Felons; he had never held municipal office; he had never pursued any object but the good of his family. He was a particularist. His charm was kept chiefly for his own home. And beneath the cordiality of his more general connections, there had always been a subtle reservation--on both sides. He was admired for his cleverness and his distinction, liked where he chose to be liked, but never loved save by his own kin. Further, he had a name for being "pretty sharp" in business. Clients had had prolonged difficulties with him--Edwin himself among them. The town had made up its mind about Osmond Orgreave, and the verdict, as with most popular verdicts, was roughly just so far as it went, but unjust in its narrowness. The laudatory three-quarters of a column in the Signal and the briefer effusive notice in the new half-penny morning paper, both reflected, for those with perceptions delicate enough to understand, the popular verdict. And though Edwin hated long funerals and the hysteria of a public woe, he had nevertheless a sense of disappointment in the circumstances of the final disappearance of Osmond Orgreave.

The two women entered the room, silently. Hilda looked fierce and protective. Janet Orgreave, pale and in black, seemed very thin. She did not speak. She gave a little nod of greeting.

Edwin, scarcely controlling his voice and his eyes, murmured:

"Good afternoon."

They would not shake hands; the effort would have broken them. All remained standing, uncertainly. Edwin saw before him two girls aged by the accumulation of experience. Janet, though apparently healthy, with her smooth fair skin, was like an old woman in the shell of a young one. Her eyes were dulled, her glance plaintive, her carriage slack. The conscious wish to please had left her, together with her main excuse for being alive. She was over thirty-seven, and more and more during the last ten years she had lived for her parents. She alone among all the children had remained absolutely faithful to them. To them, and to nobody else, she had been essential--a fountain of vigour and brightness and kindliness from which they drew. To see her in the familiar and historic room which she had humanised and illuminated with her very spirit, was heartrending. In a day she had become unnecessary, and shrunk to the unneeded, undesired virgin which in truth she was. She knew it. Everybody knew it. All the waves of passionate sympathy which Hilda and Edwin in their different ways ardently directed towards her broke in vain upon that fact.

Edwin thought:

"And only the other day she was keen on tennis!"

"Edwin," said Hilda. "Don't you think she ought to come across to our place for a bit? I'm sure it would be better for her not to sleep here."

"Most decidedly," Edwin answered, only too glad to agree heartily with his wife.

"But Johnnie?" Janet objected.

"Pooh! Surely he can stay at Tom's."

"And Elaine?"

"She can come with you. Heaps of room for two."

"I couldn't leave the servants all alone. I really couldn't. They wouldn't like it," Janet persisted. "Moreover, I've got to give them notice."

Edwin had to make the motion of swallowing.

"Well," said Hilda obstinately. "Come along now--for the evening, anyhow. We shall be by ourselves."

"Yes, you must," said Edwin, curtly.

"I--I don't like walking down the street," Janet faltered, blushing.

"You needn't. You can get over the wall," said Edwin.

"Of course you can," Hilda concurred. "Just as you are now. I'll tell Selina."

She left the room with decision, and the next instant returned with a telegram in her hand.

"Open it, please. I can't," said Janet.

Hilda read:

"Mother and boy both doing splendidly. Harry."

Janet dropped onto a chair and burst into tears.

"I'm so glad. I'm so glad," she spluttered. "I can't help it."

Then she jumped up, wiped her eyes, and smiled.

For a few yards the Clayhanger and the Orgreave properties were contiguous, and separated by a fairly new wall, which, after much procrastination on the part of owners, had at last replaced an unsatisfactory thorn-hedge. While Selina put a chair in position for the ladies to stand on as a preliminary to climbing the wall, Edwin suddenly remembered that in the days of the untidy thorn-hedge Janet had climbed a pair of steps in order to surmount the hedge and visit his garden. He saw her balanced on the steps, and smiling and then jumping, like a child. Now, he preceded her and Hilda on to the wall, and they climbed carefully, and when they were all up Selina handed him the chair and he dropped it on his own side of the wall so that they might descend more easily.

"Be careful, Edwin. Be careful," cried Hilda, neither pleasantly nor unpleasantly.

And as he tried to read her mood in her voice, the mysterious and changeful ever-flowing undercurrent of their joint life bore rushingly away his sense of Janet's tragedy; and he knew that no events exterior to his marriage could ever overcome for long that constant secret preoccupation of his concerning Hilda's mood.

III

When they came into the house, Ada met them with zest and calamity in her whispering voice:

"Please 'm, Mr. and Mrs. Benbow are here. They're in the drawing-room. They said they'd wait a bit to see if you came back."

Ada had foreseen that, whatever their superficially indifferent demeanour as members of the powerful ruling caste, her master and mistress would be struck all of a heap by this piece of news. And they were. For the Benbows did not pay chance calls; in the arrangement of their lives every act was neatly planned and foreordained. Therefore this call was formal, and behind it was an intention.

"I can't see them. I can't possibly, dear," Janet murmured, as it were intimidated. "I'll run back home."

Hilda replied with benevolent firmness:

"No you won't. Come upstairs with me till they're gone. Edwin, you go and see what they're after."

Janet faltered and obeyed, and the two women crept swiftly upstairs. They might have been executing a strategic retirement from a bad smell. The instinctive movement, and the manner, were a judgment on the ideals of the Benbows so terrible and final that even the Benbows, could they have seen it, must have winced and doubted for a moment their own moral perfection. It came to this, that the stricken fled from their presence.

"'What they're after'!" Edwin muttered to himself, half resenting the phrase; because Clara was his sister; and though she bored and exasperated him, he could not class her with exactly similar boring and exasperating women.

And, throwing down his cap, he went with false casual welcoming into the drawing-room.

Young Bert Benbow, prodigiously solemn and uncomfortable in his birthday spectacles, was with his father and mother. Immense satisfaction, tempered by a slight nervousness, gleamed in the eyes of the parents. And the demeanour of all three showed instantly that the occasion was ceremonious. Albert and Clara could not have been more pleased and uplifted had the occasion been a mourning visit of commiseration or even a funeral.

The washed and brushed schoolboy, preoccupied, did not take his share in the greetings with sufficient spontaneity and promptitude.

Clara said, gently shocked:

"Bert, what do you say to your uncle?"

"Good afternoon, uncle."

"I should think so indeed!"

Clara of course sprang at once to the luscious first topic, as to a fruit:

"How is poor Janet bearing up?"

Edwin was very characteristically of the Five Towns in this,--he hated to admit, in the crisis itself, that anything unusual was happening or had just happened. Thus he replied negligently:

"Oh! All right!"

As though his opinion was that Janet had nothing to bear up against.

"I hear it was a very quiet funeral," said Clara, suggesting somehow that there must be something sinister behind the quietness of the funeral.

"Yes," said Edwin.

"Didn't they ask you?"

"No."

"Well--my word!"

There was a silence, save for faint humming from Albert. And then, just as Clara was mentioning her name, in rushed Hilda.

"What's the matter?" the impulsive Hilda demanded bluntly.

This gambit did not please Edwin, whose instinct was always to pretend that nothing was the matter. He would have maintained as long as anybody that the call was a chance call.

After a few vague exchanges, Clara coughed and said:

"It's really about your George and our Bert.... Haven't you heard? ... Hasn't George said anything?"

"No.... What?"

Clara looked at her husband expectantly, and Albert took the grand male rôle.

"I gather they had a fight yesterday at school," said he.

The two boys went to the same school, the new-fangled Higher Grade School at Hanbridge, which had dealt such a blow at the ancient educational foundations at Oldcastle. That their Bert should attend the same school as George was secretly a matter of pride to the Benbows.

"Oh," said Edwin. "We've seen no gaping wounds, have we, Hilda?"

Albert's face did not relax.

"You've only got to look at Bert's chin," said Clara.

Bert shuffled under the world's sudden gaze. Undeniably there was a small discoloured lump on his chin.

"I've had it out with Bert," Albert continued severely. "I don't know who was in the wrong--it was about that penknife business, you know--but I'm quite sure that Bert was not in the right. And as he's the older we've decided that he must ask George's forgiveness."

"Yes," eagerly added Clara, tired of listening. "Albert says we can't have quarrels going on like this in the family--they haven't spoken friendly to each other since that night we were here--and it's the manly thing for Bert to ask George's forgiveness, and then they can shake hands."

"That's what I say." Albert massively corroborated her.

Edwin thought:

"I suppose these people imagine they're doing something rather fine."

Whatever they imagined they were doing, they had made both Edwin and Hilda sheepish. Either of them would have sacrificed a vast fortune and the lives of thousands of Sunday school officers in order to find a dignified way of ridiculing and crushing the expedition of Albert and Clara; but they could think of naught that was effective.

Hilda asked, somewhat curtly, but lamely:

"Where is George?"

"He was in your boudoir a two-three minutes ago, drawing," said Edwin.

Clara's neck was elongated at the sound of the word "boudoir."

"Boudoir?" said she. And Edwin could in fancy hear her going down Trafalgar Road and giggling at every house-door: "Did ye know Mrs. Clayhanger has a boudoir? That's the latest." Still he had employed the word with intention, out of deliberate bravado.

"Breakfast-room," he added, explanatory.

"I should suggest," said Albert, "that Bert goes to him in the breakfast-room. They'll settle it much better by themselves." He was very pleased by this last phrase, which proved him a man of the world after all.

"So long as they don't smash too much furniture while they're about it," murmured Edwin.

"Now, Bert, my boy," said Albert, in the tone of a father who is also a brother.

And, as Hilda was inactive, Bert stalked forth upon his mission of manliness, smiling awkwardly and blushing. He closed the door after him, and not one of the adults dared to rise and open it.

"Had any luck with missing words lately?" Albert asked, in a detached airy manner, showing that the Bert-George affair was a trifle to him, to be dismissed from the mind at will.

"No," said Edwin. "I've been off missing words lately."

"Of course you have," Clara agreed with gravity. "All this must have been very trying to you all.... Albert's done very well of course."

"I was on 'politeness,' my boy," said Albert.

"Didn't you know?" Clara expressed surprise.

"'Politeness'?"

"Sixty-four pounds nineteen shillings per share," said Albert tremendously.

Edwin appreciatively whistled.

"Had the money?"

"No. Cheques go out on Monday, I believe. Of course," he added, "I go in for it scientifically. I leave no chances, I don't. I'm making a capital outlay of over five pounds ten on next week's competition, and I may tell you I shall get it back again, with interest."

At the same moment, Bert re-entered the room.

"He's not there," said Bert. "His drawing's there, but he isn't."

This news was adverse to the cause of manly peace.

"Are you sure?" asked Clara, implying that Bert might not have made a thorough search for George in the boudoir.

Hilda sat grim and silent.

"He may be upstairs," said the weakly amiable Edwin.

Hilda rang the bell with cold anger.

"Is Master George in the house?" she harshly questioned Ada.

"No'm. He went out a bit since."

The fact was that George, on hearing from the faithful Ada of the arrival of the Benbows, had retired through the kitchen and through the back-door, into the mountainous country towards Bleakridge railway-station, where kite-flying was practised on immense cinder-heaps.

"Ah! Well," said Albert, undefeated, to Edwin. "You might tell him Bert's been up specially to apologise to him. Oh! And here's that penknife!" He looked now at Hilda, and, producing Tertius Ingpen's knife, he put it with a flourish on the mantelpiece. "I prefer it to be on your mantelpiece than on ours," he added, smiling rather grandiosely. His manner as a whole, though compound, indicated with some clearness that while he adhered to his belief in the efficacy of prayer, he could not allow his son to accept from George earthly penknives alleged to have descended from heaven. It was a triumphant hour for Albert Benbow, as he stood there dominating the drawing-room. He perceived that, in addition to silencing and sneaping the elder and richer branch of the family, he was cutting a majestic figure in the eyes of his own son.

In an awful interval, Clara said with a sweet bright smile:

"By the way, Albert, don't forget about what Maggie asked you to ask."

"Oh, yes! By the way," said Albert, "Maggie wants to know how soon you can complete the purchase of this house of yours."

Edwin moved uneasily.

"I don't know," he mumbled.

"Can you stump up in a month? Say the end of October anyway, at latest." Albert persisted, and grew caustic. "You've only got to sell a few of your famous securities."

"Certainly. Before the end of October," Hilda replied, with impulsive and fierce assurance.

Edwin was amazed by this interference on her part. Was she incapable of learning from experience? Let him employ the right tone with absolutely perfect skill, marriage would still be impossible if she meant to carry on in this way! What did she know about the difficulties of completing the purchase? What right had she to put in a word apparently so decisive? Such behaviour was unheard of. She must be mad. Nevertheless he did not yield to anger. He merely said feebly and querulously:

"That's all very well! That's all very well! But I'm not quite so sure as all that. Will she let some of it be on mortgage?"

"No, she won't," said Albert.

"Why not?"

"Because I've got a new security for the whole amount myself."

"Oh!"

Edwin glanced at his wife and his resentful eyes said: "There you are! All through your infernal hurry and cheek Maggie's going to lose eighteen hundred pounds in a rotten investment. I told you Albert would get hold of that money if he heard of it. And just look!"

At this point Albert, who knew fairly well how to draw an advantage from his brother-in-law's characteristic weaknesses, perceived suddenly the value of an immediate departure. And amid loud enquiries of all sorts from Clara, and magnificent generalities from Albert, and gloomy, stiff salutations from uncomfortable Bert, the visit closed.

But destiny lay in wait at the corner of the street for Albert Benbow's pride. Precisely as the Benbows were issuing from the portico, the front-door being already closed upon them, the second Swetnam son came swinging down Trafalgar Road. He stopped, raising his hat.

"Hallo, Mr. Benbow," he said. "You've heard the news, I suppose?"

"What about?"

"Missing word competitions."

It is a fact that Albert paled.

"What?"

"Injunction in the High Court this morning. All the money's impounded, pending a hearing as to whether the competitions are illegal or not. At the very least half of it will go in costs. It's all over with missing words."

"Who told you?"

"I've had a wire to stop me from sending in for next week's."

Albert Benbow gave an oath. His wife ought surely to have been horrorstruck by the word; but she did not blench. Flushing and scowling she said:

"What a shame! We've sent ours in."

The faithful creature had for days past at odd moments been assisting her husband in the dictionary and as a clerk.... And lo! at last, confirmation of those absurd but persistent rumours to the effect that certain busybodies meant if they could to stop missing word competitions on the ground that they were simply a crude appeal to the famous "gambling instincts" of mankind and especially of Englishmen!

Albert had rebutted the charge with virtuous warmth, insisting on the skill involved in word-choosing, and insisting also on the historical freedom of the institutions of his country. He maintained that it was inconceivable that any English court of justice should ever interfere with a pastime so innocent and so tonic for the tired brain. And though he had had secret fears, and had been disturbed and even hurt by the comments of a religious paper to which he subscribed, he would not waver from his courageous and sensible English attitude. Now the fearful blow had fallen, and Albert knew in his heart that it was heaven's punishment for him. He turned to shut the gate after him, and noticed Bert. It appeared to him that in hearing the paternal oath, Bert had been guilty of a crime, or at least an indiscretion, and he at once began to make Bert suffer.

Meanwhile Swetnam had gone on, to spread the tale which was to bring indignation and affliction into tens of thousands of respectable homes.

IV

Janet came softly and timidly into the drawing-room.

"They are gone?" she questioned. "I thought I heard the front-door."

"Yes, thank goodness!" Hilda exclaimed candidly, disdaining the convention (which Edwin still had in respect) that a weakness in family ties should never be referred to, beyond the confines of the family, save in urbane terms of dignity and regret excusing so far as possible the sinner. But in this instance the immense ineptitude of the Benbows had so affected Edwin that, while objecting to his wife's outbreak, he could not help giving a guffaw which supported it. And all the time he kept thinking to himself:

"Imagine that d----d pietistic rascal dragging the miserable shrimp up here to apologise to George!"

He was ashamed, not merely of his relatives, but somehow of all humanity. He could scarcely look even a chair in the face. The Benbows had left behind them desolation, and this desolation affected everything, and could be tasted on the tongue. Janet of course instantly noticed it, and felt that she ought not to witness the shaming of her friends. Moreover, her existence now was chiefly an apology for itself.

She said:

"I really think I ought to go back and see about a meal for Johnnie in case he turns up."

"Nonsense!" said Hilda, sharply. "With three servants in the house, I suppose Johnnie won't starve! Now just sit down. Sit down!" Her tone softened. "My dear, you're worse than a child.... Tell Edwin." She put a cushion behind Janet in the easy chair. And the gesture made Janet's eyes humid once more.

Edwin had the exciting, disquieting, vitalising sensation of being shut up in an atmosphere of women. Not two women, but two thousand, seemed to hem him in with their incalculable impulses, standards, inspirations.

"Janet wants to consult you," Hilda added; and even Hilda appeared to regard him as a strong saviour.

He thought:

"After all, then, I'm not the born idiot she'd like to make out. Now we're getting at her real opinion of me!"

"It's only about father's estate," said Janet.

"Why? Hasn't he made a will?"

"Oh yes! He made a will over thirty years ago. He left everything to mother and made her sole executor or whatever you call it. Just like him, wasn't it? ... D'you know that he and mother never had a quarrel, nor anything near a quarrel?"

"Well," Edwin, nodding appreciatively, answered with an informed masculine air. "The law provides for all that. Tom will know. Did your mother make a will?"

"No. Dear thing! She would never have dreamt of it."

"Then letters of administration will have to be taken out," said Edwin.

Janet began afresh:

"Father was talking of making a new will two or three months ago. He mentioned it to Tom. He said he should like you to be one of the executors. He said he would sooner have you for an executor than anybody."

An intense satisfaction permeated Edwin, that he should have been desired as an executor by such an important man as Osmond Orgreave. He felt as though he were receiving compensation for uncounted detractions.

"Really?" said he. "I expect Tom will take out letters of administration, or Tom and Johnnie together; they'll make better executors than I should."

"It doesn't seem to make much difference who looks after it and who doesn't," Hilda sharply interrupted. "When there's nothing to look after."

"Nothing to look after?" Edwin repeated.

"Nothing to look after!" said Hilda in a firm and clear tone. "According to what Janet says."

"But surely there must be something!"

Janet answered mildly:

"I'm afraid there isn't much."

It was Hilda who told the tale. The freehold of Lane End House belonged to the estate, but there were first and second mortgages on it, and had been for years. Debts had always beleaguered the Orgreave family. A year ago money had apparently been fairly plentiful, but a great deal had been spent on re-furnishing. Jimmie had had money, in connection with his sinister marriage; Charlie had had money in connection with his practice, and Tom had enticed Mr. Orgreave into the Palace Porcelain Company. Mr. Orgreave had given a guarantee to the Bank for an overdraft, in exchange for debentures and shares in that company. The debentures were worthless, and therefore the shares also, and the bank had already given notice under the guarantee. There was an insurance policy--one poor little insurance policy for a thousand pounds--whose capital well invested might produce an income of twelve or fifteen shillings a week; but even that policy was lodged as security for an overdraft on one of Osmond's several private banking accounts. There were many debts, small to middling. The value of the Orgreave architectural connection was excessively dubious--so much of it had depended upon Osmond Orgreave himself. The estate might prove barely solvent; on the other hand it might prove insolvent; so Johnnie, who had had it from Tom, had told Janet that day, and Janet had told Hilda.

"Your father was let in for the Palace Porcelain Company?" Edwin breathed, with incredulous emphasis on the initial p's. "What on earth was Tom thinking of?"

"That's what Johnnie wants to know," said Janet. "Johnnie was very angry. They've had some words about it."

Except for the matter of the Palace Porcelain Company, Edwin was not surprised at the revelations, though he tried to be. The more closely he examined his attitude for years past to the Orgreave household structure, the more clearly he had to admit that a suspicion of secret financial rottenness had never long been absent from his mind--not even at the period of renewed profuseness, a year or two ago, when furniture-dealers, painters, and paperhangers had been enriched. His resentment against the deceased charming Osmond and also against the affectionate and blandly confident mother, was keen and cold. They had existed, morally, on Janet for many years; monopolised her, absorbed her, aged her, worn her out, done everything but finish her,--and they had made no provision for her survival. In addition to being useless, she was defenceless, helpless, penniless, and old; and she shivered now that the warmth of her parents' affection was withdrawn by death.

"You see," said Janet. "Father was so transparently honest and generous."

Edwin said nothing to this sincere outburst.

"Have you got any money at all, Janet?" asked Hilda.

"There's a little household money, and by a miracle I've never spent the ten-pound note poor dad gave me on my last birthday."

"Well," said Edwin, sardonically imaging that ten-pound note as a sole defence for Janet against the world. "Of course Johnnie will have to allow you something out of the business--for one thing."

"I'm sure he will, if he can," Janet agreed. "But he says it's going to be rather tight. He wants us to clear out of the house at once."

"Take my advice and don't do it," said Edwin. "Until the house is let or sold it may as well be occupied by you as stand empty--better in fact, because you'll look after it."

"That's right enough, anyway," said Hilda, as if to imply that by a marvellous exception a man had for once in a while said something sensible.

"You needn't use all the house," Edwin proceeded. "You won't want all the servants."

"I wish you'd say a word to Johnnie," breathed Janet.

"I'll say a word to Johnnie, all right," Edwin answered loudly. "But it seems to me it's Tom that wants talking to. I can't imagine what he was doing to let your father in for that Palace Porcelain business. It beats me."

Janet quietly protested:

"I feel sure he thought it was all right."

"Oh, of course!" said Hilda, bitterly. "Of course! They always do think it's all right. And here's my husband just going into one of those big dangerous affairs, and he thinks it's all right, and nothing I can say will stop him from going into it. And he'll keep on thinking it's all right until it's all wrong and we're ruined, and perhaps me left a widow with George." Her lowered eyes blazed at the carpet.

Janet, troubled, glanced from one to the other, and then, with all the tremendous unconscious persuasive force of her victimhood and her mourning, murmured gently to Edwin:

"Oh! Don't run any risks! Don't run any risks!"

Edwin was staggered by the swift turn of the conversation. Two thousand women hemmed him in more closely than ever. He could do nothing against them except exercise an obstinacy which might be esteemed as merely brutal. They were not accessible to argument--Hilda especially. Argument would be received as an outrage. It would be impossible to convince Hilda that she had taken a mean and disgraceful advantage of him, and that he had every right to resent her behaviour. She was righteousness and injuredness personified. She partook, in that moment, of the victimhood of Janet. And she baffled him.

He bit his lower lip.

"All that's not the business before the meeting," he said as lightly as he could. "D'you think if I stepped down now I should catch Johnnie at the office?"

And all the time, while his heart hardened against Hilda, he kept thinking:

"Suppose I did come to smash!"

Janet had put a fear in his mind, Janet who in her wistfulness and her desolating ruin seemed to be like only a little pile of dust--all that remained of the magnificent social structure of a united and numerous Orgreave family.

V

Edwin met Tertius Ingpen in the centre of the town outside the offices of Orgreave and Sons, amid the commotion caused by the return of uplifted spectators from a football match in which the team curiously known to the sporting world as "Bursley Moorthorne" had scored a broken leg and two goals to nil.

"Hello!" Ingpen greeted him. "I was thinking of looking in at your place to-night."

"Do!" said Edwin. "Come up with me now."

"Can't! ... Why do these ghastly louts try to walk over you as if they didn't see you?" Then in another tone, very quietly, and nodding in the direction of the Orgreave offices: "Been in there? ... What a week, eh! ... How are things?"

"Bad," Edwin answered. "In a word, bad!"

Ingpen lifted his eyebrows.

They turned away out of the crowd, up towards the tranquillity of the Turnhill Road. They were manifestly glad to see each other. Edwin had had a satisfactory interview with Johnnie Orgreave,--satisfactory in the sense that Johnnie had admitted the wisdom of all that Edwin said and promised to act on it.

"I've just been talking to young Johnnie for his own good," said Edwin.

And in a moment, with eagerness, with that strange deep satisfaction felt by the carrier of disastrous tidings, he told Ingpen all that he knew of the plight of Janet Orgreave.

"If you ask me," said he, "I think it's infamous."

"Infamous," Ingpen repeated the word savagely. "There's no word for it. What'll she do?"

"Well, I suppose she'll have to live with Johnnie."

"And where will Mrs. Chris come in, then?" Ingpen asked in a murmur.

"Mrs. Chris Hamson?" exclaimed Edwin startled. "Oh! Is that affair still on the carpet? ... Cheerful outlook!"

Ingpen pulled his beard.

"Anyhow," said he, "Johnnie's the most reliable of the crew. Charlie's the most agreeable, but Johnnie's the most reliable. I wouldn't like to count much on Tom, and as for Jimmie, well of course----!"

"I always look on Johnnie as a kid. Can't help it."

"There's no law against that, so long as you don't go and blub it out to Mrs. Chris," Ingpen laughed.

"I don't know her."

"You ought to know her. She's an education, my boy."

"I've been having a fair amount of education lately," said Edwin. "Only this afternoon I was practically told that I ought to give up the idea of my new works because it has risks and the Palace Porcelain Co. was risky and Janet hasn't a cent. See the point?"

He was obliged to talk about the affair, because it was heavily on his mind. A week earlier he had persuaded himself that the success of a marriage depended chiefly on the tone employed to each other by the contracting parties. But in the disturbing scene of the afternoon, his tone had come near perfection, and yet marriage presented itself as even more stupendously difficult than ever. Ingpen's answering words salved and strengthened him. The sensation of being comprehended was delicious. Intimacy progressed.

"I say," said Edwin, as they parted. "You'd better not know anything about all this when you come to-night."

"Right you are, my boy."

Their friendship seemed once more to be suddenly and surprisingly intensified.

When Edwin returned, Janet had vanished again. Like an animal which fears the hunt and whose shyness nothing can cure, she had fled to cover at the first chance. According to Hilda she had run home because it had occurred to her that she must go through her mother's wardrobe and chest of drawers without a moment's delay.

Edwin's account to his wife of the interview with Johnnie Orgreave was given on a note justifiably triumphant. In brief he had "talked sense" to Johnnie, and Johnnie had been convicted and convinced. Hilda listened with respectful propriety. Edwin said nothing as to his encounter with Tertius Ingpen, partly from prudence and partly from timidity. When Ingpen arrived at the house, much earlier than he might have been expected to arrive, Edwin was upstairs, and on descending he found his wife and his friend chatting in low and intimate voices close together in the drawing-room. The gas had been lighted.

"Here's Mr. Ingpen," said Hilda, announcing a surprise.

"How do, Ingpen?"

"How do, Ed?"

Ingpen did not rise. Nor did they shake hands, but in the Five Towns friends who have reached a certain degree of intimacy proudly omit the ceremony of handshaking when they meet. It was therefore impossible for Hilda to divine that Edwin and Tertius had previously met that day, and apparently Ingpen had not divulged the fact. Edwin felt like a plotter.

The conversation of course never went far away from the subject of the Orgreaves--and Janet in particular. Ingpen's indignation at the negligence which had left Janet in the lurch was more than warm enough to satisfy Hilda, whose grievance against the wicked carelessness of heads of families in general seemed to be approaching expression again. At length she said:

"It's enough to make every woman think seriously of where she'd be--if anything happened."

Ingpen smiled teasingly.

"Now you're getting personal."

"And what if I am? With my headstrong husband going in for all sorts of schemes!" Hilda's voice was extraordinarily clear and defiant.

Edwin nervously rose.

"I'll just get some cigarettes," he mumbled.

Hilda and Ingpen scarcely gave him any attention. Already they were exciting themselves. Although he knew that the supply of cigarettes was in the dining-room, he toured half the house before going there; and then lit the gas and with strange deliberation drew the blinds; next he rang the bell for matches, and, having obtained them, lit a cigarette.

When he re-entered the drawing-room, Ingpen was saying with terrific conviction:

"You're quite wrong, as I've told you before. It's your instinct that's wrong, not your head. Women will do anything to satisfy their instincts, simply anything. They'll ruin your life in order to satisfy their instincts. Yes, even when they know jolly well their instincts are wrong!"

Edwin thought:

"Well, if these two mean to have a row, it's no affair of mine."

But Hilda, seemingly overfaced, used a very moderate tone to retort:

"You're very outspoken."

Tertius Ingpen answered firmly:

"I'm only saying aloud what every man thinks.... Mind--every man."

"And how comes it that you know so much about women?"

"I'll tell you sometime," said Ingpen, shortly, and then smiled again.

Edwin, advancing, murmured:

"Here. Have a cigarette."

A few moments later Ingpen was sketching out a Beethoven symphony unaided on the piano, and holding his head back to keep the cigarette-smoke out of his eyes.

VI

When the hour struck for which Hilda had promised a sandwich supper Edwin and Tertius Ingpen were alone in the drawing-room, and Ingpen was again at the piano, apparently absorbed in harmonic inventions of his own. No further word had been said upon the subject of the discussion between Ingpen and Hilda. On the whole, despite the reserve of Hilda's demeanour, Edwin considered that marriage at the moment was fairly successful, and the stream of existence running in his favour. At five minutes after the hour, restless, he got up and said:

"I'd better be seeing what's happened to that supper."

Ingpen nodded, as in a dream.

Edwin glanced into the dining-room, where the complete supper was waiting in illuminated silence and solitude. Then he went to the boudoir. There, the two candlesticks from the mantelpiece had been put side by side on the desk, and the candles lit the figures of Hilda and her son. Hilda, kneeling, held a stamped and addressed letter in her hand, the boy was bent over the desk at his drawing, which his mother regarded. Edwin in his heart affectionately derided them for employing candles when the gas would have been so much more effective; he thought that the use of candles was "just like" one of Hilda's unforeseeable caprices. But in spite of his secret derision he was strangely affected by the group as revealed by the wavering candle-flames in the general darkness of the room. He seldom saw Hilda and George together; neither of them was very expansive; and certainly he had never seen Hilda kneeling by her son's side since a night at the Orgreaves' before her marriage, when George lay in bed unconscious and his spirit hesitated between earth and heaven. He knew that Hilda's love for George had in it something of the savage, but, lacking demonstrations of it, he had been apt to forget its importance in the phenomena of their united existence. Kneeling by her son, Hilda had the look of a girl, and the ingenuousness of her posture touched Edwin. The idea shot through his brain like a star, that life was a marvellous thing.

As the door had been ajar, they scarcely heard him come in. George turned first.

And then Ada was standing at the door.

"Yes'm?"

"Oh! Ada! Just run across with this letter to the pillar, will you?"

"Yes'm."

"You've missed the post, you know," said Edwin.

Hilda got up slowly.

"It doesn't matter. Only I want it to be in the post."

As she gave the letter to Ada he speculated idly as to the address of the letter, and why she wanted it to be in the post. Anyhow, it was characteristic of her to want the thing to be in the post. She would delay writing a letter for days, and then, having written it, be "on pins" until it was safely taken out of the house; and even when the messenger returned she would ask: "Did you put that letter in the post?"

Ada had gone.

"What's he drawing, this kid?" asked Edwin, genially.

Nobody answered. Standing between his wife and the boy he looked at the paper. The first thing he noticed was some lettering, achieved in an imitation of architect's lettering: "Plan for proposed new printing-works to be erected by Edwin Clayhanger, Esq., upon land at Shawport. George Edwin Clayhanger, architect." And on other parts of the paper, "Ground-floor plan" and "Elevation." The plan at a distance resembled the work of a real architect. Only when closely examined did it reveal itself as a piece of boyish mimicry. The elevation was not finished.... It was upon this that, with intervals caused by the necessity of escaping from bores, George had been labouring all day. And here was exposed the secret and the result of his chumminess with Johnnie Orgreave. Yet the boy had never said a word to Edwin in explanation of that chumminess; nor had Johnnie himself.

"He's been telling me he's going to be an architect," said Hilda.

"Is this plan a copy of Johnnie's, or is it his own scheme?" asked Edwin.

"Oh, his own!" Hilda answered, with a rapidity and an earnestness which disclosed all her concealed pride in the boy.

Edwin was thrilled. He pored over the plan, making remarks and putting queries, in a dull matter-of-fact tone; but he was so thrilled that he scarcely knew what he was saying or understood the replies to his questions. It seemed to him wondrous, miraculous, overwhelming, that his own disappointed ambition to be an architect should have re-flowered in his wife's child who was not his child. He was reconciled to being a printer, and indeed rather liked being a printer, but now all his career presented itself to him as a martyrisation. And he passionately swore that such a martyrisation should not happen to George. George's ambition should be nourished and forwarded as no boyish ambition had ever been nourished and forwarded before. For a moment he had a genuine conviction that George must be a genius.

Hilda, behind the back of proud, silent George, pulled Edwin's face to hers and kissed it. And as she kissed she gazed at Edwin and her eyes seemed to be saying: "Have your works; I have yielded. Perhaps it is George's plan that has made me yield, but anyhow I am strong enough to yield. And my strength remains."

And Edwin thought: "This woman is unique. What other woman could have done that in just that way?" And in their embrace, intensifying and complicating its significance, were mingled the sensations of their passion, his triumph, her surrender, the mysterious boy's promise, and their grief for Janet's tragedy.

"Old Ingpen's waiting for his supper, you know," said Edwin tenderly. "George, you must show that to Mr. Ingpen."

BOOK II

THE PAST

CHAPTER XI

LITHOGRAPHY

I

Edwin, sitting behind a glazed door with the word "Private" elaborately patterned on the glass, heard through the open window of his own office the voices of the Benbow children and their mother in the street outside.

"Oh, Mother! What a big sign!"

"Yes. Isn't Uncle Edwin a proud man to have such a big sign?"

"Hsh!"

"It wasn't up yesterday."

"L, i, t, h, o,----"

"My word, Rupy! You are getting on!"

"They're such large letters, aren't they, mother? ... 'Lithographic' ... 'Lithographic printing. Edwin Clayhanger'."

"Hsh! ... Bert, how often do you want me to tell you about your shoe-lace?"

"I wonder if George has come."

"Mother, can't I ring the bell?"

All the children were there, with their screeching voices. Edwin wondered that Rupert should have been brought. Where was the sense of showing a three-year-old infant like Rupert over a printing-works? But Clara was always like that. The difficulty of leaving little Rupert alone at home did not present itself to the august uncle.

Edwin rose, locked a safe that was let into the wall of the room, and dropped the key into his pocket. The fact of the safe being let into the wall gave him as much simple pleasure as any detail of the new works; it was an idea of Johnnie Orgreave's. He put a grey hat carelessly at the back of his head, and, hands in pockets, walked into the next and larger room, which was the clerks' office.

Both these rooms had walls distempered in a green tint, and were fitted and desked in pitchpine. Their newness was stark, and yet in the clerks' office the irrational habituating processes of time were already at work. On the painted iron mantelpiece lay a dusty white tile, brought as a sample long before the room was finished, and now without the slightest excuse for survival. Nevertheless the perfunctory cleaner lifted the tile on most mornings, dusted underneath it, and replaced it; and Edwin and his staff saw it scores of times daily and never challenged it, and gradually it was acquiring a prescriptive right to exist just where it did. And the day was distant when some inconvenient, reforming person would exclaim:

"What's this old tile doing here?"

What Edwin did notice was that the walls and desks showed marks and even wounds; it seemed to him somehow wrong that the brand new could not remain forever brand new. He thought he would give a mild reproof or warning to the elder clerk, (once the shop-clerk in the ancient establishment at the corner of Duck Bank and Wedgwood Street) and then he thought: "What's the use?" and only murmured:

"I'm not going off the works."

And he passed out, with his still somewhat gawky gait, to the small entrance-hall of the works. On the outer face of the door, which he closed, was painted the word "Office." He had meant to have the words "Counting-House" painted on that door, because they were romantic and fine-sounding; but when the moment came to give the order he had quaked before such romance; he was afraid as usual of being sentimental and of "showing off," and with assumed satire had publicly said: "Some chaps would stick 'Counting-house' as large as life all across the door." He now regretted his poltroonery. And he regretted sundry other failures in courage connected with the scheme of the works. The works existed, but it looked rather like other new buildings, and not very much like the edifice he had dreamed. It ought to have been grander, more complete, more dashingly expensive, more of an exemplar to the slattern district. He had been (he felt) unduly influenced by the local spirit for half-measures. And his life seemed to be a life of half-measures, a continual falling-short. Once he used to read studiously on Tuesday, Thursday and Saturday evenings. He seldom read now, and never with regularity. Scarcely a year ago he had formed a beautiful vague project of being "musical." At Hilda's instigation he had bought a book of musical criticism by Hubert Parry, and Hilda had swallowed it in three days, but he had begun it and not finished it. And the musical evenings, after feeble efforts to invigorate them, had fainted and then died on the miserable excuse that circumstances were not entirely favourable to them. And his marriage, so marvellous in its romance during the first days...!

Then either his commonsense or his self-respect curtly silenced these weak depreciations. He had wanted the woman and he had won her,--he had taken her. There she was, living in his house, bearing his name, spending his money! The world could not get over that fact, and the carper in Edwin's secret soul could not get over it either. He had said that he would have a new works, and, with all its faults and little cowardices, there the new works was! And moreover it had just been assessed for municipal rates at a monstrous figure. He had bought his house (and mortgaged it); he had been stoical to bad debts; he had sold securities--at rather less than they cost him; he had braved his redoubtable wife; and he had got his works! His will, and naught else, was the magic wand that had conjured it into existence.

The black and gold sign that surmounted its blue roofs could be seen from the top of Acre Lane and half way along Shawport Lane, proclaiming the progress of lithography and steam-printing, and the name of Edwin Clayhanger. Let the borough put that in its pipe and smoke it! He was well aware that the borough felt pride in his works. And he had orders more than sufficient to keep the enterprise handsomely going. Even in the Five Towns initiative seemed to receive its reward.

Life might be as profoundly unsatisfactory as you pleased, but there was zest in it.

The bell had rung. He opened the main door, and there stood Clara and her brood. And Edwin was the magnificent, wonderful uncle. The children entered, with maternal precautions and recommendations. Every child was clean and spruce: Bert clumsy, Clara minxlike, Amy heavy and benignant, Lucy the pretty little thing, and Rupert simply adorable--each representing a separate and considerable effort of watchful care. The mother came last, worn, still pretty, with a slight dragging movement of the limbs. In her glittering keen eyes were both envy and naïve admiration of her brother. "What a life!" thought Edwin, meaning what a narrow, stuffy, struggling, conventional, unlovely existence was the Benbows'! He and they lived in different worlds of intelligence. Nevertheless he savoured the surpassing charm of Rupert, the goodness of Amy, the floral elegance of Lucy, and he could appreciate the unending labours of that mother of theirs, malicious though she was. He was bluff and jolly with all of them. The new works being fairly close to the Benbow home, the family had often come en masse to witness its gradual mounting, regarding the excursions as a sort of picnic. And now that the imposing place was inaugurated and the signs up, Uncle Edwin had been asked to show them over it in a grand formal visit, and he had amiably consented.

"Has George come, Uncle Edwin?" asked Bert.

George had not come. A reconciliation had occurred between the cousins (though by no means at the time nor in the manner desired by Albert); they were indeed understood by the Benbows to be on the most touching terms of intimacy, which was very satisfactory to the righteousness of Albert and Clara; and George was to have been of the afternoon party; but he had not arrived. Edwin, knowing the unknowableness of George, suspected trouble.

"Machines! Machines!" piped tiny white-frocked Rupert, to whom wondrous tales had been told.

"You'll see machines all right," said Edwin promisingly. It was not his intention to proceed straight to the machine-room. He would never have admitted it, but his deliberate intention was to display the works dramatically, with the machine-room as a culmination. The truth was, the man was full of secret tricks, contradicting avuncular superior indifference. He was a mere boy--he was almost a school-girl.

He led them through a longish passage, and up steps and down steps--steps which were not yet hollowed, but which would be hollowed--into the stone-polishing shop, which was romantically obscure, with a specially dark corner where a little contraption was revolving all by itself in the process of smoothing a stone. Young Clara stared at the two workmen, while the rest stared at the contraption, and Edwin, feeling ridiculously like a lecturer, mumbled words of exposition. And then next, after climbing some steps, they were in a lofty apartment with a glass roof, sunshine-drenched and tropical. Here lived two more men, including Karl the German, bent in perspiration over desks, and laboriously drawing. Round about were coloured designs, and stones covered with pencilling, and boards, and all sorts of sheets of paper and cardboard.

"Ooh!" murmured Bert, much impressed by the meticulous cross-hatching of Karl's pencil on a stone.

And Edwin said:

"This is the drawing-office."

"Oh yes!" murmured Clara vaguely. "It's very warm, isn't it?"

None of them except Bert was interested. They gazed about dully, uncomprehendingly, absolutely incurious.

"Machines!" Rupert urged again.

"Come on, then," said Edwin going out with assumed briskness and gaiety.

At the door stood Tertius Ingpen, preoccupied and alert, with all the mien of a factory inspector in full activity.

"Don't mind me," said Ingpen, "I can look after myself. In fact I prefer to."

At the sight of an important stranger speaking familiarly to Uncle Edwin, all the children save Rupert grew stiff, dismal and apprehensive, and Clara looked about as though she had suddenly discovered very interesting phenomena in the corners of the workshop.

"My sister, Mrs. Benbow--Mr. Ingpen. Mr. Ingpen is Her Majesty's Inspector of Factories, so we must mind what we're about," said Edwin.

Clara gave a bright, quick smile as she limply shook hands. The sinister enchantment which precedes social introduction was broken. And Clara, overcome by the extraordinary chivalry and deference of Ingpen's customary greeting to women, decided that he was a particularly polite man; but she reserved her general judgment on him, having several times heard Albert inveigh against the autocratic unreasonableness of this very inspector, who, according to Albert, forgot that even an employer had to live, and that that which handicapped the employer could not possibly help the workman--"in the long run."

"Machines!" Rupert insisted.

They all laughed; the other children laughed suddenly and imitatively, and an instant later than the elders; and Tertius Ingpen, as he grasped the full purport of the remark, laughed more than anyone. He turned sideways and bent slightly in order to give vent to his laughter, which, at first noiseless and imprisoned, gradually grew loud in freedom. When he had recovered, he said thoughtfully, stroking his soft beard:

"Now it would be very interesting to know exactly what that child understands by 'machines'--what his mental picture of them is. Very interesting! Has he ever seen any?"

"No," said Clara.

"Ah! That makes it all the more interesting," Ingpen added roguishly: "I suppose you think you do know, Mrs. Benbow?"

Clara smiled the self-protective, non-committal smile of one who is not certain of having seen the point.

"It's very hot in here, Edwin," she said, glancing at the door. The family filed out, shepherded by Edwin.

"I'll be back in a sec," said he to Clara, on the stairs, and returned to the drawing-office.

Ingpen was in apparently close conversation with Karl.

"Yes," murmured Ingpen, thoughtfully tapping his teeth. "The whole process is practically a contest between grease and water on the stone."

"Yes," said Karl gruffly, but with respect.

And Edwin could almost see the tentacles of Ingpen's mind feeling and tightening round a new subject of knowledge, and greedily possessing it. What a contrast to the vacuous indifference of Clara, who was so narrowed by specialisation that she could never apply her brain to anything except the welfare and the aggrandizement of her family! He dwelt sardonically upon the terrible results of family life on the individual, and dreamed of splendid freedoms.

"Mr. Clayhanger," said Ingpen, in his official manner, turning.

The two withdrew to the door. Invisible, at the foot of the stairs, could be heard the family, existing.

"Haven't seen much of lithography, eh?" said Edwin, in a voice discreetly restrained.

Ingpen, ignoring the question, murmured:

"I say, you know this place is much too hot."

"Well," said Edwin. "What do you expect in August?"

"But what's the object of all that glass roof?"

"I wanted to give 'em plenty of light. At the old shop they hadn't enough, and Karl, the Teuton there, was always grumbling."

"Why didn't you have some ventilation in the roof?"

"We did think of it. But Johnnie Orgreave said if we did we should never be able to keep it watertight."

"It certainly isn't right as it is," said Ingpen. "And our experience is that these skylighted rooms that are too hot in summer are too cold in winter. How should you like to have your private office in here?"

"Oh!" protested Edwin. "It isn't so bad as all that."

Ingpen said quietly:

"I should suggest you think it over--I mean the ventilation."

"But you don't mean to say that this shop here doesn't comply with your confounded rules?"

Ingpen answered:

"That may or may not be. But we're entitled to make recommendations in any case, and I should like you to think this over, if you don't mind. I haven't any thermometer with me, but I lay it's ninety degrees here, if not more." In Ingpen's urbane, reasonable tone there was just a hint of the potential might of the whole organised kingdom.

"All serene," said Edwin, rather ashamed of the temperature after all, and loyally responsive to Ingpen's evident sense of duty, which somehow surprised him; he had not chanced, before, to meet Ingpen at work; earthenware manufactories were inspected once a quarter, but other factories only once a year. The thought of the ameliorating influence that Ingpen must obviously be exerting all day and every day somewhat clashed with and overset his bitter scepticism concerning the real value of departmental administrative government,--a scepticism based less upon experience than upon the persuasive tirades of democratic apostles.

They walked slowly towards the stairs, and Ingpen scribbled in a notebook.

"You seem to take your job seriously," said Edwin, teasing.

"While I'm at it. Did you imagine that I'd dropped into a sinecure? Considering that I have to keep an eye on three hundred and fifty potbanks, over a thousand other factories, and over two thousand workshops of sorts, my boy...! And you should see some of 'em. And you should listen to the excuses."

"No wonder," thought Edwin, "he hasn't told me what a fine and large factory mine is! ... Still, he might have said something, all the same. Perhaps he will."

When, after visiting the composing-room, and glancing from afar at the engine-house, the sight-seeing party reached the machine-room, Rupert was so affected by the tremendous din and the confusing whir of huge machinery in motion that he began to cry, and, seizing his mother's hand, pressed himself hard against her skirt. The realisation of his ambition had overwhelmed him. Amy protectingly took Lucy's hand. Bert and Clara succeeded in being very casual.

In the great lofty room there were five large or fairly large machines, and a number of small ones. The latter had chiefly to do with envelope and bill-head printing and with bookbinding, and only two of them were in use. Of the large machines, three were functioning--the cylinder printing-machine which had been the pride of Edwin's father, the historic "old machine," also his father's, which had been so called ever since Edwin could remember and which was ageless, and Edwin's latest and most expensive purchase, the "Smithers" litho-printer. It was on the guarded flank of the Smithers, close to the roller-racks, that Edwin halted his convoy. The rest of the immense shop with its complex masses of metal revolving, sliding, or paralysed, its shabby figures of men, boys, and girls shifting mysteriously about, its smell of iron, grease, and humanity, and its fearful racket, was a mere background for the Smithers in its moving might.

The Smithers rose high above the spectators, and at one end of it, higher even than the top parts of the machine, was perched a dirty, frowsy, pretty girl. With a sweeping gesture of her bare arms this girl took a wide sheet of blank paper from a pile of sheets, and lodged it on the receiving rack, whereupon it was whirled off, caught into the clutches of the machine, turned, reversed, hidden away from sight among revolving rollers red and black, and finally thrust out at the other end of the machine, where it was picked up by a dirty, frowsy girl, not pretty, smaller and younger than the high-perched creature, indeed scarcely bigger than Amy. And now on the sheet was printed four times in red the words "Knype Mineral Water Mnfg. Co. Best and cheapest. Trademark." Clara screeched a question about the trademark, which was so far invisible. Edwin made a sign to the lower dirty, frowsy girl, who respectfully but with extreme rapidity handed him a sheet as it came off the machine, and he shouted through the roar in explanation that the trademark, a soda-water syphon in blue, would be printed on the same sheet later from another stone, and the sheets cut into fours, each quarter making a complete poster. "I thought it must be like that," replied Clara superiorly. From childhood she had been well accustomed to printing processes, and it was not her intention to be perplexed by "this lithography." Edwin made a gesture to hand back the sheet to the machine-girl, but the machine would not pause to allow her to take it. She was the slave of the machine; so long as it functioned, every second of her existence was monopolised, and no variation of conduct permissible. The same law applied to the older girl up near the ceiling. He put the sheet in its place himself, and noticed that to do so required appreciable care and application of the manipulative faculty.

These girls, and the other girls at their greasy task in the great shaking interior which he had created, vaguely worried him. Exactly similar girls were employed in thousands on the pot-banks, and had once been employed also at the pit-heads and even in the pits; but until lately he had not employed girls, nor had his father ever employed girls; and these girls so close to him, so dependent on him, so submissive, so subjugated, so soiled, so vulgar, whose wages would scarcely have kept his wife in boots and gloves, gave rise to strange and disturbing sensations in his heart--not merely in regard to themselves, but in regard to the whole of the workpeople. A question obscure and lancinating struck upwards through his industrial triumph and through his importance in the world, a question scarcely articulate, but which seemed to form itself into the words: Is it right?

"Is what right?" his father would have snapped at him. "Is what right?" would have respectfully demanded Big James, who had now sidled grandiosely to the Smithers, and was fussing among the rollers in the rack. Neither of them would have been capable of comprehending his trouble. To his father an employee was an employee, to be hired as cheaply as possible, and to be exploited as completely as possible. And the attitude of Big James towards the underlings was precisely that of his deceased master. They would not be unduly harsh, they would often be benevolent, but the existence of any problem, and especially any fundamental problem, beyond the direct inter-relation of wages and work could not conceivably have occurred to them. After about three quarters of a century of taboo trade-unions had now for a dozen years ceased to be regarded as associations of anarchistic criminals. Big James was cautiously in favor of trade-unions, and old Darius Clayhanger in late life had not been a quite uncompromising opponent of them. As for Edwin, he had always in secret sympathised with them, and the trade-unionists whom he employed had no grievance against him. Yet this unanswerable, persistent question would pierce the complacency of Edwin's prosperity. It seemed to operate in a sort of fourth dimension; few even amongst trade-unionists themselves would have reacted to it. But Edwin lived with it more and more. He was indeed getting used to it. Though he could not answer it, he could parry it, thanks to scientific ideas obtained from Darwin and Spencer, by the reflection that both he and his serfs, whatever their sex, were the almost blind agencies of a vast process of evolution. And this he did, exulting with pride sometimes in the sheer adventure of the affair, and sharing his thoughts with none.... Strange that once, and not so many years ago either, he had been tempted to sell the business and live inert and ignobly secure on the interest of invested moneys! But even to-day he felt sudden fears of responsibility; they came and went.

The visitors, having wandered to and fro, staring, trailed out of the machine-room, led by Edwin. A wide door swung behind them, and they were in the abrupt, startling peace of another corridor. Clara wiped Rupert's eyes, and he smiled, like a blossom after a storm. The mother and the uncle exchanged awkward glances. They had nothing whatever to say to each other. Edwin could seldom think of anything that he really wanted to say to Clara. The children were very hot and weary of wonders.

"Well," said Clara, "I suppose we'd better be moving on now." She had somewhat the air of a draught-animal about to resume the immense labour of dragging a train. "It's very queer about George. He was to have come with us for tea."

"Oh! Was he?"

"Of course he was," Clara replied sharply. "It was most distinctly arranged."

At this moment Tertius Ingpen and Hilda appeared together at the other end of the corridor. Hilda's unsmiling face seemed enigmatic. Ingpen was talking with vivacity.

Edwin thought apprehensively:

"What's up now? What's she doing here, and not George?"

And when the sisters-in-law, so strangely contrasting, shook hands, he thought:

"Is it possible that Albert looks on his wife as something unpredictable? Do those two also have moods, and altercations and antagonisms? Are they always preoccupied about what they are thinking of each other? No! It's impossible. Their life must be simply fiendishly monotonous." And Clara's inferiority before the erect, flashing individuality of Hilda appeared to him despicable. Hilda bent and kissed Rupert, Lucy, Amy and young Clara, as it were with passion. She was marvellous as she bent over Rupert. She scarcely looked at Edwin. Ingpen stood aside.

"I'm very sorry," said Hilda perfunctorily. "I had to send George on an errand to Hanbridge at the last moment."

Nothing more! No genuine sign of regret! Edwin blamed her severely. "Send George on an errand to Hanbridge!" That was Hilda all over! Why the devil should she go out of her way to make unpleasantness with Clara? She knew quite well what kind of a woman Clara was, and that the whole of Clara's existence was made up of domestic trifles, each of which was enormous for her.

"Will he be down to tea?" asked Clara.

"I doubt it."

"Well ... another day, then."

Clara, gathering her offspring, took leave at a door in the corridor which gave on to the yard. Mindful to the last of Mr. Ingpen's presence (which Hilda apparently now ignored), she smiled sweetly as she went. But behind the smile, Edwin with regret, and Hilda with satisfaction, could perceive her everlasting grudge against their superior splendour. Even had they sunk to indigence Clara could never have forgiven Edwin for having towards the end of their father's life prevented Albert from wheedling a thousand pounds out of old Darius, nor Hilda for her occasional pricking, unanswerable sarcasms.... Still, Rupert, descending two titanic steps into the yard, clung to his mother as to an angel.

"And what errand to Hanbridge?" Edwin asked himself mistrustfully.